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Period 18th century
Remove constraint Period: 18th centuryHeight [cm] 41
Remove constraint Height [cm]: 41Classification Prints
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1
- Hogarth Painting the Comic Muse
- 1764
2
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
3
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
4
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
5
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
6
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
7
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
8
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
9
- 'Till death, that mighty hunter, earths them all' (Page 70)
- ca. 1797
10
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
11
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
12
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
13
- Night the Third. Narcissa; Title Page
- ca. 1797
14
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
15
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
16
- 'O treacherous conscience!' (Page 27)
- ca. 1797
17
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
18
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
19
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
20
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
21
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
22
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
23
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
24
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
25
- 'Disease invades the chastest temperence' (Page 10)
- 1797
26
- 'The present moment terminates our sight' (Page 13)
- 1797
27
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
28
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
29
- Night the Third. Narcissa; Title Page
- 1797
30
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
31
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797
32
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
33
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
34
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
35
- 'The longest night though longer far, would fail' (Page 15)
- 1797
36
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
37
- 'The longest night though longer far, would fail' (Page 15)
- ca. 1797
38
- Pity
- ca. 1795
39
- Mrs. Henry Bunbury
- 1778
40
- Viscountess Duncannon
- ca. 1785
41
- Miss Julia Bosville
- 1775
42
- A Shepherd Boy
- 1781
43
- Mrs. Harriet Bouverie and Mrs. Frances Ann Crewe
- 1770
44
- Oliver Cromwell and General Lambert
- 1745
45
- Barbara Palmer (née Villiers) Countess of Castlemaine
- undated
46
- Head of a Young Girl turned toward the Left
- 1774
47
- Lucy Hardinge (née Long)
- 1780
48
- Mrs. Williams Hope of Amsterdam
- 1788
49
- Royal Exchange, London
- 1741
50
- Frances Teresa Stewart, Duchess of Richmond and Lennox
- 1779
51
- Henrietta, Countess of Rochester
- 1779
52
- George Kepple, 3rd Earl of Albermarle
- 1762
53
- John Mudge M.D
- ca. 1780
54
- The Right Reverent Thomas Newton, D.D
- 1776
55
- Miss Nelly O'Brien
- 1770
56
- Sir Joshua Reynolds
- 1795
57
- Lady Almiria Carpenter
- 1768
58
- Samuel Foote
- 1771
59
- Mrs. Morris
- 1776
60
- Lady Caroline Price (née Carpenter)
- 1788
61
- Dick the Butcher and Smith the Weaver seizing the Clerk - "Henry VI," Part II, Act I, Scene II
- 1795
62
- Bardolph, "Henry IV", Part II, Act II, Scene IX
- 1775
63
- Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
- 1794
64
- Edgar, "King Lear", Act III, Scene III
- 1775
65
- York, "Henry IV", Part II, Act V, Scene IV
- 1775
66
- Frederick Ponsonby, Viscount Duncannon, 3rd Earl of Bessborough
- 1786
67
- Henry Hope Esq. of Amsterdam
- 1788
68
- Falstaff at Hern's Oak - "Merry Wives of Windsor," Act V, Scene V
- 1793
69
- Romeo and Juliet in Friar Lawrence's Cell - "Romeo and Juliet," Act II, Scene VI
- 1794
70
- Macbeth and the Murderers - "Macbeth," Act III, Scene I
- 1792
71
- Taming the Shrew, Act III, Scene II
- 1793
72
- Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
- 1792
73
- Lleweney Bleach Works
- 1798
74
- Connubial Happiness
- 1786
75
- The Tribute Money
- undated
76
- French Privateers, Cruising in the English Channel
- 1792
77
- Deny It If You Can - Nine Taylors Makes a Man
- 1774
78
- La benedicite
- undated
79
- Money and Little Wit
- undated
80
- Mrs. William Hope of Amsterdam
- 1788
81
- Samuel Johnson, L. L. D
- 1779
82
- Neaera
- 1788
83
- Girl and Pigeons
- 1784
84
- Miss Polly Jones
- 1771
85
- Mrs. Le Maistre
- 1771
86
- La gouvernante
- undated
87
- 'Pumpkin'
- 1794
88
- Anvil
- 1794
89
- Right Hon. John Hely Hutchinson, LL.D
- 1778
90
- Miss Frances Kemble
- ca. 1786
91
- The Honorable Augustus Keppel, Admiral of the Blue
- 1779
92
- Elizabeth, Countess of Mexborough
- 1784
93
- The Right Honourable Lady Charlotte Duncombe
- 1797
94
- Girl and Pigeons
- 1784
95
- A Shepherdess
- 1786
96
- Sophia Western
- 1784
97
- Cobham Hall, Kent: First and Second Floor Plans
- 1715 to 1725
98
- Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
- 1792
99
- Shepherdess (Miss Mary Palmer as the Young Shepherdess)
- 1799
100
- Chinese Pavilion in European Landscape
- 1792