A South View of Somerset House from Waterloo Bridge
1817
102
unknown artist
Plan of the Ancient Inn, Situated in Tooley Street, Southwark
1817
103
unknown artist
North View of the Oratory of the Antient Inn
1817
104
Joseph Constantine Stadler, active 1780–1812
North East View of Westminster Abbey (on two sheets)
1817
105
Joseph Constantine Stadler, active 1780–1812
North East View of Westminster Abbey
1817
106
William Woolnoth, active 1806–1830
View in Edward the Confessor's Chapel
1817
107
William Wise, Active 1823–1876
The Crypt of the Nunnery of St. Helen
1817
108
Bartholomew Howlett, 1767–1827
Southwest View of te Interior of the Church of St. Helen
1817
109
William Wise, Active 1823–1876
The Crypt of the Ancient Nunnery of St. Helen
1817
110
unknown artist
Plan of the Nunnery and Church of St. Helen
1817
111
unknown artist
North West View of the Ancient Structure of Merchant-Taylors Hall and the Alms-Houses Adjoining in Threadneedle Street
1817
112
unknown artist
His Royal Highness The Prince Regent and Duke of Wellington and a First Visit to Waterloo Bridge
1817
113
S. Springsguth, active 1816–1819
The Opening of Waterloo Bridge
1817
114
John Le Keux, 1783–1846
View in the North Aisle: Showing Henry the third Monument
1817
115
Joseph Constantine Stadler, active 1780–1812
A South View of the New Customs House
1817
116
Joseph Constantine Stadler, active 1780–1812
North East View of Westminster Abbey
1817
117
John Greig, active 1803–1853
Funsbury Square
1817
118
William Wallis, 1794– active 1830
The London Institution
1817
119
Charles Turner, 1774–1857
Sir Isaac Heard
1817
120
Print made by George Cruikshank, 1792–1878
Specimens of Waltzing
1817
121
Charles Heath, 1785–1848
Richmond from Twickenham Park
ca. 1822
122
W. Raddon, active 1817–1862
Study of a Youth Wearing a Cloak
undated
123
Samuel William Reynolds, 1773–1835
Thomas Girtin
1817
124
Francis Oliver Finch, 1802–1862
Classical Scene
undated
125
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
126
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
127
Print made by John Sell Cotman, 1782–1842
Column at Yarmouth to the Memory of Lord Nelson
1817
128
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
129
Richard Parkes Bonington, 1802–1828
Road Workers, near Lillebonne
undated
130
unknown artist
Mr. Kean as Gloster in "Richard III"
ca. 1822
131
unknown artist
A Plan of Grove Hill, Camberwell, Surrey, Belonging to J.C. Letteome, M.D
1817
132
Thomas Lound, 1802–1861
The Keep and Gate, Ludlow Castle, Shropshire
undated
133
Richard Parkes Bonington, 1802–1828
Palais de Justice, Rouen
undated
134
John Chessell Buckler, 1793–1894
South East View of the Church and Palace at Croydon, Surrey
1817
135
Joseph Constantine Stadler, active 1780–1812
South View of the New Custom House
1817
136
Henry Morton, ca. 1807–1825
Old Buildings at Hastings
1817
137
Henry Morton, ca. 1807–1825
Strand Gateway, Winchelsea
1817
138
Henry Morton, ca. 1807–1825
The Fish-Ponds
1817
139
Richard Parkes Bonington, 1802–1828
Study of a Woman with her Head on her Hand
undated
140
William Heath, 1795–1840
An Episode at the Battle of Waterloo
1817
141
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
142
William Henry Hunt, 1790–1864
Interior of the Belfry, Bushey Church
ca. 1822
143
Print made by Robert Pollard, 1755–1838
A Portrait of the East Indiaman Built at Mr. Bayley's Ship-Yard, Ipswich, Launched August 1817
1817
144
Print made by Richard Earlom, 1743–1822
A Landscape
1817
145
James Stow, ca. 1770–after 1820
The Proscenium of the English Opera House in the Strand
1817
146
James Fittler, 1758–1835
Benjamin West, P.R.A
1817
147
Robert Havell, 1769–1832
London. Waterloo Bridge, part of Somerset House
1817
148
Capt. Thomas Hastings, 1778–1854
Near Gravesend from the High Road
1817
149
attributed to Sir Edwin Henry Landseer, 1802–1873
Landscape
undated
150
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
151
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
152
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
153
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1817
154
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1817
155
Print made by Samuel Middiman, ca. 1750–1831
Hardraw Fall
1817
156
Thomas Shotter Boys, 1803–1874
The Footbridge
undated
157
Francis Oliver Finch, 1802–1862
Classical Landscape with Figures
undated
158
Samuel Howitt, 1756–1822
Honey-Badger
1817
159
Samuel Howitt, 1756–1822
Polecat
ca. 1817
160
Samuel Howitt, 1756–1822
North American Lynx
ca. 1817
161
John Linnell, 1792–1882
Tythrop
1817
162
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
163
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
164
Thomas Shotter Boys, 1803–1874
A Christening
undated
165
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
166
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
167
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
168
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
169
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
170
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
171
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
172
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
173
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
174
Thomas Sutherland, ca. 1785–1838
Improvements opposite Carlton House (Showing the view up Regent Street)
1817
175
John Frederick Tayler, 1802–1889
Stable Boy with Cart Horses
undated
176
Print made by Henry Morton, ca. 1807–1825
Views Illustrative of Hastings and its Vicinity; Title Page
1817
177
Print made by Henry Morton, ca. 1807–1825
Ore Church and House
1817
178
Henry Morton, ca. 1807–1825
St. Thomas's Church Winchelsea
1817
179
Print made by Henry Morton, ca. 1807–1825
Bodiam Castle
1817
180
Henry Morton, ca. 1807–1825
Winchelsea Castle
1817
181
Richard Parkes Bonington, 1802–1828
A Faun with Pipes
undated
182
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham, Replication of Right Half
1817
183
Richard Parkes Bonington, 1802–1828
A Wooded Stream and a Farmhouse in Normandy
undated
184
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
185
Richard Parkes Bonington, 1802–1828
A Seascape
undated
186
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
187
Richard Parkes Bonington, 1802–1828
Study of a Seated Woman
undated
188
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
189
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
190
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
191
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
192
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
193
John Thomas Smith, 1766–1833
The Reconcilation
1817
194
John Thomas Smith, 1766–1833
The Smock Exposed
1817
195
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
196
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him