Date: 1817 - YCBA Collections Search Search Results

1. Children by a Brook

Creator:: Francis Danby, 1793–1861
Date:: ca. 1822
Materials & Techniques:: Oil on panel
Dimensions:: 29 1/2 x 24 1/2 inches (74.9 x 62.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Hampstead Heath, with a Bonfire

Creator:: John Constable, 1776–1837
Date:: ca. 1822
Materials & Techniques:: Oil on canvas
Dimensions:: 10 5/8 x 12 5/8 inches (27 x 32.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. View of the City of Edinburgh

Creator:: Alexander Nasmyth, 1758–1840
Date:: ca. 1822
Materials & Techniques:: Oil on canvas
Dimensions:: 55 7/8 x 82 5/8 inches (141.9 x 209.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Village Scene (possibly Colickey Green, Essex)

Creator:: Jessica Landseer, 1807–1880
Date:: 1817
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 17 1/2 inches (35.6 x 44.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

5. Sheep Washing at Postwick Grove, Norwich

Creator:: James Stark, 1794–1859
Date:: ca. 1822
Materials & Techniques:: Oil on panel
Dimensions:: 17 x 21 inches (43.2 x 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Henry Fuseli

Creator:: George Henry Harlow, 1787–1819
Date:: 1817
Materials & Techniques:: Oil on panel
Dimensions:: 21 × 16 1/16 inches (53.3 × 40.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Study of Jockeys

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: undated
Materials & Techniques:: Oil on panel
Dimensions:: 14 1/2 × 20 5/8 inches (36.8 × 52.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. October Morning, Buckingham Palace - Rehearsal for the Opening of Parliament

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: undated
Materials & Techniques:: Oil on panel
Dimensions:: 6 1/2 × 16 3/16 inches (16.5 × 41.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Theophilus Levett and a Favorite Hunter

Creator:: James Ward, 1769–1859
Date:: 1817
Materials & Techniques:: Oil on canvas
Dimensions:: 39 1/4 x 51 1/4 inches (99.7 x 130.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Outside the Guard House at Windsor

Creator:: Edmund Bristow, 1787–1876
Date:: between 1817 and 1821
Materials & Techniques:: Oil on canvas
Dimensions:: 24 x 30 inches (61 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. A Dun Diver (Goosander)

Creator:: Robert Wilkinson Padley, ca. 1775–1835
Date:: 1817
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 30 inches (63.5 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Brighton

Creator:: William Henry Stothard Scott, 1783–1850
Date:: 1817
Materials & Techniques:: Oil on canvas
Dimensions:: 21 5/16 x 28 3/16 inches (54.1 x 71.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Boys Bathing on the River Wensum, Norwich

Creator:: John Crome, 1768–1821
Date:: 1817
Materials & Techniques:: Oil on panel
Dimensions:: 19 × 14 1/8 inches (48.3 × 35.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald

Creator:: George Clint, 1770–1854
Date:: ca. 1822
Materials & Techniques:: Oil on panel
Dimensions:: 17 1/2 x 12 1/4 inches (44.5 x 31.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Landscape with Figures

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: ca. 1822
Materials & Techniques:: Oil on canvas
Dimensions:: 28 x 37 3/4 inches (71.1 x 95.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Death of the Doe

Creator:: George Stubbs, 1724–1806
Date:: 1817
Materials & Techniques:: Mezzotint, second state
Dimensions:: Sheet: 14 15/16 x 19 3/4in. (38 x 50.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. A View of Boppart, with Figures on the River Bank

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1817
Materials & Techniques:: Watercolor, gouache, black chalk and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 1/2 inches (20 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Margate

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1822
Materials & Techniques:: Watercolor and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 1/4 inches (15.6 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Vesuvius in Eruption

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1817 and 1820
Materials & Techniques:: Watercolor, gum, scraping out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/4 x 15 5/8 inches (28.6 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Andernach

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1817
Materials & Techniques:: Watercolor, gouache, pen and black ink and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Rheinfels Looking to Katz and Goarhausen

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1817
Materials & Techniques:: Watercolor, gouache, gray wash and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 1/2 inches (20 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Man Sweeping the Interpreter's Parlour

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1822
Materials & Techniques:: White-line metal cut engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Footbridge

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor, gum arabic, and scratching out on medium, slightly textured, cream wove paper, mounted on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 2 7/8 × 4 5/8 inches (7.3 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Regent Street, Looking Toward Piccadilly From Waterloo Place

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/16 × 17 3/16 inches (31 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Vale of Ashburnham, Replication of Right Half

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 8 1/2 inches (28.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Bodiham Castle, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 14 1/4 inches (29.8 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Bodiham Castle, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and line engraving; modern impression on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Hardraw Fall

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1817
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 20 1/16 inches (34.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Classical Landscape with Figures

Creator:: Francis Oliver Finch, 1802–1862
Date:: undated
Materials & Techniques:: Watercolor with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 12 inches (17.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Stable Boy with Cart Horses

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 15 5/8 inches (31.4 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Winchelsea Castle

Creator:: Henry Morton, ca. 1807–1825
Date:: 1817
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 9 3/4 x 13 3/8in. (24.8 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Study of a Woman with her Head on her Hand

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 x 4 7/8 inches (10.5 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Views Illustrative of Hastings and its Vicinity; Title Page

Creator:: Print made by Henry Morton, ca. 1807–1825
Date:: 1817
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 3/4 x 13 3/8in. (24.8 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Ore Church and House

Creator:: Print made by Henry Morton, ca. 1807–1825
Date:: 1817
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 9 3/4 x 13 3/8in. (24.8 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Bodiam Castle

Creator:: Print made by Henry Morton, ca. 1807–1825
Date:: 1817
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 9 3/4 x 13 3/8in. (24.8 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. St. Thomas's Church Winchelsea

Creator:: Henry Morton, ca. 1807–1825
Date:: 1817
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 9 3/4 x 13 3/8in. (24.8 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Lewes Bridge, Sussex

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 2 7/8 × 4 1/2 inches (7.3 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Knaresborough

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 3 1/8 × 4 1/2 inches (7.9 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Porchester Castle

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 2 7/8 × 4 5/16 inches (7.3 × 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Landscape at Boxhill, Surrey

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 10 5/16 inches (17.6 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Boxhill from West Humble Lane

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 x 19 7/16 inches (33.6 x 49.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Buildings Belonging to Magdalen Hall, Oxford

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Brown ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 19 15/16 x 15 3/8 inches (50.6 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Tythrop

Creator:: John Linnell, 1792–1882
Date:: 1817
Materials & Techniques:: Black ink and gouache over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 12 1/8 x 18 1/2 inches (30.8 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Interior of the Belfry, Bushey Church

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1822
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 16 7/8 x 13 inches (42.9 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1822
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 x 16 1/4 inches (31.1 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Aldgate

Creator:: Robert Bremmel Schnebbelie, active 1803–1849
Date:: 1817
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 11 3/8in. (22.9 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Edward Bruce

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1817
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

49. Classical Landscape

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream card mounted on thick, slightly textured, beige card
Dimensions:: Mount: 14 1/8 × 21 1/2 inches (35.9 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Keep and Gate, Ludlow Castle, Shropshire

Creator:: Thomas Lound, 1802–1861
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite with scratching out on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 14 1/8 × 19 3/4 inches (35.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. South East View of the Church and Palace at Croydon, Surrey

Creator:: John Chessell Buckler, 1793–1894
Date:: 1817
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. A Wooded Stream and a Farmhouse in Normandy

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Graphite on medium, rough, brown wove paper
Dimensions:: Sheet: 7 7/8 x 10 1/2 inches (20 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Study of a Seated Woman

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 x 5 1/8 inches (17.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Queen Anne Boleyn's Room, Windsor Castle

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 5 inches (10.5 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Eleventh Hour

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 9/16 inches (32.9 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Palais de Justice, Rouen

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 11 7/8 x 4 7/8 inches (30.2 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. A Seascape

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 x 6 inches (9.8 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. A Christening

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 × 4 3/8 inches (12.7 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. A Fruit Stall in a Market

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 1/4 inches (13 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. An Episode at the Battle of Waterloo

Creator:: William Heath, 1795–1840
Date:: 1817
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 9 1/4 inches (18.1 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Honey-Badger

Creator:: Samuel Howitt, 1756–1822
Date:: 1817
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 6 1/2 inches (20.3 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. North American Lynx

Creator:: Samuel Howitt, 1756–1822
Date:: ca. 1817
Materials & Techniques:: Watercolor and pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 6 3/4 inches (22.9 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Three Sheep at Rest

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Oil with varnish on medium, smooth, beige wove paper
Dimensions:: Sheet: 2 3/4 x 6 3/4 inches (7 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, The James W. (B.A. 1933, M.A. 1935) and Mary C. Fosburgh Collection

83. Polecat

Creator:: Samuel Howitt, 1756–1822
Date:: ca. 1817
Materials & Techniques:: Watercolor, pen and black ink, pen and gray ink, and graphite on wove paper
Dimensions:: Sheet: 7 5/8 × 6 1/2 inches (19.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. South View of the New Custom House

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1817
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Improvements opposite Carlton House (Showing the view up Regent Street)

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1817
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Strand Gateway, Winchelsea

Creator:: Henry Morton, ca. 1807–1825
Date:: 1817
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 9 3/4 x 13 3/8in. (24.8 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Old Buildings at Hastings

Creator:: Henry Morton, ca. 1807–1825
Date:: 1817
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 9 3/4 x 13 3/8in. (24.8 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The Fish-Ponds

Creator:: Henry Morton, ca. 1807–1825
Date:: 1817
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 9 3/4 x 13 3/8in. (24.8 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. A Faun with Pipes

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Black chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 22 7/8 × 15 inches (58.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching; open etched state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and engraving; touched engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/16 × 14 5/8 inches (26.5 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Martello Towers at Bexhill

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching; early etched state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 5/16 inches (29.5 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Martello Towers at Bexhill

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 5/16 × 13 7/8 inches (23.7 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. View of St. Catherine's Hill near Guildford

Creator:: attributed to Charles Claude Pyne, 1802–1878
Date:: undated
Materials & Techniques:: Watercolor over graphite; on verso: watercolor, graphite and chalk on medium, slightly textured, wove paper
Dimensions:: Sheet: 7 × 19 1/4 inches (17.8 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Roslin Castle

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: ca. 1822
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/16 × 13 3/8 inches (26.2 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Gray wash, black wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 15/16 × 16 3/4 inches (40.5 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 7/16 × 15 inches (24 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Grisons/ Looking to Glarnisch (Switzerland) Mountains

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Pen and black ink, black wash, gray wash, graphite, and white gouache on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 13/16 × 16 3/8 inches (52.9 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. After Pinnelli - Group of Peasants Outside a Church

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Watercolor, with pen and brown ink, brown wash, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1817

Search Results

1. Children by a Brook

2. Hampstead Heath, with a Bonfire

3. View of the City of Edinburgh

4. Village Scene (possibly Colickey Green, Essex)

5. Sheep Washing at Postwick Grove, Norwich

6. Henry Fuseli

7. Study of Jockeys

8. October Morning, Buckingham Palace - Rehearsal for the Opening of Parliament

9. Theophilus Levett and a Favorite Hunter

10. Outside the Guard House at Windsor

11. A Dun Diver (Goosander)

12. Brighton

13. Boys Bathing on the River Wensum, Norwich

14. Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald

15. Landscape with Figures

16. Death of the Doe

17. A View of Boppart, with Figures on the River Bank

18. Margate

19. Vesuvius in Eruption

20. Andernach

21. Rheinfels Looking to Katz and Goarhausen

22. The Man Sweeping the Interpreter's Parlour

23. The Footbridge

24. Regent Street, Looking Toward Piccadilly From Waterloo Place

25. Plymouth from Mount Batten

26. The Vale of Ashburnham, Replication of Right Half

27. Bodiham Castle, Sussex

28. Bodiham Castle, Sussex

29. Hardraw Fall

30. Classical Landscape with Figures

31. Stable Boy with Cart Horses

32. Winchelsea Castle

33. Study of a Woman with her Head on her Hand

34. Views Illustrative of Hastings and its Vicinity; Title Page

35. Ore Church and House

36. Bodiam Castle

37. St. Thomas's Church Winchelsea

38. Lewes Bridge, Sussex

39. Knaresborough

40. Porchester Castle

41. Landscape at Boxhill, Surrey

42. Boxhill from West Humble Lane

43. Buildings Belonging to Magdalen Hall, Oxford

44. Tythrop

45. Interior of the Belfry, Bushey Church

46. Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

47. Aldgate

48. Edward Bruce

49. Classical Landscape

50. The Keep and Gate, Ludlow Castle, Shropshire

51. South East View of the Church and Palace at Croydon, Surrey

52. A Wooded Stream and a Farmhouse in Normandy

53. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

54. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

55. Study of a Seated Woman

56. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

57. Queen Anne Boleyn's Room, Windsor Castle

58. Hogarth Declaring His Love to Miss Thornhill

59. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

60. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

61. Hogarth Drawing Sarah Malcolm

62. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

63. Hogarth Sitting to Roubiliac for His Bust

64. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

65. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

66. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

67. The Eleventh Hour

68. Palais de Justice, Rouen

69. A Seascape

70. A Christening

71. The Reconcilation

72. The Smock Exposed

73. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

74. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

75. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers