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Genre religious and mythological subject

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Philippe-Jacques de Loutherbourg The Angel Binding Satan
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
Not on view
unknown artist The Assumption and Coronation of the Virgin
unknown artist
The Assumption and Coronation of the Virgin
1450 to 1500
Not on view
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake Study for a Destroying Deity
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
James Bruce St. Agnes (after Domenichino)
James Bruce, 1730–1794
St. Agnes (after Domenichino)
undated
Thomas Park Dr. John Thomas, Lord Bishop of Rochester
Thomas Park, ca. 1760–1834
Dr. John Thomas, Lord Bishop of Rochester
1788
Robert Dunkarton Reverend John Fisher, Bishop of Salisbury
Robert Dunkarton, 1744–1811
Reverend John Fisher, Bishop of Salisbury
1811
Thomas Daniell An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri
Thomas Daniell, 1749–1840
An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri
July 1795
William Woollett Dido and Aeneas
William Woollett, 1735–1785
Dido and Aeneas
1787
Francesco Bartolozzi St. Nil
Print made by Francesco Bartolozzi, 1728–1815
St. Nil
1762
John Raphael Smith Joseph Deane Bourke, 3rd Earl of Mayo
John Raphael Smith, 1752–1812
Joseph Deane Bourke, 3rd Earl of Mayo
1784
William Say Reverend. Shute Barrington L.L.D.
William Say, 1768–1834
Reverend. Shute Barrington L.L.D
1812
Francesco Bartolozzi Perseus Relating to Andromeda the Power of Medusa's Head
Francesco Bartolozzi, 1728–1815
Perseus Relating to Andromeda the Power of Medusa's Head
1788
William Woollett Meleager and Atalanta
Print made by William Woollett, 1735–1785
Meleager and Atalanta
1779
William Woollett Ceyx and Alcyone
William Woollett, 1735–1785
Ceyx and Alcyone
1769
Francesco Bartolozzi Juvenis auscultans seni de divinis admonenti
Print made by Francesco Bartolozzi, 1728–1815
Juvenis auscultans seni de divinis admonenti
1764
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
Joseph Grozer St. John
Print made by Joseph Grozer, ca. 1755–1798
St. John
c.1799
Richard Earlom Mordecai
Print made by Richard Earlom, 1743–1822
Mordecai
1787
John Murphy Hiram King of Tyre, Sends Presents to King Solomon
Print made by John Murphy, ca. 1748–1820
Hiram King of Tyre, Sends Presents to King Solomon
1790
James Henry Watt St. Cecilia
James Henry Watt, 1799–1867
St. Cecilia
1834
Edward Goodall St. Julienne's Chapel
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
unknown artist Sketch for the Oil Painting "The Conversion of St. Paul"
unknown artist
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
Francesco Bartolozzi Venus Attired By The Graces
Francesco Bartolozzi, 1728–1815
Venus Attired By The Graces
1784
Richard Earlom The Enchantress
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
Richard Earlom The Enchantress
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
Johann Gottfried Haid Absalom's Submission to his Father, King David
Print made by Johann Gottfried Haid, 1704–1767
Absalom's Submission to his Father, King David
1766
George Siegmund Facius West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
1805
John Raphael Smith Reverend Richard Robinson, Archibishop of Armagh
John Raphael Smith, 1752–1812
Reverend Richard Robinson, Archibishop of Armagh
1775
Charles Turner Hon. James Yorke, Bishop of Ely
Charles Turner, 1774–1857
Hon. James Yorke, Bishop of Ely
1810
J. P. Quilley The Deluge
Print made by J. P. Quilley, active 1828
The Deluge
1828
John Horsburgh Shakespeare's Monument at the Church at Stratford upon Avon
Print made by John Horsburgh, 1791–1869
Shakespeare's Monument at the Church at Stratford upon Avon
1834
John Martin Death of the First Born of Egypt
John Martin, 1789–1854
Death of the First Born of Egypt
1836
Charles Turner Cyril Jackson
Charles Turner, 1774–1857
Cyril Jackson
1811
George Clint Robert Haldane, Esq.
George Clint, 1770–1854
Robert Haldane, Esq
1805
Charles Turner William Hawley
Charles Turner, 1774–1857
William Hawley
1817
Thomas Cook Time Smoking a Picture
Print made by Thomas Cook, 1744–1818
Time Smoking a Picture
early 1800s