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Francis Danby Chepstow Castle on the Wye
Francis Danby, 1793–1861
Chepstow Castle on the Wye
undated
Samuel Palmer At Hailsham, Sussex: a Storm Approaching
Samuel Palmer, 1805–1881
At Hailsham, Sussex: a Storm Approaching
1821
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "Reuben return'd to his place, in vain..." (Plate 36)
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
William Blake "Repose on me till the morning of the Grave..." (Plate 62)
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
William Blake "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
William Blake "The Feminine separates from the Masculine..." (Plate 90)
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake Frontispiece, Europe. A Prophecy
Print made by William Blake, 1757–1827
Frontispiece, Europe. A Prophecy
ca. 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "Elevate into the Region of Brotherhood..." (Plate 34)
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "It is easier to forgive an enemy..." (Plate 91)
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "In Great Eternity every particular Form..." (Plate 54)
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
William Blake "When those who disregard all Mortal Things..." (Plate 55)
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake "In beauty the Daughters of Albion divide..." (Plate 58)
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
William Blake "The clouds of Albions Druid Temples..." (Plate 60)
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
William Blake "O Skofield why art thou cruel?..." (Plate 68)
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
William Blake "I have mock'd those who refused cruelty..." (Plate 81)
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
Sir Robert Smirke the younger Ruins of the Temple of Jupiter on the Plains of Nemea
Sir Robert Smirke the younger, 1781–1867
Ruins of the Temple of Jupiter on the Plains of Nemea
1803
Sir Robert Smirke the younger Kalamata, Greece
Sir Robert Smirke the younger, 1781–1867
Kalamata, Greece
1802-1804
Sir Robert Smirke the younger A Carita - On the Walls of a Hospital or Public School, Venice
Sir Robert Smirke the younger, 1781–1867
A Carita - On the Walls of a Hospital or Public School, Venice
1802-1804
Sir Robert Smirke the younger Sketch of a Monument in the Basilica of Saint Anthony of Padua
Sir Robert Smirke the younger, 1781–1867
Sketch of a Monument in the Basilica of Saint Anthony of Padua
1802-1804
Sir Robert Smirke the younger Sketch of a Lion, From a Sculpture
Sir Robert Smirke the younger, 1781–1867
Sketch of a Lion, From a Sculpture
1802-1804
Sir Robert Smirke the younger Another Specimen of the Same Style
Sir Robert Smirke the younger, 1781–1867
Another Specimen of the Same Style
1802-1804
Sir Robert Smirke the younger Specimens of a Private House in Venice
Sir Robert Smirke the younger, 1781–1867
Specimens of a Private House in Venice
1802-1804
Sir Robert Smirke the younger Gateway to a House in Ancona
Sir Robert Smirke the younger, 1781–1867
Gateway to a House in Ancona
1802-1804
Sir Robert Smirke the younger At Ancona, Italy
Sir Robert Smirke the younger, 1781–1867
At Ancona, Italy
1802-1804
Sir Robert Smirke the younger View of the Interior of One of the Churches in Ancona
Sir Robert Smirke the younger, 1781–1867
View of the Interior of One of the Churches in Ancona
1802-1804
Sir Robert Smirke the younger In One of the Churches of Ancona
Sir Robert Smirke the younger, 1781–1867
In One of the Churches of Ancona
1802-1804
Sir Robert Smirke the younger The Plains of Senta
Sir Robert Smirke the younger, 1781–1867
The Plains of Senta
1803
Sir Robert Smirke the younger Kalamata, Greece
Sir Robert Smirke the younger, 1781–1867
Kalamata, Greece
1802-1804
Sir Robert Smirke the younger Study of an Older Palace in Venice
Sir Robert Smirke the younger, 1781–1867
Study of an Older Palace in Venice
1802-1804
Sir Robert Smirke the younger In the Friedrich's Shape
Sir Robert Smirke the younger, 1781–1867
In the Friedrich's Shape
1802-1804
Capt. Thomas Hastings Near Saint Lawrence, Isle of Wight
Capt. Thomas Hastings, 1778–1854
Near Saint Lawrence, Isle of Wight
1826
Robert Smirke Launce with his Dog Crab
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
Benjamin Robert Haydon Study of the Resurrection of Lazarus
Benjamin Robert Haydon, 1786–1846
Study of the Resurrection of Lazarus
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
Daniel Wilson The Chapel, Dirleton Castle, Scotland
Daniel Wilson, 1816–1892
The Chapel, Dirleton Castle, Scotland
1846
Paul Sandby Munn Landscape waith Figures, Cromach Water
Paul Sandby Munn, 1773–1845
Landscape waith Figures, Cromach Water
1805
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
Alfred Gomersal Vickers Kits Coty House, Near Maidstone, Kent
Alfred Gomersal Vickers, 1810–1837
Kits Coty House, Near Maidstone, Kent
undated
George Shepheard Winkle Street, Southampton
George Shepheard, ca. 1770–1842
Winkle Street, Southampton
1819
Cornelius Varley Farm Buildings with Stack Makers
Cornelius Varley, 1781–1873
Farm Buildings with Stack Makers
ca. 1810
Benjamin Robert Haydon Study of a Nude Figure
Benjamin Robert Haydon, 1786–1846
Study of a Nude Figure
1806 to 1816
Benjamin Robert Haydon Study of a Man with Outstretched Arm
Benjamin Robert Haydon, 1786–1846
Study of a Man with Outstretched Arm
undated
unknown artist West View of the Ruins of Gleaston Castle, Gleaston, Aldingham, Lancashire, and The Castle or Tower of Dalton, Dalton-in-Furness, Dalton Town with Newton, Lancashire
unknown artist
West View of the Ruins of Gleaston Castle, Gleaston, Aldingham, Lancashire, and The Castle or Tower of Dalton, Dalton-in-Furness, Dalton Town with Newton, Lancashire
1805
John Glover Hilly Landscape with River and Cattle
John Glover, 1767–1849
Hilly Landscape with River and Cattle
ca. 1810
Sir George Hayter Kitchen: Interior, Stone Crouch
Sir George Hayter, 1792–1871
Kitchen: Interior, Stone Crouch
1822
Thomas Grieve Design for an Egyptian Column
Thomas Grieve, 1799–1882
Design for an Egyptian Column
undated
Samuel Howitt Hog Deer
Samuel Howitt, 1756–1822
Hog Deer
after 1813
William Joy A British Frigate Dropping Anchor
William Joy, 1803–1867
A British Frigate Dropping Anchor
undated
Theodor von Holst Theatrical Group
Theodor von Holst, 1810–1844
Theatrical Group
undated
Henry Courtney Selous Illustration to Pilgrim's Progress, 10. (The Pilgrim in the Armory)
Henry Courtney Selous, 1811–1890
Illustration to Pilgrim's Progress, 10. (The Pilgrim in the Armory)
undated
Thomas Rowlandson Harvesters Resting in a Corn Field
Thomas Rowlandson, 1756–1827
Harvesters Resting in a Corn Field
between 1805 and 1810
Louisa Anne Beresford Haymakers
Louisa Anne Beresford, 1818–1891
Haymakers
undated
John Linnell A Rowing Boat at Twickenham
John Linnell, 1792–1882
A Rowing Boat at Twickenham
undated
unknown artist A Bridge
unknown artist
A Bridge
undated
John Thomas Smith Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
unknown artist Plymouth Harbor
unknown artist
Plymouth Harbor
undated
Paul Sandby Munn View of Side Farm, Patterdale
Paul Sandby Munn, 1773–1845
View of Side Farm, Patterdale
ca. 1802
Thomas Stothard A Distant View of Edinburgh
Thomas Stothard, 1755–1834
A Distant View of Edinburgh
1809
Ambrose Poynter Avranches
Ambrose Poynter, 1796–1886
Avranches
undated
Michel Jean Cazabon Village of Arima and Mount Tamana
Michel Jean Cazabon, 1813–1888
Village of Arima and Mount Tamana
1851
George Shepheard The Village of Aldbury, Hertfordshire
George Shepheard, ca. 1770–1842
The Village of Aldbury, Hertfordshire
1816
William Turner of Oxford Tysoe Windmill and Church, Warwickshire
William Turner of Oxford, 1789–1862
Tysoe Windmill and Church, Warwickshire
1849
Thomas Sewell Robins Mutton Cove, Plymouth
Thomas Sewell Robins, 1814–1880
Mutton Cove, Plymouth
undated
William Simpson Graves of the Officers in the Fort on Cathcart's Hill
William Simpson, 1823–1899
Graves of the Officers in the Fort on Cathcart's Hill
1854
unknown artist View of a Farmyard
unknown artist
View of a Farmyard
undated
William Mulready Woman with Ringlets, Standing
William Mulready, 1786–1863
Woman with Ringlets, Standing
1824
William Callow Rheinfels and St. Goar
William Callow, 1812–1908
Rheinfels and St. Goar
1838
Capt. Thomas Hastings On the Whippingham Road, Isle of Wight
Capt. Thomas Hastings, 1778–1854
On the Whippingham Road, Isle of Wight
between 1826 and 1830
Sir Robert Smirke the younger Part of Lyons From the Convent of the Chartreux, Mont Blanc in the Distance
Sir Robert Smirke the younger, 1781–1867
Part of Lyons From the Convent of the Chartreux, Mont Blanc in the Distance
1802-1804
Sir Robert Smirke the younger The Amphitheatre at Nîmes
Sir Robert Smirke the younger, 1781–1867
The Amphitheatre at Nîmes
1803
Sir Robert Smirke the younger Specimens of the Private Houses of Venice
Sir Robert Smirke the younger, 1781–1867
Specimens of the Private Houses of Venice
1802-1804
Sir Robert Smirke the younger One of the Lions Taken From the Piraeus Port of Athens
Sir Robert Smirke the younger, 1781–1867
One of the Lions Taken From the Piraeus Port of Athens
1802-1804
William Bradford Pass in the Mountains Between Nisa and Villa Velha
William Bradford, active 1809
Pass in the Mountains Between Nisa and Villa Velha
1809
John White Abbott A View of Core's Library, Dawlish, Devon
John White Abbott, 1763–1851
A View of Core's Library, Dawlish, Devon
1837
unknown artist Paddle Steamer Near Weymouth
unknown artist
Paddle Steamer Near Weymouth
ca. 1830
Isaac Weld On the Tiber/ Castle of St. Angelo
Isaac Weld, 1774–1856
On the Tiber/ Castle of St. Angelo
1818
Isaac Weld Mt. St. Bernard (Switzerland)
Isaac Weld, 1774–1856
Mt. St. Bernard (Switzerland)
1816
Isaac Weld Women in "Old Italian Costume - Naples"
Isaac Weld, 1774–1856
Women in "Old Italian Costume - Naples"
1818