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Genre religious and mythological subject

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Sir James Thornhill Jacob's Dream
Sir James Thornhill, 1675–1734
Jacob's Dream
1705
Not on view
John Frederick Lewis “And the Prayer of Faith Shall Save the Sick”
John Frederick Lewis, 1804–1876
“And the Prayer of Faith Shall Save the Sick”
1872
Not on view
Sir James Thornhill A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
Sir James Thornhill, 1675–1734
A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
between 1712 and 1713
Not on view
John Hamilton Mortimer Man attacking a monster
Attributed to John Hamilton Mortimer, 1740–1779
Man attacking a monster
between 1770 and 1780
Not on view
Benjamin Robert Haydon Venus and Anchises
Benjamin Robert Haydon, 1786–1846
Venus and Anchises
1826
Not on view
Thomas Jones The Death of Orpheus
Landscape by Thomas Jones, 1742–1803
The Death of Orpheus
ca. 1770
Not on view
Alfred Turner St. George
Alfred Turner, 1874–1940
St. George
1927
Not on view
Alfred Gilbert St. George
Alfred Gilbert, 1854–1934
St. George
1891 to 1896
Not on view
Joseph Nollekens Adonis
Joseph Nollekens, 1737–1823
Adonis
1770s
Not on view
Michael Chuke The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
Attributed to Michael Chuke, 1679–1742
The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
ca. 1715
Not on view
William Hogarth Hymen
William Hogarth, 1697–1764
Hymen
ca. 1748
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
Joseph Mallord William Turner The Deluge
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake A Widower and Children (Design 35)
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake A Welch Bard (Design 53)
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake Study for a Destroying Deity
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
William Blake An Angel with a Trumpet
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
George Romney The Bath of Bath-sheba
George Romney, 1734–1802
The Bath of Bath-sheba
undated
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
George Romney River God
George Romney, 1734–1802
River God
undated
George Romney Borghese Gladiator
George Romney, 1734–1802
Borghese Gladiator
undated
George Romney Laocoon
George Romney, 1734–1802
Laocoon
undated
Stephen Frederick Gooden The Satyrs
Stephen Frederick Gooden, 1892–1955
The Satyrs
1937
Benjamin Robert Haydon Study of the Pieta
Benjamin Robert Haydon, 1786–1846
Study of the Pieta
undated
Benjamin Robert Haydon Study of the Resurrection of Lazarus
Benjamin Robert Haydon, 1786–1846
Study of the Resurrection of Lazarus
undated
Benjamin Robert Haydon Figure Studies of a Man Rising From the Ground
Benjamin Robert Haydon, 1786–1846
Figure Studies of a Man Rising From the Ground
undated
Robert Smirke Allegorical Scene
Robert Smirke, 1752–1845
Allegorical Scene
undated
James McArdell Thomas Ashton D.D.
James McArdell, ca. 1729–1765
Thomas Ashton D.D
1756
James Barry Repose in Egypt
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
James Barry Repose in Egypt
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
Henry Pierce Bone Incantation Scene
Henry Pierce Bone, 1779–1855
Incantation Scene
undated
Richard Westall Rosebud, or the Judgement of Paris
Richard Westall, 1765–1836
Rosebud, or the Judgement of Paris
1791
Thomas Carwitham Illustration to Homer's Iliad
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
Benjamin Robert Haydon Study For, Christ's Entry into Jerusalem
Benjamin Robert Haydon, 1786–1846
Study For, Christ's Entry into Jerusalem
1810 to 1820
Peeter Clouwet Carolus Scribanius
Print made by Peeter Clouwet, 1629–1670
Carolus Scribanius
ca. 1635
M. Gauci William Howley, Archbishop of Canterbury
M. Gauci, 1810–1846
William Howley, Archbishop of Canterbury
1839
William Hamilton Hero and Leander
William Hamilton, 1751–1801
Hero and Leander
1801
Thomas Carwitham Jupiter and Callisto: Ovid, Metamorphoses, Book 2
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
Bernard Lens II Venus and Adonis
Print made by Bernard Lens II, 1659–1725
Venus and Adonis
between 1680 and 1725
Abraham Blooteling Hercules before the Temple of Janus
Print made by Abraham Blooteling, 1640–1690
Hercules before the Temple of Janus
between 1680 and 1690
John Faber the Younger St. Paul
Print made by John Faber the Younger, ca. 1695–1756
St. Paul
1741
Richard Westall Christ Appears to Mary Magdalene (John 20:13-14)
Richard Westall, 1765–1836
Christ Appears to Mary Magdalene (John 20:13-14)
before 1836
Abraham Blooteling St. Paulus
Print made by Abraham Blooteling, 1640–1690
St. Paulus
between 1680 and 1690
Abraham Blooteling Hercules before the Temple of Janus
Print made by Abraham Blooteling, 1640–1690
Hercules before the Temple of Janus
between 1680 and 1690
John Faber the Younger St. Paul
Print made by John Faber the Younger, ca. 1695–1756
St. Paul
1741
John Faber the Younger St. John, Apostle and Evangelist
Print made by John Faber the Younger, ca. 1695–1756
St. John, Apostle and Evangelist
1751
Bernard Lens II Tobit and the Angel
Print made by Bernard Lens II, 1659–1725
Tobit and the Angel
undated
Bernard Lens II The Judgement of Paris
Print made by Bernard Lens II, 1659–1725
The Judgement of Paris
undated
unknown artist St. John with the Lamb
Print made by unknown artist
St. John with the Lamb
undated
unknown artist St. John with the Lamb
Print made by unknown artist
St. John with the Lamb
undated
Thomas Carwitham Design for a Ceiling Decoration
Thomas Carwitham, active 1723
Design for a Ceiling Decoration
1723
unknown artist God Creating the Universe
unknown artist
God Creating the Universe
ca. 1800
Mauritius Lowe Allegorical Subject
Mauritius Lowe, 1746–1793
Allegorical Subject
undated
Bartholomew Howlett Grantham Church
Print made by Bartholomew Howlett, 1767–1827
Grantham Church
1797
Sir James Thornhill Diana and Actaeon: A Study for a Panel on a Staircase
follower of Sir James Thornhill, 1675–1734
Diana and Actaeon: A Study for a Panel on a Staircase
undated
John Jones Reverend John Moore, Lord Archbishop of Canterbury
John Jones, ca. 1745–1797
Reverend John Moore, Lord Archbishop of Canterbury
1792
unknown artist Oliver Plunket
unknown artist
Oliver Plunket
1790
Charles Turner Beilby Porteus, Bishop of London
Charles Turner, 1774–1857
Beilby Porteus, Bishop of London
1807
Charles Picart Reverend Beilby Porteus, Lord Bishop of London
Charles Picart, c.1780–1837
Reverend Beilby Porteus, Lord Bishop of London
1809
Edward Fisher Lord Archbishop of Canterbury
Edward Fisher, 1722–1785
Lord Archbishop of Canterbury
1769
James Basire Benjamin Hoadly, Bishop of Winchester
Print made by James Basire, 1730–1802
Benjamin Hoadly, Bishop of Winchester
1771
James Watson The Right Reverent Thomas Newton, D.D.
James Watson, 1740–1790
The Right Reverent Thomas Newton, D.D
1776
George Vertue Johannes Potter, Archiepiscopus Cantuariensis
George Vertue, 1684–1756
Johannes Potter, Archiepiscopus Cantuariensis
1741
unknown artist William Robertson
unknown artist
William Robertson
1799
John Dixon William Robertson
John Dixon, ca. 1740–1811
William Robertson
1772