Genre: literary theme / Subject Terms: nude - YCBA Collections Search Search Results

1. Cymon and Iphigenia

Creator:: Benjamin West, 1738–1820
Date:: ca. 1766
Materials & Techniques:: Oil on panel
Dimensions:: 24 1/8 x 32 1/2 inches (61.3 x 82.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

2. Sylvia and the Wounded Stag

Creator:: Joseph Gott, 1786–1860
Date:: 1824
Materials & Techniques:: Terracotta
Dimensions:: Overall: 6 11/16 inches (17 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

3. The Witches' Cavern

Creator:: George Romney, 1734–1802
Date:: between 1792 and 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 9 3/16 inches (14.3 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

4. The Little Black Boy (Plate 30)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Title Page, The Pindaric Genius Receiving His Lyre (Design 1)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with letterpress inset
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Lamb (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Spring (Plate 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. "Los shudder'd at beholding Albion..." (Plate 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. "Encompass'd by the frozen Net..." (Plate 80)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. "I have mock'd those who refused cruelty..." (Plate 81)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. "Then all the Males conjoined into One Male..." (Plate 69)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Chapter 4 Frontispiece (Plate 76)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. "To him the mighty mother did unveil Her awful face..." (Design 49)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Purple Year awaking from the Roots of Nature (Design 3)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. I. "Man cannot naturally Percieve..."(Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Title Page, The Book of Thel (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. 'But for the blessing wrestle not with heaven' (Page 88)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Brown ink with brown wash and gouache over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 5/8 x 4 1/2 inches (16.8 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Ceres and Abas: Ovid, Metamorphoses, Book 5

Creator:: Thomas Carwitham, active 1723
Date:: ca. 1723
Materials & Techniques:: Pen and brown ink and brown wash on medium, slightly textured, beige laid paper, mounted on moderately thick, slightly textured, beige laid paper
Dimensions:: Mount: 5 11/16 x 8 3/4 inches (14.5 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

34. Hecate

Creator:: George Henry Harlow, 1787–1819
Date:: 1815
Materials & Techniques:: Graphite with stumping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 7 inches (21.9 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

35. Jupiter and Callisto: Ovid, Metamorphoses, Book 2

Creator:: Thomas Carwitham, active 1723
Date:: ca. 1723
Materials & Techniques:: Pen and brown ink and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 4 5/16 x 3 3/4 inches (11 x 9.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

36. Twelve Illustrations of Robinson Crusoe

Creator:: Carington Bowles, 1724–1793
Date:: 1783
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

37. The Young Roscius

Creator:: Print made by unknown artist
Date:: 1804
Materials & Techniques:: Etching with hand coloring on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 5/8 × 11 1/8 inches (34.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

38. Rinaldo and Armida

Creator:: Valentine Green, 1739–1813
Date:: 1775
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 20 7/8 x 14 15/16 inches (53 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Fatal Bellman

Creator:: Print made by George Richmond, 1809–1896
Date:: 1827
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 6 13/16 x 5 3/8 inches (17.3 x 13.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus

Creator:: Print made by Henry J. Townsend, 1810–1890
Date:: 1853
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 x 5 5/8 inches (10.2 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1773
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 13/16 x 16 3/4 inches (32.5 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Die Unschuldige Susana - Susanna Innocens

Creator:: Print made by Johann Philip Koch, ca. 1716–1796
Date:: undated
Materials & Techniques:: Mezzotint printed in blue ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 19 1/2 inches (40.6 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

44. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Venus and Adonis

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 14 inches (26.4 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. Venus and Adonis

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: ca. 1690
Materials & Techniques:: Mezzotint, before all letters on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 13 13/16 inches (25.7 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Reclining Nude, Possibly Titania

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 x 13 inches (17.8 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

50. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 13 3/4 inches (49.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 13 7/8 inches (50.2 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 13 1/2 inches (51.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 13 1/2 inches (50.2 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Genre literary theme

Subject Terms nude

Search Results

1. Cymon and Iphigenia

2. Sylvia and the Wounded Stag

3. The Witches' Cavern

4. The Little Black Boy (Plate 30)

5. 'As if the sun could envy, check'd his beam' (Page 49)

6. "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

7. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

8. Title Page, The Pindaric Genius Receiving His Lyre (Design 1)

9. "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)

10. The Lamb (Plate 8)

11. Spring (Plate 26)

12. "Los shudder'd at beholding Albion..." (Plate 40)

13. "Encompass'd by the frozen Net..." (Plate 80)

14. "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

15. "I have mock'd those who refused cruelty..." (Plate 81)

16. "Then all the Males conjoined into One Male..." (Plate 69)

17. Chapter 4 Frontispiece (Plate 76)

18. 'The goddess bursts in thunder and in flame' (Page 95)

19. "To him the mighty mother did unveil Her awful face..." (Design 49)

20. The Purple Year awaking from the Roots of Nature (Design 3)

21. "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

22. I. "Man cannot naturally Percieve..."(Plate 3)

23. Frontispiece (Plate 1)

24. Title Page, The Book of Thel (Plate 2)

25. 'Behold him, when past by; what then is seen' (Page 25)

26. 'Emblem of that which shall awake the dead' (Page 19)

27. The Christian Triumph; Title Page

28. 'Till death, that mighty hunter, earths them all' (Page 70)

29. 'But for the blessing wrestle not with heaven' (Page 88)

30. 'That touch, with charm celestial heals the soul' (Page 90)

31. 'If angels tremble, 'tis at such a sight' (Page 93)

32. Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe

33. Ceres and Abas: Ovid, Metamorphoses, Book 5

34. Hecate

35. Jupiter and Callisto: Ovid, Metamorphoses, Book 2

36. Twelve Illustrations of Robinson Crusoe

37. The Young Roscius

38. Rinaldo and Armida

39. The Fatal Bellman

40. Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus

41. Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"

42. Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

43. Die Unschuldige Susana - Susanna Innocens

44. Robert Blair, The Grave, Title Page

45. The Reunion of the Soul & the Body

46. Venus and Adonis

47. Venus and Adonis

48. Death's Door

49. Reclining Nude, Possibly Titania

50. Robert Blair, The Grave, Title Page

51. Death of the Strong Wicked Man

52. Death's Door

53. Death of the Strong Wicked Man

54. The Reunion of the Soul & the Body

55. Robert Blair, The Grave, Title Page

56. The Day of Judgment

57. Death's Door

58. The Reunion of the Soul & the Body

59. The Day of Judgment

60. Robert Blair, The Grave, Title Page