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Collection
Prints and Drawings
22
Creator
Hastings, Thomas Capt., 1778–1854
16
Turner, J. M. W. (Joseph Mallord William), 1775–1851
6
Jeavons, Thomas, ca. 1800–1867
2
Smith, William R., active 1819–1851
2
Kernot, James H., 1802–1858
1
Willmore, James Tibbits, 1800–1863
1
Date
1989
99
1797
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1752
78
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44
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1827
38
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34
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1642
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1795
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1829
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1836
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1628
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1770
18
1825
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1828
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1784
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1859
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1811
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1965
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1789
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1796
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1781
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1801
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1715
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1751
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1938
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1728
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1732
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3
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3
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1812
3
1839
3
On-site Access
Accessible by appointment in the Study Room
22
Image Use
Free to Use
22
Image Available
Available
22
Classification
Drawings & Watercolors
16
Prints
6
Creator Gender
male
22
Collective Title
Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etc.
16
Picturesque Views in England and Wales
6
Period
19th century
22
Materials & Techniques
wove paper
22
graphite
16
line engraving
6
chine collé
3
etching (printing process)
2
Height [cm]
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42
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56
Work Type
drawing
16
intaglio print
6
Genre
landscape
19
marine art
4
architectural subject
3
cityscape
2
historical subject
1
sporting art
1
Subject Terms
marine art
3
bay (body of water)
2
cityscape
2
cape (landform)
1
lighthouse
1
sea
1
Associated Places
England
3
United Kingdom
3
Dorset
2
Lyme Bay
2
Lyme Regis
2
Norfolk
2
Celtic Sea
1
English Channel
1
Land's End
1
Longships Lighthouse
1
Exhibition History
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
2
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
2
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
22
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1836
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1
Print made by W. R. Smith, active 1819–1851
Harlech Castle, North Wales
1836
2
Print made by Thomas Jeavons, ca. 1800–1867
Lyme Regis, Norfolk
1836
3
Print made by James Tibbits Willmore, 1800–1863
Powis Castle, Montgomery
1836
4
Print made by James H. Kernot, 1802–1858
Flint Castle, North Wales
1836
5
Capt. Thomas Hastings, 1778–1854
Near Rydal Lake, 10 February 1836
1836
6
Print made by Thomas Jeavons, ca. 1800–1867
Lyme Regis, Norfolk
1836
7
Capt. Thomas Hastings, 1778–1854
Ennerdale Lake, 10 May 1836
1836
8
Capt. Thomas Hastings, 1778–1854
At Rydal Lake, 8 February 1836
1836
9
Capt. Thomas Hastings, 1778–1854
From Rydal Cottage, 11 February 1836
1836
10
Capt. Thomas Hastings, 1778–1854
Ennerdale Lake, 10 May 1836
1836
11
Capt. Thomas Hastings, 1778–1854
Ennerdale, 10 May 1836
1836
12
Capt. Thomas Hastings, 1778–1854
Ennerdale Lake, 20 May 1836
1836
13
Capt. Thomas Hastings, 1778–1854
Whitehaven Road, 10 May 1836
1836
14
Capt. Thomas Hastings, 1778–1854
The Pillar & Steeple or Red Pike from the East End of Ennerdale Lake, 10 May 1836
1836
15
Capt. Thomas Hastings, 1778–1854
Near Ennerdale Lake, 20 May 1836
1836
16
Capt. Thomas Hastings, 1778–1854
Ennerdale, 10 May 1836
1836
17
Capt. Thomas Hastings, 1778–1854
Near the Anglers Rock, Ennerdale Lake, 10 May 1836
1836
18
Capt. Thomas Hastings, 1778–1854
From Anglers Rock, Ennerdale Lake, 10 May 1836
1836
19
Capt. Thomas Hastings, 1778–1854
From under the Screes at Wast Water, May 1836
1836
20
Capt. Thomas Hastings, 1778–1854
Rydal Lake, 8 February 1836
1836
21
Capt. Thomas Hastings, 1778–1854
Rydal Cottage from the Bridge, 8 February 1836
1836
22
Print made by W. R. Smith, active 1819–1851
Longships Lighthouse, Lands End
1836