<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Height [cm] 13

Remove constraint Height [cm]: 13

Search Results

Francis Danby Study for 'Calypso's Grotto'
Francis Danby, 1793–1861
Study for 'Calypso's Grotto'
ca. 1843
Not on view
John Constable Dedham Lock
John Constable, 1776–1837
Dedham Lock
between 1819 and 1820
Not on view
John Constable Coastal Scene with Cliffs
John Constable, 1776–1837
Coastal Scene with Cliffs
ca. 1814
Not on view
John R. Skeaping Running Greyhound
John R. Skeaping, 1901–1980
Running Greyhound
1980
Not on view
John Martin Kensington Gardens
John Martin, 1789–1854
Kensington Gardens
between 1815 and 1816
Not on view
Richard Ansdell Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840
Richard Ansdell, 1815–1885
Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840
before 1841
Not on view
unknown artist Landscape with Lake
unknown artist
Landscape with Lake
1828 to 1829
Not on view
Lionel Constable Landscape
Lionel Constable, 1828–1887
Landscape
between 1849 and 1855
Not on view
John Dalby Foxhunting: Clearing a Bank
John Dalby, active 1826–1853
Foxhunting: Clearing a Bank
ca. 1840
Not on view
unknown artist Two Hares: On a Hillside
unknown artist
Two Hares: On a Hillside
ca. 1805
Not on view
unknown artist A Setter: Facing Left, with a Partridge Hiding among Burdocks on the Left
unknown artist
A Setter: Facing Left, with a Partridge Hiding among Burdocks on the Left
ca. 1805
Not on view
unknown artist Springer: A Spaniel Bounding Over a Log to Spring a Snipe on the Left
unknown artist
Springer: A Spaniel Bounding Over a Log to Spring a Snipe on the Left
ca. 1805
Not on view
Sir Edwin Henry Landseer Study of a Greyhound
Sir Edwin Henry Landseer, 1802–1873
Study of a Greyhound
ca. 1860
Not on view
unknown artist Greyhound: Facing Left, with a Dead Hare at His Feet
unknown artist
Greyhound: Facing Left, with a Dead Hare at His Feet
ca. 1805
Not on view
Tessa Pullan Horse
Tessa Pullan, born 1953
Horse
1994
Not on view
Derby porcelain factory Dr. Syntax: Seated on a Bucket Sketching a Landscape
Derby porcelain factory, founded 1756
Dr. Syntax: Seated on a Bucket Sketching a Landscape
undated
Not on view
Henry Moore Pointed Figure
Henry Moore, 1898–1986
Pointed Figure
1948
Not on view
Herbert Haseltine Southdown Ewe: Sandringham Ewe
Herbert Haseltine, 1877–1962
Southdown Ewe: Sandringham Ewe
cast 1963 (original model 1933)
Not on view
Tessa Pullan Foal
Tessa Pullan, born 1953
Foal
ca. 1990
Not on view
Henry Moore Maquette for Upright Form in Marble
Henry Moore, 1898–1986
Maquette for Upright Form in Marble
1966
Not on view
Henry Moore Half-Figure Mother and Child
Henry Moore, 1898–1986
Half-Figure Mother and Child
1983
Not on view
Francis Danby A Classical City
Francis Danby, 1793–1861
A Classical City
undated
Samuel Palmer The Timber Wain
Samuel Palmer, 1805–1881
The Timber Wain
between 1833 and 1834
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
1880-1883
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881
The Sepulchre
between 1880 and 1883
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881
The Cypress Grove
between 1880 and 1883
Samuel Palmer Streets of the Tombs, Pompeii
Samuel Palmer, 1805–1881
Streets of the Tombs, Pompeii
undated
John Constable Suffolk Landscape
John Constable, 1776–1837
Suffolk Landscape
undated
John Constable A View on the Orwell
attributed to John Constable, 1776–1837
A View on the Orwell
undated
John Constable The Ruins of Netley Abbey
Print made by John Constable, 1776–1837
The Ruins of Netley Abbey
1826
John Constable Landscape with Windmill
attributed to John Constable, 1776–1837
Landscape with Windmill
between 1825 and 1830
John Constable View near Arundel
John Constable, 1776–1837
View near Arundel
between 1834 and 1835
Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
Joseph Mallord William Turner Fisherman's Cottage, Dover
Joseph Mallord William Turner, 1775–1851
Fisherman's Cottage, Dover
ca. 1790s
Joseph Mallord William Turner Rhodes
Joseph Mallord William Turner, 1775–1851
Rhodes
between 1823 and 1824
Edward Lear Harb. Gozo
Edward Lear, 1812–1888
Harb. Gozo
1866
Edward Lear Near Suez, evening, 15 January 1849 (43)
Edward Lear, 1812–1888
Near Suez, evening, 15 January 1849 (43)
1849
Edward Lear Vjosa
Edward Lear, 1812–1888
Vjosa
1857
Edward Lear Lebanon
Edward Lear, 1812–1888
Lebanon
1858
Edward Lear Near Suez, 1 pm, 16 January 1849 (48)
Edward Lear, 1812–1888
Near Suez, 1 pm, 16 January 1849 (48)
1849
Edward Lear Gebel Sheikh Embarak
Edward Lear, 1812–1888
Gebel Sheikh Embarak
1867
Edward Lear Knowsley Hall
Edward Lear, 1812–1888
Knowsley Hall
ca. 1834
Edward Lear The Pontine Marshes above Terracina
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
Edward Lear Albania
Edward Lear, 1812–1888
Albania
between 1848 and 1849
Edward Lear English Country Town
Edward Lear, 1812–1888
English Country Town
undated
Edward Lear Villa Torlania, formerly Villa Conti, Erascati
Edward Lear, 1812–1888
Villa Torlania, formerly Villa Conti, Erascati
ca. 1844
Edward Lear Campagna di Roma
Edward Lear, 1812–1888
Campagna di Roma
1843
Edward Lear Vjose, 12:30 p.m., 16 April 1857
Edward Lear, 1812–1888
Vjose, 12:30 p.m., 16 April 1857
1857
Edward Lear Tepelene, 18 April 1857
Edward Lear, 1812–1888
Tepelene, 18 April 1857
1857
Edward Lear Tepelene, 19 April 1857
Edward Lear, 1812–1888
Tepelene, 19 April 1857
1857
Edward Lear Abu Simbel, 9:00 am, 8 February 1867 (372A)
Edward Lear, 1812–1888
Abu Simbel, 9:00 am, 8 February 1867 (372A)
1867
Edward Lear Abu Simbel
Edward Lear, 1812–1888
Abu Simbel
1867
Edward Lear Kourayim
Edward Lear, 1812–1888
Kourayim
1867
William Blake IV. "None could have other than natural or organic thoughts..." (Plate 6)
Print made by William Blake, 1757–1827
IV. "None could have other than natural or organic thoughts..." (Plate 6)
ca. 1788
William Blake "Therefore God becomes as we are..." (Plate 9)
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
William Blake Introduction (Plate 34)
Print made by William Blake, 1757–1827
Introduction (Plate 34)
1794
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
ca. 1788
William Blake I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
Print made by William Blake, 1757–1827
I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
ca. 1788
William Blake V. "Mans desires are limited by his perceptions..." (Plate 7)
Print made by William Blake, 1757–1827
V. "Mans desires are limited by his perceptions..." (Plate 7)
ca. 1788
William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
William Blake II. "Reason or the ratio of all we have already known..." (Plate 11)
Print made by William Blake, 1757–1827
II. "Reason or the ratio of all we have already known..." (Plate 11)
ca. 1788
William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
William Blake I. "Man cannot naturally Percieve..."(Plate 3)
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
William Blake II. "Man by his reasoning power can only compare..." (Plate 4)
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
William Blake III. "From a perception of only 3 senses..." (Plate 5)
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
William Blake From Antique Coins
William Blake, 1757–1827
From Antique Coins
1821
William Blake Caius Julius Cæsar
William Blake, 1757–1827
Caius Julius Cæsar
1821
William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
George Romney Figure Composition Study 40
George Romney, 1734–1802
Figure Composition Study 40
undated
George Romney Figure Composition Study 27
George Romney, 1734–1802
Figure Composition Study 27
undated
George Romney Standing Figure
George Romney, 1734–1802
Standing Figure
undated
George Romney Seated Figure with Upraised Arm
George Romney, 1734–1802
Seated Figure with Upraised Arm
undated
George Romney Seated Female Nude, Probably for "Susannah and the Elders"
George Romney, 1734–1802
Seated Female Nude, Probably for "Susannah and the Elders"
undated
George Romney Apparition
George Romney, 1734–1802
Apparition
undated
George Romney Two Standing Figures
George Romney, 1734–1802
Two Standing Figures
undated
George Romney Mother and Child
George Romney, 1734–1802
Mother and Child
undated
George Romney David Playing the Harp
George Romney, 1734–1802
David Playing the Harp
undated
George Romney A Reclining Woman
George Romney, 1734–1802
A Reclining Woman
undated
George Romney Figure with Head Covering
George Romney, 1734–1802
Figure with Head Covering
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
George Romney Jeptha and His Daughter
George Romney, 1734–1802
Jeptha and His Daughter
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated