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Work Type intaglio print

Height [cm] 42

William Blake Night the Second. On Time, Death and Friendship; Title Page

Print made by William Blake, 1757–1827

Night the Second. On Time, Death and Friendship; Title Page

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

ca. 1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

ca. 1797

William Blake 'The thunder if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

Edward Goodall Prudoe Castle, Northumberland

Print made by Edward Goodall, 1795–1870

Prudoe Castle, Northumberland

1827-1838

William Miller Stamford, Lincolnshire

Print made by William Miller, 1796–1882

Stamford, Lincolnshire

1827-1838

Edward Goodall Fall of the Tees, Yorkshire

Print made by Edward Goodall, 1795–1870

Fall of the Tees, Yorkshire

1827-1838

W. R. Smith Dartmouth Cove

Print made by W. R. Smith, active 1819–1851

Dartmouth Cove

1827-1838

Edward Goodall Cologne on the Rhine

Print made by Edward Goodall, 1795–1870

Cologne on the Rhine

1824

Robert Wallis Lancaster from the Aqueduct Bridge

Print made by Robert Wallis, 1794–1878

Lancaster from the Aqueduct Bridge

1827-1838

Edward Goodall Rievaulx Abbey, Yorkshire

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827-1838

Robert Wallis Lancaster from the Aqueduct Bridge

Print made by Robert Wallis, 1794–1878

Lancaster from the Aqueduct Bridge

1827-1838

W. R. Smith Saltash, Cornwall

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

1827-1838

W. R. Smith Saltash, Cornwall

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

1827-1838

Robert Wallis Barnard Castle, Durham

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827-1838

W. R. Smith Richmond, Yorkshire

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827-1838

Edward Goodall Cologne on the Rhine

Print made by Edward Goodall, 1795–1870

Cologne on the Rhine

1824

Edward Goodall Cologne on the Rhine

Print made by Edward Goodall, 1795–1870

Cologne on the Rhine

1824

Robert Wallis Barnard Castle, Durham

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827-1838

Richard Earlom A Shepherd Boy

Print made by Richard Earlom, 1743–1822

A Shepherd Boy

1781

Thomas Watson Barbara Palmer (née Villiers) Countess of Castlemaine

Thomas Watson, 1743–1781

Barbara Palmer (née Villiers) Countess of Castlemaine

undated

Caroline Watson Prince Serge and Princess Barbara Gagarin, with their son, Prince Nicholas

Print made by Caroline Watson, 1760–1814

Prince Serge and Princess Barbara Gagarin, with their son, Prince Nicholas

1785

John Finlayson Mr. Garrick in the Character of Kitely

John Finlayson, 1730–1776

Mr. Garrick in the Character of Kitely

1769

unknown artist The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

Print made by unknown artist

The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

between 1720 and 1750

George Hollis St. Mark's Place, Venice - Juliet and her Nurse

Print made by George Hollis, 1792–1842

St. Mark's Place, Venice - Juliet and her Nurse

1842

Edward Goodall Oxford from North Hinksey

Print made by Edward Goodall, 1795–1870

Oxford from North Hinksey

1841

George Hollis St. Mark's Place, Venice - Juliet and her Nurse

Print made by George Hollis, 1792–1842

St. Mark's Place, Venice - Juliet and her Nurse

1842

John Jones Reverend John Moore, Lord Archbishop of Canterbury

John Jones, ca. 1745–1797

Reverend John Moore, Lord Archbishop of Canterbury

1792

John Raphael Smith Theophelia Gwatkin (née Palmer)

John Raphael Smith, 1752–1812

Theophelia Gwatkin (née Palmer)

1778

John Dixon Elizabeth, Countess of Pembroke and Montgomery, with Her Son, Honorable, George, Lord Herbert

John Dixon, ca. 1740–1811

Elizabeth, Countess of Pembroke and Montgomery, with Her Son, Honorable, George, Lord Herbert

1771

George Vertue Johannes Potter, Archiepiscopus Cantuariensis

George Vertue, 1684–1756

Johannes Potter, Archiepiscopus Cantuariensis

1741

James Watson Miss Sarah Price

James Watson, 1740–1790

Miss Sarah Price

1770

Valentine Green Henry Revell Reynolds

Valentine Green, 1739–1813

Henry Revell Reynolds

1798

Thomas Macklin Fallstaff Playing the Prince, The Prince Playing the King

Print made by Thomas Macklin, active 1779–1793

Fallstaff Playing the Prince, The Prince Playing the King

1796

Robert Mitchell Meadows Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II

Robert Mitchell Meadows, Died before 1812

Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II

1794

Francis Legat "King Lear", Act V, Scene III

Francis Legat, 1755–1809

"King Lear", Act V, Scene III

1792

William S. Leney Taming the Shrew, Act III, Scene II

William S. Leney, 1769–1831

Taming the Shrew, Act III, Scene II

1793

Peltro W. Tomkins Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

Peltro W. Tomkins, 1760–1840

Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

1792

Samuel William Reynolds The Right Honourable Lord Grenville

Samuel William Reynolds, 1773–1835

The Right Honourable Lord Grenville

1800

Johann Jacobé Edward Chamberlayne

Johann Jacobé, 1733–1797

Edward Chamberlayne

1780

William Baillie James Scott, 1st Duke of Monmouth, 1st Duke of Buccleuch

Print made by William Baillie, 1723–1810

James Scott, 1st Duke of Monmouth, 1st Duke of Buccleuch

1774

Lucas Vorsterman I Isabella Clara Eugenia

Print made by Lucas Vorsterman I, 1595–1675

Isabella Clara Eugenia

ca. 1635

John Copley An Autumn Afternoon on Hampstead Heath

Print made by John Copley, 1875–1950

An Autumn Afternoon on Hampstead Heath

1939

Lucas Vorsterman I Princeps Wolfangus Wilhelmus

Print made by Lucas Vorsterman I, 1595–1675

Princeps Wolfangus Wilhelmus

ca. 1635

Valentine Green Mrs. Cosway

Print made by Valentine Green, 1739–1813

Mrs. Cosway

1787

Robert Graves William Esdaile

Print made by Robert Graves, 1798–1873

William Esdaile

1826

James Watson A Storm

Print made by James Watson, 1740–1790

A Storm

1767

Johann Jacobus Haid La benedicite

Print made by Johann Jacobus Haid, 1704–1767

La benedicite

undated

Edward Fisher Garrick Between Tragedy and Comedy

Print made by Edward Fisher, 1722–1785

Garrick Between Tragedy and Comedy

undated