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Period 18th century

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John Taylor of Bath A Bridge Over the River Wye
John Taylor of Bath, 1735–1806
A Bridge Over the River Wye
1776
Not on view
Edward Dayes Rochester
Edward Dayes, 1763–1804
Rochester
1799
Not on view
George Morland The Squire's Door
George Morland, 1763–1804
The Squire's Door
ca. 1790
Not on view
Julius Caesar Ibbetson A Stage Coach on a Country Road
Julius Caesar Ibbetson, 1759–1817
A Stage Coach on a Country Road
1792
Not on view
Peter Gaspar Scheemakers Francis, second Earl of Godolphin
Peter Gaspar Scheemakers, 1691–1781
Francis, second Earl of Godolphin
1733
Not on view
George Stubbs A Horse Affrighted by a Lion
Print made by George Stubbs, 1724–1806
A Horse Affrighted by a Lion
1788
William Hogarth The First Stage of Cruelty
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
Joseph Mallord William Turner Autumn Sowing of the Grain
Joseph Mallord William Turner, 1775–1851
Autumn Sowing of the Grain
ca. 1794
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
George Romney Anger, Envy, and Fear
George Romney, 1734–1802
Anger, Envy, and Fear
undated
Humphry Repton Sarsden House and Gardens, Oxfordshire: Bird's-eye View
Humphry Repton, 1752–1818
Sarsden House and Gardens, Oxfordshire: Bird's-eye View
ca. 1795
Peter Rashleigh Distant View of a Town
Attributed to Peter Rashleigh, active 1775
Distant View of a Town
1775
William Hayes A Crane
William Hayes, active 1775–1794
A Crane
1791
Rev. William Henry Barnard The River at Dusk, Oxford
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
Theodore Jacobsen The Chapel of the Foundling Hospital, London
Attributed to Theodore Jacobsen, died 1772
The Chapel of the Foundling Hospital, London
undated
James Wyatt Goodwood, West Sussex: Ceiling Design
James Wyatt, 1746–1813
Goodwood, West Sussex: Ceiling Design
undated
William Kent King's Mews, Charing Cross, London: Section
William Kent, ca.1686–1748
King's Mews, Charing Cross, London: Section
1731
Ozias Humphry John Flaxman
Ozias Humphry, 1742–1810
John Flaxman
1778
Thomas Carwitham Figure studies
Thomas Carwitham, active 1723
Figure studies
1723
James Wyatt Cobham Hall, Kent: Drawings of Windows for Parlor Floor
James Wyatt, 1746–1813
Cobham Hall, Kent: Drawings of Windows for Parlor Floor
ca. 1790
James Wyatt Cobham Hall, Kent: Sketch of Stables
James Wyatt, 1746–1813
Cobham Hall, Kent: Sketch of Stables
ca. 1790
Francesco Bartolozzi Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
Print made by Francesco Bartolozzi, 1728–1815
Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
1785
unknown artist Chamaeler Chamaeleon
unknown artist
Chamaeler Chamaeleon
undated
Peter Rashleigh Bridgenorth Bridge
Attributed to Peter Rashleigh, active 1775
Bridgenorth Bridge
1775
Sir James Thornhill Apollo and the Muses
Sir James Thornhill, 1675–1734
Apollo and the Muses
undated
John Landseer Orchard Bay
Print made by John Landseer, 1769–1852
Orchard Bay
1799
John Landseer Alum Bay, Isle of Wight
Print made by John Landseer, 1769–1852
Alum Bay, Isle of Wight
1799
John Landseer Alum Bay and the Needles
Print made by John Landseer, 1769–1852
Alum Bay and the Needles
1799
unknown artist Johnny MacCree in the Dumps
unknown artist
Johnny MacCree in the Dumps
undated
John Landseer Alum Bay and the Needles
Print made by John Landseer, 1769–1852
Alum Bay and the Needles
1799
John Webber Thurshouse Tor from the river Manifold, Derbyshire
John Webber, 1752–1793
Thurshouse Tor from the river Manifold, Derbyshire
undated
James Bruce Juniperus procera Endl. (African Pencil Cedar): finished drawing of trees's habit
James Bruce, 1730–1794
Juniperus procera Endl. (African Pencil Cedar): finished drawing of trees's habit
undated
Paul Sandby Design for a Church. Elevation of West Front
attributed to Paul Sandby, 1731–1809
Design for a Church. Elevation of West Front
undated
John Landseer Orchard Bay
Print made by John Landseer, 1769–1852
Orchard Bay
1799
John Landseer Freshwater Bay
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
Luigi Schiavonetti Sweet China Oranges, Sweet China
Print made by Luigi Schiavonetti, 1765–1810
Sweet China Oranges, Sweet China
1794
Giovanni Vendramini Knives, Scissars, and Razors to Grind
Print made by Giovanni Vendramini, 1769–1839
Knives, Scissars, and Razors to Grind
1795
Anthony Cardon A New Love Song, Only ha'Penny a Piece
Print made by Anthony Cardon, 1772–1813
A New Love Song, Only ha'Penny a Piece
1796
Thomas Burke Lady Rushout and Daughter
Print made by Thomas Burke, 1749–1815
Lady Rushout and Daughter
1784
John Raphael Smith The Hon. Mrs. O'Neill
Print made by John Raphael Smith, 1752–1812
The Hon. Mrs. O'Neill
1778
John Faber the Younger Kitty Clive as Lady Easy in "The Careless Husband"
Print made by John Faber the Younger, ca. 1695–1756
Kitty Clive as Lady Easy in "The Careless Husband"
1739
John Faber the Younger A School of Girls
Print made by John Faber the Younger, ca. 1695–1756
A School of Girls
1739
John Faber the Younger A School of Girls
Print made by John Faber the Younger, ca. 1695–1756
A School of Girls
1739
John Faber the Younger The Morning Rose, What Shall Poor Harpax Do!
Print made by John Faber the Younger, ca. 1695–1756
The Morning Rose, What Shall Poor Harpax Do!
1744
Thomas Park Saberna
Print made by Thomas Park, ca. 1760–1834
Saberna
1786
James Watson Caroline Duchess of Marlborough with Lady Caroline Spencer Her Daughter
Print made by James Watson, 1740–1790
Caroline Duchess of Marlborough with Lady Caroline Spencer Her Daughter
1768
Charles Phillips Miss Nelly O'Brien
Print made by Charles Phillips, 1737– after 1783
Miss Nelly O'Brien
1770
James Watson James Paine and his Son
Print made by James Watson, 1740–1790
James Paine and his Son
1767
Francesco Bartolozzi Thais
Print made by Francesco Bartolozzi, 1728–1815
Thais
1792
James Watson Sir Joshua Reynolds, P.R.A., F.R.S., LL.D.
Print made by James Watson, 1740–1790
Sir Joshua Reynolds, P.R.A., F.R.S., LL.D
c.1770
John Dixon Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert
Print made by John Dixon, ca. 1740–1811
Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert
1771
William Dickinson Elizabeth Godden (née Houghton), Lady Taylor
Print made by William Dickinson, 1746–1823
Elizabeth Godden (née Houghton), Lady Taylor
ca. 1775
Valentin Daniel Preissler Der Geiz sucht Fäden
Print made by Valentin Daniel Preissler, 1717–1765
Der Geiz sucht Fäden
undated