Genre: religious and mythological subject / Height [cm]: 21 / Width [cm]: 26 - YCBA Collections Search Search Results

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Genre religious and mythological subject

Height [cm] 21

Width [cm] 26

Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21

Etched by Joseph Mallord William Turner, 1775–1851

Rispah: 2nd Book of Samuel, Chap. 21

1812

Joseph Mallord William Turner The Fifth Plague of Egypt

Etched by Joseph Mallord William Turner, 1775–1851

The Fifth Plague of Egypt

1808

Joseph Mallord William Turner Jason

Etched by Joseph Mallord William Turner, 1775–1851

Jason

1807

Joseph Mallord William Turner Glaucus and Scylla

Etched by Joseph Mallord William Turner, 1775–1851

Glaucus and Scylla

1813 to 1823

Joseph Mallord William Turner Glaucus and Scylla

Print made by Joseph Mallord William Turner, 1775–1851

Glaucus and Scylla

between 1813 and 1823

Joseph Mallord William Turner Aesacus and Hesperie

Print made by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Joseph Mallord William Turner Glaucus and Scylla

Etched by Joseph Mallord William Turner, 1775–1851

Glaucus and Scylla

between 1813 and 1823

Joseph Mallord William Turner Jason

Etched by Joseph Mallord William Turner, 1775–1851

Jason

1807

Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21

Etched by Joseph Mallord William Turner, 1775–1851

Rispah: 2nd Book of Samuel, Chap. 21

1812

Joseph Mallord William Turner Jason

Etched by Joseph Mallord William Turner, 1775–1851

Jason

1807

Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21

Etched by Joseph Mallord William Turner, 1775–1851

Rispah: 2nd Book of Samuel, Chap. 21

1812

Joseph Mallord William Turner Tenth Plague of Egypt

Etched by Joseph Mallord William Turner, 1775–1851

Tenth Plague of Egypt

1816

Joseph Mallord William Turner Christ and the Woman of Samaria

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

Joseph Mallord William Turner Christ and the Woman of Samaria

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

Joseph Mallord William Turner Tenth Plague of Egypt

Etched by Joseph Mallord William Turner, 1775–1851

Tenth Plague of Egypt

1816

William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Print made by William Blake, 1757–1827

"And Hand & Hyle rooted into Jerusalem..." (Plate 15)

1804 to 1820

William Blake "Albion thy fear has made me tremble..." (Plate 22)

Print made by William Blake, 1757–1827

"Albion thy fear has made me tremble..." (Plate 22)

1804 to 1820

William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

Print made by William Blake, 1757–1827

"His Spectre divides & Los in fury compells it to divide..." (Plate 17)

1804 to 1820

William Blake "Elevate into the Region of Brotherhood..." (Plate 34)

Print made by William Blake, 1757–1827

"Elevate into the Region of Brotherhood..." (Plate 34)

1804 to 1820

William Blake "In beauty the Daughters of Albion divide..." (Plate 58)

Print made by William Blake, 1757–1827

"In beauty the Daughters of Albion divide..." (Plate 58)

1804 to 1820

William Blake "And the Two that escaped..." (Plate 30)

Print made by William Blake, 1757–1827

"And the Two that escaped..." (Plate 30)

1804 to 1820

William Blake "Reuben return'd to his place, in vain..." (Plate 36)

Print made by William Blake, 1757–1827

"Reuben return'd to his place, in vain..." (Plate 36)

1804 to 1820

William Blake "In Great Eternity every particular Form..." (Plate 54)

Print made by William Blake, 1757–1827

"In Great Eternity every particular Form..." (Plate 54)

1804 to 1820

William Blake "When those who disregard all Mortal Things..." (Plate 55)

Print made by William Blake, 1757–1827

"When those who disregard all Mortal Things..." (Plate 55)

1804 to 1820

William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

Print made by William Blake, 1757–1827

"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

1804 to 1820

William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)

Print made by William Blake, 1757–1827

"The secret coverts of Albion & the hidden places of America..." (Plate 49)

1804 to 1820

William Blake "With one accord in love sublime..." (Plate 44)

Print made by William Blake, 1757–1827

"With one accord in love sublime..." (Plate 44)

1804 to 1820

William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

Print made by William Blake, 1757–1827

"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

1804 to 1820

William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)

Print made by William Blake, 1757–1827

"By those who drink their blood & the blood of their Covenant..." (Plate 67)

1804 to 1820

William Blake "O Skofield why art thou cruel?..." (Plate 68)

Print made by William Blake, 1757–1827

"O Skofield why art thou cruel?..." (Plate 68)

1804 to 1820

William Blake "Then all the Males conjoined into One Male..." (Plate 69)

Print made by William Blake, 1757–1827

"Then all the Males conjoined into One Male..." (Plate 69)

1804 to 1820

William Blake "Highgates heights & Hampsteads..." (Plate 84)

Print made by William Blake, 1757–1827

"Highgates heights & Hampsteads..." (Plate 84)

1804 to 1820

William Blake "Became a Space & an Allegory..." (Plate 85)

Print made by William Blake, 1757–1827

"Became a Space & an Allegory..." (Plate 85)

1804 to 1820

William Blake "The Feminine separates from the Masculine..." (Plate 90)

Print made by William Blake, 1757–1827

"The Feminine separates from the Masculine..." (Plate 90)

1804 to 1820

William Blake "It is easier to forgive an enemy..." (Plate 91)

Print made by William Blake, 1757–1827

"It is easier to forgive an enemy..." (Plate 91)

1804 to 1820

William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Print made by William Blake, 1757–1827

"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

1804 to 1820

William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)

Print made by William Blake, 1757–1827

"Then each an Arrow flaming from his Quiver..." (Plate 98)

1804 to 1820

William Blake "Awake! Awake Jerusalem..." (Plate 97)

Print made by William Blake, 1757–1827

"Awake! Awake Jerusalem..." (Plate 97)

1804 to 1820

William Blake "The clouds of Albions Druid Temples..." (Plate 60)

Print made by William Blake, 1757–1827

"The clouds of Albions Druid Temples..." (Plate 60)

1804 to 1820

William Blake "Repose on me till the morning of the Grave..." (Plate 62)

Print made by William Blake, 1757–1827

"Repose on me till the morning of the Grave..." (Plate 62)

1804 to 1820

William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Print made by William Blake, 1757–1827

Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

1804 to 1820

William Blake "I have mock'd those who refused cruelty..." (Plate 81)

Print made by William Blake, 1757–1827

"I have mock'd those who refused cruelty..." (Plate 81)

1804 to 1820

William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)

Print made by William Blake, 1757–1827

"I see thy Form O lovely mild Jerusalem..." (Plate 86)

1804 to 1820

William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)

Print made by William Blake, 1757–1827

"Repelling weeping Enion blind & age-bent..." (Plate 87)

1804 to 1820

William Blake "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

Print made by William Blake, 1757–1827

"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

1804 to 1820

William Blake "Albion cold lays on his Rock..." (Plate 94)

Print made by William Blake, 1757–1827

"Albion cold lays on his Rock..." (Plate 94)

1804 to 1820

Lydia Bates Deucalion and Pyrrha after the Flood

Print made by Lydia Bates, active 1784

Deucalion and Pyrrha after the Flood

1784

Richard Earlom A Landscape, with the Story of Apollo and Marsyas

Print made by Richard Earlom, 1743–1822

A Landscape, with the Story of Apollo and Marsyas

1775

Thomas Goff Lupton Procris and Cephalus

Print made by Thomas Goff Lupton, 1791–1873

Procris and Cephalus

1864

unknown artist Pyramus and Thisbe

Print made by unknown artist

Pyramus and Thisbe

undated

James Barry Repose in Egypt

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

Bartholomew Howlett Grantham Church

Print made by Bartholomew Howlett, 1767–1827

Grantham Church

1797

Sir Frank Short Aesacus and Hesperie

Print made by Sir Frank Short, 1857–1945

Aesacus and Hesperie

1896

Sir Frank Short Procris and Cephalus

Print made by Sir Frank Short, 1857–1945

Procris and Cephalus

1885

unknown artist The Judgement of Paris

unknown artist

The Judgement of Paris

undated

Richard Cosway Supper at Emmaus

Richard Cosway, 1742–1821

Supper at Emmaus

undated

Luigi Schiavonetti Death of the Strong Wicked Man

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808

Luigi Schiavonetti Death of the Strong Wicked Man

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808

Luigi Schiavonetti Death of the Strong Wicked Man

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808

Sir Frank Short Pan and Syrinx, No. 2

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx, No. 2

1896

Sir Frank Short Jason

Published by Sir Frank Short, 1857–1945

Jason

1807

Sir Frank Short Aesacus and Hesperie

Print made by Sir Frank Short, 1857–1945

Aesacus and Hesperie

1896