Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald
ca. 1822
Not on view
12
Capt. Thomas Hastings, 1778–1854
Landscape with Figures
ca. 1822
Not on view
13
John Crome, 1768–1821
Boys Bathing on the River Wensum, Norwich
1817
Not on view
14
George Stubbs, 1724–1806
Death of the Doe
1817
15
Joseph Mallord William Turner, 1775–1851
A View of Boppart, with Figures on the River Bank
1817
16
Joseph Mallord William Turner, 1775–1851
Margate
ca. 1822
On view
17
Joseph Mallord William Turner, 1775–1851
Rheinfels Looking to Katz and Goarhausen
1817
18
Joseph Mallord William Turner, 1775–1851
Andernach
1817
19
Print made by William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
20
William Heath, 1795–1840
An Episode at the Battle of Waterloo
1817
21
Samuel Howitt, 1756–1822
Honey-Badger
1817
22
Samuel Howitt, 1756–1822
Polecat
ca. 1817
23
Samuel Howitt, 1756–1822
North American Lynx
ca. 1817
24
John Linnell, 1792–1882
Tythrop
1817
25
Alexander Monro, 1802–1844
Porchester Castle
undated
26
Alexander Monro, 1802–1844
Buildings Belonging to Magdalen Hall, Oxford
undated
27
Alexander Monro, 1802–1844
Classical Landscape
undated
28
Alexander Monro, 1802–1844
Boxhill from West Humble Lane
undated
29
Alexander Monro, 1802–1844
Landscape at Boxhill, Surrey
undated
30
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
31
William Henry Hunt, 1790–1864
Interior of the Belfry, Bushey Church
ca. 1822
32
Alexander Monro, 1802–1844
Knaresborough
undated
33
Alexander Monro, 1802–1844
Lewes Bridge, Sussex
undated
34
Thomas Lound, 1802–1861
The Keep and Gate, Ludlow Castle, Shropshire
undated
35
unknown artist
A Plan of Grove Hill, Camberwell, Surrey, Belonging to J.C. Letteome, M.D
1817
36
S. Springsguth, active 1816–1819
The Opening of Waterloo Bridge
1817
37
Joseph Constantine Stadler, active 1780–1812
A South View of the New Customs House
1817
38
unknown artist
His Royal Highness The Prince Regent and Duke of Wellington and a First Visit to Waterloo Bridge
1817
39
Joseph Constantine Stadler, active 1780–1812
North East View of Westminster Abbey
1817
40
unknown artist
North West View of the Ancient Structure of Merchant-Taylors Hall and the Alms-Houses Adjoining in Threadneedle Street
1817
41
John Le Keux, 1783–1846
View in the North Aisle: Showing Henry the third Monument
1817
42
Samuel William Reynolds, 1773–1835
Thomas Girtin
1817
43
Francis Oliver Finch, 1802–1862
Classical Scene
undated
44
Joseph Constantine Stadler, active 1780–1812
North East View of Westminster Abbey
1817
45
William Woolnoth, active 1806–1830
View in Edward the Confessor's Chapel
1817
46
William Wise, Active 1823–1876
The Crypt of the Nunnery of St. Helen
1817
47
William Wise, Active 1823–1876
The Crypt of the Ancient Nunnery of St. Helen
1817
48
John Greig, active 1803–1853
Funsbury Square
1817
49
Joseph Constantine Stadler, active 1780–1812
North East View of Westminster Abbey (on two sheets)
1817
50
Bartholomew Howlett, 1767–1827
Southwest View of te Interior of the Church of St. Helen
1817
51
unknown artist
Plan of the Nunnery and Church of St. Helen
1817
52
William Wallis, 1794– active 1830
The London Institution
1817
53
Joseph Constantine Stadler, active 1780–1812
A South View of Somerset House from Waterloo Bridge
1817
54
William Bernard Cooke, 1778–1855
Richmond Hill
1817
55
unknown artist
[Ticket for Box at the] Aquatic Theatre, Sadler's Wells, 1817
1817
56
Richard Parkes Bonington, 1802–1828
A Faun with Pipes
undated
57
Joseph Constantine Stadler, active 1780–1812
South View of the New Custom House
1817
58
Henry Morton, ca. 1807–1825
St. Thomas's Church Winchelsea
1817
59
Richard Parkes Bonington, 1802–1828
Study of a Woman with her Head on her Hand
undated
60
Francis Oliver Finch, 1802–1862
Classical Landscape with Figures
undated
61
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
62
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
63
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
64
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
65
Print made by William Bernard Cooke, 1778–1855
Martello Towers at Bexhill
1817
66
Print made by William Bernard Cooke, 1778–1855
Martello Towers at Bexhill
1817
67
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham, Replication of Right Half
1817
68
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1817
69
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1817
70
Thomas Shotter Boys, 1803–1874
The Footbridge
undated
71
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
72
Thomas Sutherland, ca. 1785–1838
Improvements opposite Carlton House (Showing the view up Regent Street)
1817
73
Print made by Henry Morton, ca. 1807–1825
Bodiam Castle
1817
74
Henry Morton, ca. 1807–1825
The Fish-Ponds
1817
75
Richard Parkes Bonington, 1802–1828
Palais de Justice, Rouen
undated
76
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
77
John Thomas Smith, 1766–1833
The Smock Exposed
1817
78
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
79
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
80
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
81
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
82
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
83
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
84
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
85
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
86
Samuel Rawle, 1771–1860
Colonnade of the Opera House and Waterloo Place
1817
87
Henry Thomas Alken, 1785–1851
[Hunting Discoveries] ... Discover that your girts are broken ..
1817
88
Henry Thomas Alken, 1785–1851
[Hunting Discoveries] ... at Length perceive a light which you Discover ..
1817
89
Henry Thomas Alken, 1785–1851
Easter Monday [Stag Hunting]: A View near Windsor
1817
90
Henry Thomas Alken, 1785–1851
Easter Monday [Stag Hunting]: A View near Epping
1817
91
unknown artist
Set of four [Foxhunting]: 3. Full Cry
1817
92
John Frederick Tayler, 1802–1889
Six Foxhounds Resting
undated
93
John Frederick Tayler, 1802–1889
A Ploughboy Riding One of a Pair of Draught-horses Up a Hill
undated
94
John Frederick Tayler, 1802–1889
Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
undated
95
James Ward, 1769–1859
Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
ca. 1822
96
Sir Edwin Henry Landseer, 1802–1873
A Herd of Deer Grazing in a Park
undated
97
style of Sir Edwin Henry Landseer, 1802–1873
A Dappled Horse in a Stable
undated
98
Attributed to John Frederick Tayler, 1802–1889
Four Hooded Falcons
undated
99
John Buckler FSA, 1770–1851
Samlesbury hall; Lancashire
1817
100
John Buckler FSA, 1770–1851
Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart