Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
between 1773 and 1774
Not on view
2
Joseph Wright of Derby, 1734–1797
Virgil's Tomb by Moonlight, with Silius Italicus
1779
Not on view
3
Edward Alcock, active 1750–ca. 1778
Portia and Shylock, from Shakespeare's "The Merchant of Venice", IV, i
ca. 1778
Not on view
4
Benjamin Wilson, 1721–1788
David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
1753
Not on view
5
Landscape by William Hodges, 1744–1797
Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
1790
Not on view
6
unknown artist
Prospero, Miranda and Ariel, from "The Tempest"
ca. 1780
Not on view
7
Thomas Stothard, 1755–1834
Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
ca. 1799
Not on view
8
Adrien Carpentiers, active 1739–1778
Louis-Francois Roubiliac Modelling His Monument to Shakespeare
between 1760 and 1761
Not on view
9
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
10
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
11
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
12
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
13
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
14
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
15
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
16
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
17
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
18
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
19
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
20
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
21
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
22
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
23
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
24
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
25
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
26
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
27
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
28
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
29
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
30
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
31
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
32
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
33
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
34
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
35
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
36
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
37
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
38
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
39
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
40
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
41
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
42
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
43
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
44
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
45
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
46
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
47
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
48
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
49
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
50
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
51
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
52
George Romney, 1734–1802
John Henderson as Falstaff
1780
53
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
54
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
55
Alexander Runciman, 1736–1785
Celadon and Amelia from Thomson's 'The Seasons'
undated
56
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
57
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
58
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
59
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
60
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
61
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
62
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
63
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
64
Print made by Robert Blyth, 1750–1784
The Captive
1781
65
Print made by Philip Dawe, ca.1750–ca.1790
Gadshill
1796
66
Valentine Green, 1739–1813
Rinaldo and Armida
1775
67
Valentine Green, 1739–1813
Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III
1776
68
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
69
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
70
Print made by Francesco Bartolozzi, 1728–1815
Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
1786
71
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
72
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
73
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
74
Print made by John Faber the Younger, ca. 1695–1756
Kitty Clive as Lady Easy in "The Careless Husband"
1739
75
Simon François Ravenet, 1706–1774
Isaac Watts
undated
76
Giuseppe Marchi, ca. 1735–1808
Portrait of John Moody as Foigard
between 1769 and 1771
77
Johann Jacobus Haid, 1704–1767
Mr. Garrick in "The Farmer's Return"
1766
78
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
79
Mary Hoare, 1744–1820
Ferdinand and Ariel
ca. 1781
80
Mary Hoare, 1744–1820
Lady Percy Watching the Sleeping Hotspur
1781
81
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781
82
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"