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1
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
2
- The Homeward Star
- begun ca. 1880
3
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
4
- The Sepulchre
- etching begun ca. 1800; impression printed in 1924
5
- Moeris and Galatea
- plate etched between 1880 and 1883; impression printed in 1924
6
- The Sepulchre
- between 1880 and 1883
7
- Moeris and Galatea
- 1880-1883
8
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
9
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
10
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
11
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
12
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
13
- Frontispiece (Plate 1)
- ca. 1788
14
- I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
- ca. 1788
15
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
16
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
17
- II. "Reason or the ratio of all we have already known..." (Plate 11)
- ca. 1788
18
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
19
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
20
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
21
- A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
- 1804
22
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
23
- MacBeth: Banquet Scene
- undated
24
- Robin Hood and Clarinda hunting deer in a wooded landscape
- undated
25
- Dr. Joseph Warton
- undated
26
- Grandpapa's Story or The Witches Frolick
- 1838
27
- The Undertakers
- 1900
28
- Falstaff Instructing Bardolph
- 1825
29
- Falstaff Dragging the Body of Hotspur
- 1825
30
- Falstaff at Herne's Oak
- 1807
31
- Falstaff in the Boar's Head
- 1807
32
- The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2
- 1723
33
- Gulliver Bound by the Lilliputians
- undated
34
- Illustration to the Maids of Elfen-Mere
- 1854
35
- Bowes Tower
- 1834
36
- Malvolio Dancing
- 1827
37
- She Never Told Her Love, But Sat Like Patience on a Monument
- 1827
38
- Illustration for Don Quixote (with figures on a donkey)
- undated
39
- The Little Executioner
- ca. 1662
40
- Juliet About to Take her Sleeping Draught
- 1825
41
- Sir Richard Steele
- ca.1733
42
- Bowes Tower
- 1834
43
- 'The Gamester,' Act V, Scene IV
- 1792
44
- Thomas Percy, Bishop of Dromore
- undated
45
- Mrs. Robinson
- 1792
46
- Prospero Conjuring a Masque for Ferdinand and Miranda
- ca. 1810
47
- Claudio and Isabella
- 1823
48
- Feste, as Sir Topas, addressing Malvolio
- 1822
49
- Malvolio abusing Maria, Fabian and Sir Toby
- 1822
50
- Christopher Sly and the Page, as His Wife
- 1821
51
- Ferdinand Reunited with his Father
- 1821
52
- Capulet Railing at his Daughter, Juliet
- 1825
53
- Katherina and Grumio
- 1821
54
- Isabella and Mariana Kneeling Before the Duke
- 1822
55
- Falstaff at Herne's Oak
- 1821
56
- Hotspur and the Plotters at Bangor
- 1825
57
- Master William Page and Sir Hugh Evans
- 1821
58
- Skech for Timon of Athens
- undated
59
- Study of a Roman Banquet Scene
- undated
60
- Jane Shore
- 1790
61
- Concert Ticket For The Benefit of Madame Banti
- 1795
62
- Bowes Tower
- 1834
63
- Edinburgh from Blackford Hill
- 1834
64
- Titania and Bottom from A Midsummer Night's Dream
- undated
65
- William Cavendish, Duke of Newcastle
- 1836
66
- Frontispiece, Monument to John Gay
- 1793
67
- Reverend William Mason
- undated
68
- Samuel Johnson
- 1787