Search Constraints
You searched for:
Period 18th century
Remove constraint Period: 18th centuryHeight [cm] 41
Remove constraint Height [cm]: 41Search Results
1
- Newmarket Heath, with the King's stables rubbing house at the finish of the Beacon Course
- ca. 1765
- Not on view
2
- A Limekiln, Possibly at Briton Ferry in South Wales
- ca. 1795-96
- Not on view
3
- Alexander van Aken
- ca. 1770
- Not on view
4
- A Winter Landscape
- 1752
- Not on view
5
- An English Two-Decker Lying Hove to, with Other Ships and Vessels in a Fresh Breeze
- 1770
- Not on view
6
- The Prisoner
- 1787 to 1790
- Not on view
7
- A View Near Arundel, Sussex, with Ruins by Water
- mid-18th century
- Not on view
8
- St. James's Park
- between 1788 and 1790
- Not on view
9
- Landscape with cottage and church
- between 1771 and 1772
- Not on view
10
- Shipping in a Calm
- between 1700 and 1725
- Not on view
11
- Hogarth Painting the Comic Muse
- 1764
12
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
13
- 'O treacherous conscience!' (Page 27)
- ca. 1797
14
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
15
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
16
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
17
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
18
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
19
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
20
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
21
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
22
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
23
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
24
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
25
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797
26
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
27
- Night the Third. Narcissa; Title Page
- 1797
28
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
29
- Night the Third. Narcissa; Title Page
- ca. 1797
30
- 'Till death, that mighty hunter, earths them all' (Page 70)
- ca. 1797
31
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
32
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
33
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
34
- 'The present moment terminates our sight' (Page 13)
- 1797
35
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
36
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
37
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
38
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
39
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
40
- 'Disease invades the chastest temperence' (Page 10)
- 1797
41
- 'The longest night though longer far, would fail' (Page 15)
- 1797
42
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
43
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
44
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
45
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
46
- Pity
- ca. 1795
47
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
48
- 'The longest night though longer far, would fail' (Page 15)
- ca. 1797
49
- David Playing the Harp
- undated
50
- Coccinia abyssinica (Lam.): finished drawing, the tuber and detail of fruit
- undated
51
- Jasminum dichotomun Vahl (African jasmine): finished drawing
- undated
52
- Millettia ferruginea (Hochst.) Baker: finished drawing with a few details excluded
- undated
53
- Mussaenda arcuata Lam. ex Poir. : finished drawing without details
- undated
54
- Millettia ferruginea (Hochst) Baker: finished drawing
- undated
55
- Entrance Gate Zaghouan
- ca. 1768
56
- Elevation of Arch at Tripoli
- undated
57
- Coccinia abyssinica (Lam.) Cogn. : finished drawing of flowering shoot, with details below
- undated
58
- 'Mambrino'
- 1794
59
- Sharke
- 1794
60
- 'Volunteer'
- 1794
61
- French Privateers, Cruising in the English Channel
- 1792
62
- The Landlord's Daughter
- 1798
63
- Girl and Pigeons
- 1784
64
- Deny It If You Can - Nine Taylors Makes a Man
- 1774
65
- The Tenant's Daughter
- 1798
66
- Money and Little Wit
- undated
67
- The Triumph of Galatea
- 1701
68
- Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis
- undated
69
- Le paysan paresseux
- early 1750s
70
- Le jeune devot
- undated
71
- Portrait of a Man with a Staff
- early 1750s
72
- La jeune cabarttiere
- early 1750s
73
- L'Automne - Der Herbst
- undated
74
- Die Unschuldige Susana - Susanna Innocens
- undated
75
- Der Keusche Joseph - Joseph Castus
- undated
76
- L'Enseigne mor
- undated
77
- Domestick Amusement: Playing the Guitar
- undated
78
- Le Printemps - Der Fruhling
- undated
79
- La galante fille
- undated
80
- Vertumnus et Pomona
- undated
81
- L'Antiquaire
- undated
82
- Ressource pour la memoire
- undated
83
- S. Philippus
- undated
84
- S. Ionnes
- undated
85
- L'Antiquitee respectable
- undated
86
- S. Jacobus Major
- undated
87
- S. Paulus
- undated
88
- S. Bartholomaeus
- undated
89
- Milk below Maids
- 1793
90
- Do You Want Any Matches?
- 1794
91
- Knives, Scissars, and Razors to Grind
- 1795
92
- Frances Russell, Marquess of Tavistock
- 1767
93
- Maria, Countess Waldegrave
- 1762
94
- Shepherdess (Miss Mary Palmer as the Young Shepherdess)
- 1799
95
- Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
- 1794
96
- York, "Henry IV", Part II, Act V, Scene IV
- 1775
97
- Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
- 1792
98
- Lady Almiria Carpenter
- 1768
99
- Mrs. Williams Hope of Amsterdam
- 1788
100
- Henry Hope Esq. of Amsterdam
- 1788