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Collection
Prints and Drawings
164
Rare Books and Manuscripts
3
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
72
Cooke, William Bernard, 1778–1855
27
Unknown artist
22
Havell, Robert, 1769–1832
8
Hill, John, 1770–1850
8
Turner, Charles, 1774–1857
8
Nash, Frederick, 1782–1856
7
Dawe, Henry E., 1790–1848
6
Green, William, 1760–1823
6
Nuttall,, Fisher & Dixon, active 1818
6
Smirke, Robert, 1752–1845
5
Allen, James C., active 1821–1831
4
Havell, Daniel, 1785–1826
4
Marks, J. L., active 1787–1799
4
Rawle, Samuel, 1771–1860
4
Say, William, 1768–1834
4
Smith, Anker., 1759–1819
4
Cousins, Samuel, 1801–1887
3
Lupton, Thomas Goff, 1791–1873
3
Pollard, James, 1792–1867
3
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Creator
»
Date
1800
803
1834
601
1789
418
1802
376
1827
367
1794
351
1835
348
1825
343
1795
333
1792
324
1830
314
1793
311
1833
301
1797
298
1700
292
1799
290
1782
284
1803
283
1791
280
1820
273
1808
271
1804
269
1836
260
1826
251
1546
248
1823
227
1796
226
1798
219
1809
219
1821
215
1780
212
1832
212
1801
211
1790
209
1824
200
1807
199
1783
197
1739
192
1812
190
1828
189
1837
185
1788
182
1811
182
1814
182
1630
181
1784
173
1813
173
1810
169
1816
[remove]
167
1818
167
1831
165
1850
165
1819
153
1805
151
1822
149
1786
144
1755
142
1754
141
1785
141
1787
141
1806
138
1778
136
1817
136
1775
134
1838
129
1815
128
1745
126
1770
124
1771
124
1779
123
1781
121
1859
121
1829
120
1776
114
1750
113
2000
112
1989
110
1880
109
1900
106
0
105
1772
104
1999
103
1751
100
1765
98
1839
97
1769
95
1876
95
1762
93
1773
90
1882
90
1777
89
1890
89
1897
89
1674
88
1840
88
1855
88
1738
87
1768
87
1896
86
1767
84
On-site Access
Accessible in the Study Room
166
On view at the Yale University Art Gallery
1
Image Use
Free to Use
164
Under Certain Circumstances
3
Image Available
Available
145
Unavailable
22
Classification
Prints
[remove]
167
Creator Gender
male
150
unknown
25
female
1
Collective Title
Liber Studiorum
23
Cooke's Views in Sussex
21
'History of Cassiobury Park,' 1816 and 1837
8
Cooke's Rivers of Devon
6
Illustrations from Camden's 'The imperial history of England'
6
Whitaker's 'Loidis and Elmete'
6
Cooke's Picturesque Views of the Southern Coast of England
3
Iconographie Anglaise par Reynolds et Autres
2
The British Gallery of Contemporary Portraits
2
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
1
Surtees' History of Durham
1
Period
19th century
167
Materials & Techniques
etching (printing process)
65
wove paper
47
laid paper
39
mezzotint
35
line engraving
29
brown ink
23
aquatint
13
hand coloring
10
chine collé
5
engraving (printing process)
3
letterpress printing
3
stipple engraving
3
watercolor
2
crayon manner
1
gray wash
1
progressive proofs
1
proof before letters
1
soft-ground etching
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
73
Unknown
39
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
77
Unknown
39
Work Type
intaglio print
100
relief print
3
engraving
2
accordion fold format (binding)
1
advertisement
1
aquatint
1
ephemera
1
frontispiece
1
panorama
1
trade cards (advertising)
1
Genre
landscape
61
architectural subject
34
historical subject
13
portrait
13
marine art
8
animal art
7
genre subject
7
military art
4
religious and mythological subject
3
cityscape
2
cartographic material
1
literary theme
1
still life
1
Subject Terms
architectural subject
8
landscape (representation)
6
portrait
6
river
6
frame (furnishing)
5
historical subject
5
bridge
4
marine art
4
channel (water body component)
3
death
3
religious and mythological subject
3
abbey
2
estate
2
king (person)
2
landscape
2
mourning
2
park
2
people
2
plague
2
prince
2
more
Subject Terms
»
Subject Period
19th century
1
Associated Places
United Kingdom
8
England
6
France
6
Alps
4
Europe
4
Arve
3
Bonneville
3
Calais
3
Cornwall
3
Devon
3
Dover, Strait of
3
English Channel
3
Tamar
3
City of Westminster
2
Dunblane
2
Dunblane Cathedral
2
Great Britain
2
London
2
Mount Edgcumbe Country Park Estate
2
Palace of Westminster
2
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
2
Angelo, Henry, 1756–1835
1
Angelo, Henry, 1780–1852
1
Caratacus [Caractacus] (fl. AD 40–51), king in Britain
1
Claudius [Tiberius Claudius Nero Germanicus] (10 BC–AD 54), Roman emperor
1
Cupid
1
Edward I (1239–1307), king of England and lord of Ireland, and duke of Aquitaine
1
Edward IV (1442–1483), king of England and lord of Ireland
1
Henry IV (1367–1413), king of England and lord of Ireland, and duke of Aquitaine
1
Leopold I (1790–1865), king of the Belgians
1
Potter, John (Hatter)
1
Psyche
1
Sumner, Charles Richard (1790–1874), bishop of Winchester
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
5
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
2
A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
1
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Darkness Visible - The Prints of John Martin (Clark Art Institute, 1986-09 - 1987-07-21)
1
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
J.M.W. Turner: Romance & Reality (Yale Center for British Art, 2025-03-29 - 2025-07-27)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Printing Darkness (Yale University Art Gallery, 2025-06-20 - 2025-12-07)
1
Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
137
Yale Center for British Art, Paul Mellon Fund
7
Yale Center for British Art, Gift of James Wilson, YCBA Docent
6
Yale Center for British Art; Yale University Art Gallery Collection
6
Yale Center for British Art, Gift of Frederick W. Hilles
2
22776758610008651|Yale Center for British Art, Paul Mellon Fund
1
22824928860008651|Yale Center for British Art, Paul Mellon Collection
1
22891803220008651|Yale Center for British Art, Paul Mellon Fund
1
Yale Center for British Art
1
Yale Center for British Art, Fry Print Collection, transfer from the Yale University Art Gallery
1
Yale Center for British Art, Gift of James Langhorne
1
Yale Center for British Art, Gift of Mr. J. Richardson Dilworth
1
Yale Center for British Art, Gift of Mr. and Mrs. Leon Korn
1
Yale Center for British Art, Gift of Stephen Parks, Yale BA 1961
1
Language
English
3
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Date
1816
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1
Print made by William Say, 1768–1834
Cupid and Psyche
1816
On view at YUAG
2
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
3
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
4
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
5
Etched by Joseph Mallord William Turner, 1775–1851
Raglan Castle
1816
6
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
7
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
8
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
9
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
10
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
11
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
12
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
13
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
14
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
15
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
16
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
17
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
18
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
19
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
20
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
21
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
22
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
23
Print made by John Scott, 1774–1828
Harewood House
1816
24
Print made by unknown artist
Flower Garden Porch at Farnley
1816
25
Print made by John Scott, 1774–1828
Harewood House
1816
26
Print made by George Cooke, 1781–1834
Gledhow
1816
27
Print made by George Cooke, 1781–1834
Gledhow
1816
28
Charles Turner, 1774–1857
John, Earl of St. Vincent, Admiral of the Red
1816
29
Print made by Robert Havell, 1769–1832
View of the Royal Military Academy, Woolwich
1816
30
Robert Havell, 1769–1832
View of the Royal Artillery Barracks, Woolwich
1816
31
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
32
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
33
Print made by John Hill, 1770–1850
West Front, Cassiobury
1816
34
Print made by John Hill, 1770–1850
West Front, Cassiobury
1816
35
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
36
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
37
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
38
Print made by John Hill, 1770–1850
West Front, Cassiobury
1816
39
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
40
Print made by John Hill, 1770–1850
The Great Cloister, Cassiobury
1816
41
Print made by Robert Havell, 1769–1832
Cassiobury, Herfordshire, The Seat of the Earl of Essex
1816
42
Print made by John Hill, 1770–1850
The Great Cloister, Cassiobury
1816
43
Thomas Sutherland, ca. 1785–1838
Ante Chamber Leading to the Throne Room, Carlton House
1816
44
William Wise, Active 1823–1876
Interior of Crosby Hall (Looking South)
1816
45
S. Jenkins, active 1814–1818
St. Leonard, Shoreditch
1816
46
Samuel Rawle, 1771–1860
Elevation of Part of the Interior of Crosby Hall (Council Room)
1816
47
William Wise, Active 1823–1876
Plan and View of the Vaults of Crosby Hall
1816
48
unknown artist
An Interior View of the Porch of the Parish Church at St. Alphage
1816
49
Robert William Smart, active 1820–1834
A Perspective View of the Royal Hospital for Seamen at Greenwich
1816
50
Daniel Havell, 1785–1826
A View of the London Dock, from St. Georges in the East
1816
51
Robert Wallis, 1794–1878
Interior of the Royal Exchange
1816
52
Richard Gilson Reeve, 1803–1889
The King's Presence Chamber
1816
53
Daniel Havell, 1785–1826
A View of London from the Queen's Palace
1816
54
unknown artist
Chapel of St. Giles in the Fields, Church of St. James, Tottenham Court Road
1816
55
William Thomas Fry, 1789–1843
Thos. Jephson, Camberwell
1816
56
unknown artist
Ceiling Plan of Crosby Hall
1816
57
William Wise, Active 1823–1876
Northeast View of Crosby Hall
1816
58
unknown artist
The New Custom House
1816
59
unknown artist
Gateway St. Stephen's Church, Coleman Street
1816
60
unknown artist
St. Botolph's Church, Bishopsgate
1816
61
John Chapman, active ca. 1792–1823
St. Botolphs
1816
62
Print made by William Bernard Cooke, 1778–1855
Falmouth, Cornwall
1816
63
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
64
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
65
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816 to 1820
66
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
67
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
68
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816
69
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
70
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
71
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816 to 1820
72
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
73
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
74
Print made by William Bernard Cooke, 1778–1855
Winchelsea
1816 to 1820
75
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
76
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
77
unknown artist
View of London from the Strand Bridge
1816
78
Daniel Havell, 1785–1826
London, taken near the New Custom House
1816
79
Thomas Higham, 1796–1844
The Excise Office
1816
80
Print made by William Bernard Cooke, 1778–1855
Brightling Observatory
1816
81
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1816
82
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
83
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The spot where Harold Fell
1816
84
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
85
Print made by William Bernard Cooke, 1778–1855
Source of the Tamer and Torridge
1816
86
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
87
John Young, 1755–1825
Christ giving sight to the blind
1816
88
Henry R. Cook, active 1802–1849
Proscenium of the Opera House
1816
89
Henry R. Cook, active 1802–1849
Interior and Exterior Views of the Olympic Theatre near Drury Lane
1816
90
Print made by William James Bennett, 1787–1844
The Supreme Court of Judicature in the Island of Ceylon
ca. 1821
91
Print made by John Scott, 1774–1828
Harewood House
1816
92
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1816
93
Joseph Constantine Stadler, active 1780–1812
A View of Horse Guards from Whitehall
1816
94
Print made by John Young, 1755–1825
A Woman Swearing her Child to a Grave Citizen
1816
95
Print made by Charles Turner, 1774–1857
Field Marshal, The Duke of Wellington
1816
96
William Say, 1768–1834
Mrs. Litchfield
1816
97
Print made by unknown artist
Princess of Wurtemberg
1816
98
Print made by John Martin, 1789–1854
A Classical City
1816
99
R. Page, active 1816–1825
Carlo Maratti
1816
100
Print made by Mary Dawson Turner, 1774–1850
Portrait of Benjamin Robert Haydon
1816
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