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1
- The Horse
- ca. 1805
- Not on view
2
- 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
- 1786
- Not on view
3
- Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
- ca. 1874
- Not on view
4
- "The Lady of Shalott"
- ca. 1875
- Not on view
5
- Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
- 1790
- Not on view
6
- The Taming of the Shrew
- ca. 1937
- Not on view
7
- Gulliver Taking His Final Leave of the Land of the Houyhnhnms
- 1769
- Not on view
8
- The Sleeping Shepherd
- 1857
9
- The Vine
- 1852
10
- The Lonely Tower
- 1879
11
- The Sepulchre
- between 1880 and 1883
12
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
13
- The Lonely Tower
- 1879
14
- Opening the Fold
- 1880
15
- The Sepulchre
- etching begun ca. 1800; impression printed in 1924
16
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
17
- Apuleia in Search of Apuleius
- between 1813 and 1823
18
- The Deluge
- between 1813 and 1823
19
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
20
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
21
- My Son! My Son! (Plate 10)
- 1793
22
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
23
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
24
- Songs of Innocence, Title Page (Plate 2)
- 1789
25
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
26
- 'Till death, that mighty hunter, earths them all' (Page 70)
- ca. 1797
27
- Chapter II, "Muster around the bleak desarts..." (Plate 4)
- 1794
28
- Title Page, The First Book of Urizen (Plate 1)
- 1794
29
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
30
- Songs of Experience, Frontispiece (Plate 32)
- 1794
31
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
32
- "His face and bosom with petrific hardness..." (Plate 38)
- 1804 to 1820
33
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
34
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
35
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
36
- Title Page, The First Book of Urizen (Plate 1)
- 1794
37
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
38
- Chapter II, "Muster around the bleak desarts..." (Plate 6)
- 1794
39
- Frontispiece (Plate 1)
- ca. 1788
40
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
41
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
42
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
43
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
44
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
45
- Aged Ignorance (Plate 13)
- 1826
46
- "I found him beneath a Tree" (Plate 3)
- 1826
47
- Water (Plate 4)
- 1826
48
- "My son! my Son!" (Plate 10)
- 1826
49
- The Little Black Boy (Plate 30)
- 1789
50
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
51
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
52
- "A brace of warriors... rustling in their silks and tissues..."(Design 27)
- between 1797 and 1798
53
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
54
- A Widower and Children (Design 35)
- between 1797 and 1798
55
- A Welch Bard (Design 53)
- between 1797 and 1798
56
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
57
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
58
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
59
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
60
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
61
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
62
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
63
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
64
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
65
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
66
- The Little Boy Lost (Plate 20)
- 1789
67
- Nurse's Song (Plate 22)
- 1789
68
- Spring (Plate 26)
- 1789
69
- Laughing Song (Plate 28)
- 1789
70
- Introduction (Plate 3)
- 1789
71
- A Dream (Plate 4)
- 1789
72
- The Lamb (Plate 8)
- 1789
73
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
74
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
75
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
76
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
77
- The Author Writing (Design 105)
- between 1797 and 1798
78
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
79
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
80
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
81
- The Divine Image (Plate 12)
- 1789
82
- Infant Joy (Plate 14)
- 1789
83
- On Anothers Sorrow (Plate 24)
- 1789
84
- Alas! (Plate 9)
- 1826
85
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
86
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
87
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798
88
- "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
- between 1797 and 1798
89
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
90
- The Shepherd, from Songs of Innocence
- ca. 1795
91
- Spring, from Songs of Innocence
- ca. 1795
92
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
93
- The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
- 1805 to 1808
94
- Falstaff Carrying Dead Hotspur
- undated
95
- The Duel: 'Twelfth Night,' Act III, Scene IV
- ca. 1790
96
- Launce Teaching His Dog Crab
- undated
97
- Enter Malvolio, Crossgartered..
- 1863
98
- Gulliver Bound by the Lilliputians
- undated
99
- The Murder of Banquo
- ca. 1830
100
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710