'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
3
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 4)
1794
4
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
1794
5
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
6
William Blake, 1757–1827
The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
7
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
8
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
9
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
10
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
11
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
12
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
13
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
14
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
15
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
16
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
17
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
18
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
19
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 6)
1794
20
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 8)
1794
21
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
1794
22
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 19)
1794
23
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
1794
24
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
25
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
26
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
27
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
28
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
29
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
30
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
31
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
32
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
33
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
34
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
35
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
36
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
37
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
38
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
39
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
40
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
41
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
42
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
43
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
1794
44
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
45
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
46
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
1794
47
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 17)
1794
48
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
49
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
1794
50
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
51
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
52
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
53
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
54
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
55
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
56
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
57
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
58
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
59
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
60
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
61
Simon François Ravenet, 1706–1774
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
62
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower