Indian Temple, Said to Be the Mosque of Abo-ul-Nabi, Muttra
1827
Not on view
5
John Whessell, 1760–ca. 1823
A Boat Race on the River Isis, Oxford
1822
Not on view
6
unknown artist
Street with Church and Figures
1822 to 1825
Not on view
7
unknown artist
?Petit Andeleys on the Seine
1822 to 1825
Not on view
8
unknown artist
Yacht Racing on the Solent
ca. 1827
Not on view
9
Benjamin Marshall, 1768–1835
Broodmare with Foal, and a Terrier
1822
Not on view
10
George Garrard, 1760–1826
Turk, a greyhound, the property of George Lane Fox
1822
Not on view
11
George Garrard, 1760–1826
One of George Lane Fox's Winning Greyhounds: the Black and White Greyhound Bitch, Juno, also called Elizabeth
1822
Not on view
12
Alexander Nasmyth, 1758–1840
A View of Edinburgh from the West
1822 to 1826
Not on view
13
John Glover, 1767–1849
Sandown Bay, from near Shanklin Chine, Isle of Wight
ca. 1827
Not on view
14
John Linnell, 1792–1882
The Rest on the Flight into Egypt
ca. 1827
Not on view
15
Samuel Palmer, 1805–1881
A Moonlit Scene with a Winding River
ca. 1827
16
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
17
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1822
18
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
19
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
20
Print made by Henry Le Keux, 1787–1868
Simmer Lake, near Askrig
1822
21
Print made by W. R. Smith, active 1819–1851
Heriot's Hospital
1822
22
Print made by William Bernard Cooke, 1778–1855
Margate, Kent
1822
23
Print made by William Bernard Cooke, 1778–1855
Margate, Kent
1822
24
Print made by William Bernard Cooke, 1778–1855
Margate, Kent
1822
25
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
26
Print made by Henry Le Keux, 1787–1868
Heriot's Hospital
1822
27
Print made by George Cooke, 1781–1834
Crichton Castle
1822
28
Henry Morton, ca. 1807–1825
Winchelsea Castle
undated
29
Henry Morton, ca. 1807–1825
Bodiam Castle
undated
30
Joseph Nash, 1808–1878
Street Activity
ca. 1827
31
John Baverstock Knight, 1785–1859
Studland Dock Yard
1822
32
Henry Morton, ca. 1807–1825
St. Thomas' Church, Winchelsea
undated
33
Henry Morton, ca. 1807–1825
Windmill on the Sea Coast Near Hastings
undated
34
Henry Morton, ca. 1807–1825
Ore Church and House
undated
35
Henry Morton, ca. 1807–1825
Strand Gateway, Winchelsea
undated
36
William Henry Hunt, 1790–1864
A Dead Hare and a Cooked Lobster on a Bench
ca. 1827
37
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
38
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
39
Joseph Nash, 1808–1878
Fashionable Men and Women Conversing
ca. 1827
40
Aaron Edwin Penley, 1807–1870
River Landscape
undated
41
Aaron Edwin Penley, 1807–1870
Sheet of Studies of Deer, Figures and Landscape
undated
42
Henry Morton, ca. 1807–1825
The Fish Ponds
undated
43
Aaron Edwin Penley, 1807–1870
Cloud Study
undated
44
Thomas Henry Wyatt, 1807–1880
Design for the Mechanics' Institution, Basingstoke: Elevation
undated
45
Sir George Hayter, 1792–1871
Kitchen: Interior, Stone Crouch
1822
46
James Ward, 1769–1859
A Stunted Oak
1822
47
unknown artist
Heidelberg
1822
48
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1822
49
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1822
50
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
51
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
52
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
53
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
54
Print made by Robert Wallis, 1794–1878
Linlithgow Palace
1822
55
Print made by Robert Wallis, 1794–1878
Linlithgow Palace
1822
56
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
ca. 1827
57
Print made by Robert Isaac Cruikshank, 1789–1856
Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
1822
58
unknown artist
Sir John Hawkins Knt
1822
59
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
60
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
61
James Thomson, 1800–1883
Henry Bone, R. A
1822
62
unknown artist
Blue Ruin Tom and Bob tasting Thompson's Best
1822
63
John Bluck, active 1791–1831
The Quadrant, Regent Street
1822
64
unknown artist
Richmond, from the Duke of Buedeugh's Garden, Western Suburb
1822
65
unknown artist
Sale Notice of Capel House above (c)
1822
66
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
67
Robert Smirke, 1752–1845
Olivia and Maria
1822
68
unknown artist
John Bunyan's Meeting House and the School connected therewith
1822
69
Bartholomew Howlett, 1767–1827
The Queen of Bohemia's Palace, or Crover House in Drury Lane; as it appeared in the Year 1800
1822
70
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
71
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
72
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
73
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
74
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
75
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
76
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
77
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
78
Sir David Wilkie, 1785–1841
Two Riders Seen from Behind, Oct. 10, 1822
1822
79
James Pollard, 1792–1867
Fox-Hunting [set of three of four]: 2.The find
1822
80
James Pollard, 1792–1867
Fox-Hunting [set of three of four]: 4.The Death
1822
81
James Pollard, 1792–1867
Shooting [a pair]: 2. Evening of the First of September
1822
82
James Pollard, 1792–1867
Shooting [set of six]: 3. Grouse Shooting
1822
83
James Pollard, 1792–1867
Shooting [set of six]: 2. Pheasant Shooting
1822
84
James Pollard, 1792–1867
Shooting [set of six]: 6. Packing up
1822
85
Print made by John Henry Robinson, 1796–1871
Paradise Lost, Book V
1822
86
Charles Heath, 1785–1848
Paradise Lost, Book VI
1822
87
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
88
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
89
William Heath, 1795–1840
A bit of a Row in the East, EVERY COCK on this own DUNGHILL, or the Legitimates come to the charge
1822
90
Print made by Matthew Dubourg, active 1786–1838
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821