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Period 19th century

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David, the Future King of Israel, While a Shepherd at Bethlehem
Creator:
John Rogers Herbert, 1810–1890
Date:
1877
Materials & Techniques:
Oil on millboard
Dimensions:
13 3/8 x 21 7/8 inches (34 x 55.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
A Rural Landscape
Creator:
J. W. Booth, 1867–1953
Date:
ca. 1885
Materials & Techniques:
Oil on canvas
Dimensions:
24 x 30 inches (61 x 76.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Marvin H. Ginsky
On View:
Not on view
The Lonely Tower
Creator:
Samuel Palmer, 1805–1881
Date:
1868
Materials & Techniques:
Watercolor, gouache and gum arabic on London board: a high-quality pasteboard sheet made of Whatman's finest drawing paper
Dimensions:
Sheet: 20 1/4 x 27 7/8 inches (51.4 x 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ingleborough from Chapel-Le-Dale
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1810 and 1815
Materials & Techniques:
Watercolor, graphite and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 x 15 1/2 inches (27.9 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Leeds

Leeds
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Watercolor, scraping out and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 17 inches (29.2 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Awake! Awake Jerusalem..." (Plate 97)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"My son! my Son!" (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Woodland Scene with a Path Across a Stream
Creator:
attributed to John Middleton, 1826–1856
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 15/16 x 13 15/16in. (25.2 x 35.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape at Beddgelert, North Wales
Creator:
Paul Sandby Munn, 1773–1845
Date:
1832
Materials & Techniques:
Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 7/8 × 9 1/2 inches (12.4 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Edge of a Pool with Waterlilies
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 × 11 1/4 inches (22.9 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Temple of Edfou, Upper Egypt
Creator:
John Frederick Lewis, 1804–1876
Date:
between 1841 and 1851
Materials & Techniques:
Watercolor, white gouache and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 7/8 x 19 7/8 inches (32.7 x 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Byland Abbey, Yorkshire
Creator:
John Varley, 1778–1842
Date:
1808
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on thick, smooth, cream wove paper
Dimensions:
Sheet: 10 7/8 x 15 1/4 inches (27.6 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Stoning of Saint Stephen
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fall of a City
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study for 'Finding of the Body of Bassanio'
Creator:
Henry Fuseli, 1741–1825
Date:
1804
Materials & Techniques:
Pen and brown ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 x 8 inches (30.8 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bridge
Creator:
John Varley, 1778–1842
Date:
1804
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 17 x 14 7/8 inches (43.2 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Under the Ouse Bridge, Bathing
Creator:
John Varley, 1778–1842
Date:
between 1803 and 1804
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/2 x 21 3/8 inches (41.9 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Double Hairpin Set
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 6 5/8 × 7 5/16 inches (16.8 × 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pont Mallwyd
Creator:
Samuel Henry Baker, 1824–1909
Date:
1863
Materials & Techniques:
Graphite on moderately thick, moderately textured, wove paper
Dimensions:
Sheet: 8 15/16 × 13 11/16 inches (22.7 × 34.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Stephen Wildman
The Assault
Creator:
Print made by John Bell, 1811–1895
Date:
between 1838 and 1850
Materials & Techniques:
Etching with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 5/16 x 8 1/8 inches (16 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Pentre Ddu Bridge, North Wales
Creator:
Thomas Collier, 1840–1891
Date:
1863
Materials & Techniques:
Graphite and watercolor on thick, rough, cream wove paper
Dimensions:
Sheet: 9 5/8 x 13 7/8 inches (24.4 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The City of the Pestilence
Creator:
Print made by John Bell, 1811–1895
Date:
between 1826 and 1852
Materials & Techniques:
Etching with chine collé on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 x 15 inches (29 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
L'Eglise de St. Gervais et St. Protais
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery
Lillebonne - Château d'Harcourt
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 1/2 x 9 11/16 inches (31.8 x 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Two Girls, One Crying
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 7 15/16 x 5 1/4 inches (20.2 x 13.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching and color woodcut on thick, smooth, cream wove paper
Dimensions:
Sheet: 7 5/16 × 4 13/16 inches (18.5 × 12.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ancienne Tour Près de Lanark
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/2 x 13 7/8 inches (26.7 x 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Boy Tying a Girl's Shoe
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 8 3/4 x 7 7/8 inches (22.2 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Glaud and Symon
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
An Arch at Holy Island, Northumberland
Creator:
John Varley, 1778–1842
Date:
1809
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/2 x 9 1/2 inches (29.2 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/16 x 17 9/16 inches (30.6 x 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brahmins at a Toolsee Altar
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 9 5/8 x 6 5/16 inches (24.5 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Mussel Gatherer
Creator:
Frederick Walker, 1840–1875
Date:
1861
Materials & Techniques:
Watercolor and gouache on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 4 3/4 inches (17.8 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen
A View of Praya Grande, Macao, through a Doorway on Penha Hill
Creator:
George Chinnery, 1774–1852
Date:
1842
Materials & Techniques:
Graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 9 1/2 x 8 3/4 inches (24.1 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Demolition of Old London Bridge
Creator:
George Arnald, 1763–1841
Date:
1832
Materials & Techniques:
Watercolor, white gouache, and graphite on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 9 1/2 x 13 3/4 inches (24.1 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study after the Story of Apollo and Daphne
Creator:
Attributed to John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 22 1/4 inches (40 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Elliot Sussman, MD, MBA, Yale BA 1973
Bend in the Dargle
Creator:
Payne Jennings, active ca. 1875, died 1926
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 9 3/8 × 11 3/8 inches (23.8 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Study of Foreground near Betws-y-Coed
Creator:
Henry White, 1819–1903
Date:
ca. 1858
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 7/8 × 9 3/4 inches (17.5 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
The Black Bridge
Creator:
James Valentine, 1815–1879
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/2 × 9 1/2 inches (19.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
The Druids' Circle, Castlerigg, Keswick
Creator:
unknown artist
Date:
ca. 1880
Materials & Techniques:
Albumen print from glass negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 × 8 5/8 inches (15.2 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Commemorative Stones of the Hindus
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood-engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 inches (22.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan