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101. Warkworth Castle on the River Coquet

Warkworth Castle on the River Coquet
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. A View of the Eastside of London Bridge

A View of the Eastside of London Bridge
Creator:
R. Martin, active 1823–1840
Date:
undated
Materials & Techniques:
Reproduction lithograph
Dimensions:
Sheet: 13 5/16 x 21 3/8in. (33.8 x 54.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. A View of the West Side of London Bridge in 1823

A View of the West Side of London Bridge in 1823
Creator:
R. Martin, active 1823–1840
Date:
1823
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 13 3/8 x 21 3/4in. (34 x 55.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Dartmouth Castle, on the River Dart

Dartmouth Castle, on the River Dart
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 14 1/8 inches (25.4 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

Brougham Castle, near the Junction of the Rivers Eamont and Lowther
Creator:
Print made by William Say, 1768–1834
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

Brougham Castle, near the Junction of the Rivers Eamont and Lowther
Creator:
Print made by William Say, 1768–1834
Date:
1823 to 1827
Materials & Techniques:
Mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. Kirkstall Abbey, on the River Aire

Kirkstall Abbey, on the River Aire
Creator:
Print made by James Bromley, 1801–1838
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and soft ground etching; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 18 inches (31.8 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. Warkworth Castle on the River Coquet

Warkworth Castle on the River Coquet
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 20 1/8 inches (33 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Warkworth Castle on the River Coquet

Warkworth Castle on the River Coquet
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (between a&b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 17 1/4 inches (32.4 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Mouth of the River Humber

Mouth of the River Humber
Creator:
Print made by George H. Phillips, active 1819–1825
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (b) on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 15 3/8 inches (30.8 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Mouth of the River Humber

Mouth of the River Humber
Creator:
Print made by George H. Phillips, active 1819–1825
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and graphite; touched engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 12 5/8 inches (24.1 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. Kirkstall Lock, on the River Aire

Kirkstall Lock, on the River Aire
Creator:
Print made by William Say, 1768–1834
Date:
1823 to 1827
Materials & Techniques:
Mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 10 5/8 inches (21 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Mouth of the River Humber

Mouth of the River Humber
Creator:
Print made by George H. Phillips, active 1819–1825
Date:
1823 to 1827
Materials & Techniques:
Mezzotint, with graphite and scratching out; touched engraver's proof on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 × 15 1/8 inches (27.9 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. Arundel Castle, on the River Arun

Arundel Castle, on the River Arun
Creator:
Print made by George H. Phillips, active 1819–1825
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and etching with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 15 1/8 inches (30.5 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. Stangate Creek, on the River Medway

Stangate Creek, on the River Medway
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/2 × 20 inches (34.3 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Stangate Creek, on the River Medway

Stangate Creek, on the River Medway
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 12 1/8 inches (22.9 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Totnes, on the River Dart

Totnes, on the River Dart
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Kirkstall Lock, on the River Aire

Kirkstall Lock, on the River Aire
Creator:
Print made by William Say, 1768–1834
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 20 1/8 inches (33.7 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Stangate Creek, on the River Medway

Stangate Creek, on the River Medway
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint with chine collé; engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 20 1/4 inches (34.3 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. Totnes, on the River Dart

Totnes, on the River Dart
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 19 1/4 inches (33.7 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Plymouth

Plymouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
ca. 1828
Materials & Techniques:
Mezzotint, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 10 3/8 × 13 1/4 inches (26.4 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. South West View of the Old Academy, Homerton

South West View of the Old Academy, Homerton
Creator:
unknown artist
Date:
1823
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. A View in Smithfield

A View in Smithfield
Creator:
Charles G. Lewis, 1808–1880
Date:
undated
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. Plymouth Citadel

Plymouth Citadel
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1823
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 16 1/2 inches (28.3 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Wycliffe, near Rokeby

Wycliffe, near Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1823
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 15/16 × 16 1/2 inches (27.8 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. His Majesty's Visit to Scotland

His Majesty's Visit to Scotland
Creator:
William James Bennett, 1787–1844
Date:
1823
Materials & Techniques:
Color printed aquatint with hand coloring in watercolor
Dimensions:
Sheet: 11 7/8 x 20in. (30.2 x 50.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Kirkstall Abbey, on the River Aire

Kirkstall Abbey, on the River Aire
Creator:
Print made by James Bromley, 1801–1838
Date:
1823 to 1827
Materials & Techniques:
Etching and soft ground etching with chine collé; etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 16 3/4 inches (28.3 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Text (unbound) for River Scenery

Text (unbound) for River Scenery
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1823 to 1827
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Front of Wrapper for Rivers of England (Number One)

Front of Wrapper for Rivers of England (Number One)
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1823
Materials & Techniques:
Letterpress and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. River Scenery (Directions to the Binder)

River Scenery (Directions to the Binder)
Creator:
Print made by unknown artist
Date:
1823 to 1827
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. River Scenery (Directions to the Binder)

River Scenery (Directions to the Binder)
Creator:
Print made by unknown artist
Date:
1823 to 1827
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. Barnes Terrace

Barnes Terrace
Creator:
William Westall, 1781–1850
Date:
1823
Materials & Techniques:
Lithograph on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 10 3/16 × 15 7/16 inches (25.9 × 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. St. John's House, Hoxton

St. John's House, Hoxton
Creator:
unknown artist
Date:
1823
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 3/8 x 10 1/8in. (31.4 x 25.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Plymouth Citadel

Plymouth Citadel
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1823
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 3/4 inches (23.2 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. Seat of the Earl of Cassilis, Isleworth

Seat of the Earl of Cassilis, Isleworth
Creator:
Charles J. Hullmandel, 1789–1850
Date:
1823
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. At Kew

At Kew
Creator:
Charles J. Hullmandel, 1789–1850
Date:
1823
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. New Palace, Kew

New Palace, Kew
Creator:
Charles J. Hullmandel, 1789–1850
Date:
1823
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. At Isleworth

At Isleworth
Creator:
Charles J. Hullmandel, 1789–1850
Date:
1823
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Chatsworth House, Derbyshire

Chatsworth House, Derbyshire
Creator:
William Henry Bartlett, 1809–1854
Date:
between 1823 and 1830
Materials & Techniques:
Pen and brown ink and brown wash over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 3/4 inches (16.2 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Samuel Johnson

Samuel Johnson
Creator:
William Camden Edwards, 1777–1855
Date:
1823
Materials & Techniques:
Engraving
Dimensions:
Sheet: 6 3/4 x 5in. (17.1 x 12.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

141. Samuel Johnson

Samuel Johnson
Creator:
William Camden Edwards, 1777–1855
Date:
1823
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/2 x 9in. (34.3 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

142. Samuel Johnson

Samuel Johnson
Creator:
Robert Cooper, active ca. 1800–1836
Date:
1823
Materials & Techniques:
Engraving
Dimensions:
Sheet: 6 3/4 x 4in. (17.1 x 10.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

143. Taunting with Smoke from a Pipe

Taunting with Smoke from a Pipe
Creator:
Thomas Rowlandson, 1756–1827
Date:
1823
Materials & Techniques:
Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 3/4 x 10 3/8 inches (22.2 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. Samuel Johnson

Samuel Johnson
Creator:
William Camden Edwards, 1777–1855
Date:
1823
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 1/4 x 5 1/4in. (21 x 13.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

145. John Flaxman

John Flaxman
Creator:
James Thomson, 1800–1883
Date:
1823
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's

Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's

Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's

Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Set of twelve [Scenes in the Life of Master George]

Set of twelve [Scenes in the Life of Master George]
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 8 3/8 x 10 5/8in. (21.3 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Set of twelve [Scenes in the Life of Master George]

Set of twelve [Scenes in the Life of Master George]
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 8 3/8 x 10 5/8in. (21.3 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Set of twelve [Scenes in the Life of Master George]

Set of twelve [Scenes in the Life of Master George]
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 8 3/8 x 10 5/8in. (21.3 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Set of twelve [Scenes in the Life of Master George]

Set of twelve [Scenes in the Life of Master George]
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 8 3/8 x 10 5/8in. (21.3 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. Set of twelve [Scenes in the Life of Master George]

Set of twelve [Scenes in the Life of Master George]
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 8 3/8 x 10 5/8in. (21.3 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. Set of twelve [Scenes in the Life of Master George]

Set of twelve [Scenes in the Life of Master George]
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 8 3/8 x 10 5/8in. (21.3 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. Set of twelve [Scenes in the Life of Master George]

Set of twelve [Scenes in the Life of Master George]
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 8 3/8 x 10 5/8in. (21.3 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Set of twelve [Scenes in the Life of Master George]

Set of twelve [Scenes in the Life of Master George]
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 8 3/8 x 10 5/8in. (21.3 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Set of twelve [Scenes in the Life of Master George]

Set of twelve [Scenes in the Life of Master George]
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 8 3/8 x 10 5/8in. (21.3 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Set of twelve [Scenes in the Life of Master George]

Set of twelve [Scenes in the Life of Master George]
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 8 3/8 x 10 5/8in. (21.3 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. [set of 16]: 1-12:Fox-hunting subjects (no titles)

[set of 16]: 1-12:Fox-hunting subjects (no titles)
Creator:
Richard Purcell, active 1746–1766
Date:
1823
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 5 3/8 x 8 1/4in. (13.7 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. [set of 16]: 14. The Spoiled Shot

[set of 16]: 14. The Spoiled Shot
Creator:
Richard Purcell, active 1746–1766
Date:
1823
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 5 3/8 x 8 1/4in. (13.7 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Set of twelve with title page: The Necessary Qualifications of a Man of Fashion.

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion.
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 7 5/8 x 5 1/4in. (19.4 x 13.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Burgh Castle

Burgh Castle
Creator:
unknown artist
Date:
1823
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. Hertford Castle

Hertford Castle
Creator:
Print made by J. Francis Bouchelle, active 1823
Date:
1823
Materials & Techniques:
Lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 5/8 x 14 7/16 inches (27 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. Peter Stuyvesant Rebuking the Cobbler

Peter Stuyvesant Rebuking the Cobbler
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1823
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

165. William Kieft Introducing a New Mode of Punishment for Beggars & c.

William Kieft Introducing a New Mode of Punishment for Beggars & c.
Creator:
Print made by John Romney, 1786–1863
Date:
1823
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

166. Dutch Courtship

Dutch Courtship
Creator:
Print made by Charles Rolls, 1800–active 1830
Date:
1823
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

167. Lawsuit Decided by Wouter Van Twiller

Lawsuit Decided by Wouter Van Twiller
Creator:
Print made by John Romney, 1786–1863
Date:
1823
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

168. Antony Van Corlear Setting off for the Wars

Antony Van Corlear Setting off for the Wars
Creator:
Print made by Alfred William Warren, active 1791–1809
Date:
1823
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

169. Rip Van Winkle

Rip Van Winkle
Creator:
Print made by Charles Rolls, 1800–active 1830
Date:
1823
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

170. Dutch Fire Side

Dutch Fire Side
Creator:
Print made by William Finden, 1787–1852
Date:
1823
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

171. Stag

Stag
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1823
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

172. Set of twelve [Scenes in the Life of Master George]

Set of twelve [Scenes in the Life of Master George]
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 8 3/8 x 10 5/8in. (21.3 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Coaching: North-Country Mails at the Peacock, Islington

Coaching: North-Country Mails at the Peacock, Islington
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 24 3/4 x 32in. (62.9 x 81.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Four in Hand

Four in Hand
Creator:
Joshua Gleadah, active 1830s
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 14 7/8 x 16 5/8in. (37.8 x 42.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. [set of 16]: 1-12:Fox-hunting subjects (no titles)

[set of 16]: 1-12:Fox-hunting subjects (no titles)
Creator:
Richard Purcell, active 1746–1766
Date:
1823
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 5 3/8 x 8 1/4in. (13.7 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

180. The Cover

The Cover
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, printed in color and colored by hand
Dimensions:
Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. Breaking Cover

Breaking Cover
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, printed in color and colored by hand
Dimensions:
Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. Full Cry

Full Cry
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, printed in color and colored by hand
Dimensions:
Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. The Death

The Death
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, printed in color and colored by hand
Dimensions:
Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. Map of Dudley in Worcestershire

Map of Dudley in Worcestershire
Creator:
R. Martin, active 1823–1840
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's

Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. The Famous Lincolnshire Ox

The Famous Lincolnshire Ox
Creator:
Print made by unknown artist
Date:
1823
Materials & Techniques:
Etching and aquatint with hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 x 20 1/2 inches (43.2 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

189. West Highland Heifer Kyloe

West Highland Heifer Kyloe
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823
Materials & Techniques:
Mezzotint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/8 x 22 5/8 inches (48.6 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. Set of twelve with title page: The Necessary Qualifications of a Man of Fashion.

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion.
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 7 5/8 x 5 1/4in. (19.4 x 13.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. Logic from Oxford, or the Tandem Reduced

Logic from Oxford, or the Tandem Reduced
Creator:
unknown artist
Date:
1823
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

192. Part of the Construction in the Old House of Lords

Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 3/16 × 12 1/2 inches (25.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. Exterior & Interior Views of the Painted Chamber & Old House of Lords

Exterior & Interior Views of the Painted Chamber & Old House of Lords
Creator:
Print made by unknown artist
Date:
1823
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 8 1/4 × 4 15/16 inches (21 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. Law Terms: Ejectment (Plate 2)

Law Terms: Ejectment (Plate 2)
Creator:
Edward Williams, c.1750–1800
Date:
1823
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 13/16 x 6 13/16in. (22.4 x 17.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. Tree Study (Autumn Foliage)

Tree Study (Autumn Foliage)
Creator:
attributed to John Linnell, 1792–1882
Date:
ca. 1828
Materials & Techniques:
Gouache and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 7/8 x 12 1/8 inches (25.1 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

196. Dartmouth, on the River Dart

Dartmouth, on the River Dart
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
1823 to 1827
Materials & Techniques:
Etching and mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 11 3/4 inches (23.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. Kirkstall Abbey, on the River Aire

Kirkstall Abbey, on the River Aire
Creator:
Print made by James Bromley, 1801–1838
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and soft ground etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 9 1/8 inches (17.5 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. Dartmouth Castle, on the River Dart

Dartmouth Castle, on the River Dart
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. Warkworth Castle on the River Coquet

Warkworth Castle on the River Coquet
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 13 7/8 inches (25.4 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. Totnes, on the River Dart

Totnes, on the River Dart
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823 to 1827
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 11 inches (21.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection