Date: 1816 / Image Available: Available - YCBA Collections Search Search Results

1. The Avon Gorge

Creator:: Francis Danby, 1793–1861
Date:: between 1816 and 1818
Materials & Techniques:: Oil on panel
Dimensions:: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Cloud Study

Creator:: John Constable, 1776–1837
Date:: ca. 1821
Materials & Techniques:: Oil on paper laid on card
Dimensions:: 9 3/8 x 11 1/2 inches (23.8 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Osmington Village

Creator:: John Constable, 1776–1837
Date:: 1816 to 1817
Materials & Techniques:: Oil on canvas
Dimensions:: 10 1/8 x 12 inches (25.7 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Extensive Landscape with Grey Clouds

Creator:: John Constable, 1776–1837
Date:: ca. 1821
Materials & Techniques:: Oil on paper on panel
Dimensions:: 7 5/8 x 11 inches (19.4 x 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Cloud Study

Creator:: John Constable, 1776–1837
Date:: ca. 1821
Materials & Techniques:: Oil on canvas
Dimensions:: 7 5/8 x 9 1/2 inches (19.4 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Cloud Study

Creator:: John Constable, 1776–1837
Date:: ca. 1821
Materials & Techniques:: Oil on paper laid on panel
Dimensions:: 7 1/4 x 9 5/8 inches (18.4 x 24.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. A Cloud Study, Sunset

Creator:: John Constable, 1776–1837
Date:: ca. 1821
Materials & Techniques:: Oil on paper on millboard
Dimensions:: 6 x 9 1/2 inches (15.2 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Cloud Study

Creator:: John Constable, 1776–1837
Date:: ca. 1821
Materials & Techniques:: Oil on paper laid on card
Dimensions:: 8 × 10 3/4 inches (20.3 × 27.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Rushes by a pool

Creator:: John Constable, 1776–1837
Date:: ca. 1821
Materials & Techniques:: Oil on paper on board
Dimensions:: 9 x 11 3/4 inches (22.9 x 29.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. A View on Hampstead Heath, Early Morning

Creator:: Attributed to John Constable, 1776–1837
Date:: ca. 1821
Materials & Techniques:: Oil on canvas
Dimensions:: 9 1/2 × 12 3/4 inches (24.1 × 32.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Landscape with Figures

Creator:: John Linnell, 1792–1882
Date:: 1816
Materials & Techniques:: Oil on panel
Dimensions:: 9 × 6 3/4 inches (22.9 × 17.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. North Country Mails at the Peacock, Islington

Creator:: James Pollard, 1792–1867
Date:: 1821
Materials & Techniques:: Oil on canvas
Dimensions:: 43 x 60 3/4 inches (109.2 x 154.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Entrance of Calais Harbour

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 16 1/2 inches (29.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Norham Castle on the Tweed

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (g) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 16 1/2 inches (29.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Tenth Plague of Egypt

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Ville de Thun, Switzerland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Norham Castle on the Tweed

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 10 3/8 inches (17.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Dumblain Abbey, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; third state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Entrance of Calais Harbour

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 16 3/4 inches (30.5 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Inverary Castle and Town, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 1/8 inches (28.9 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Dumblain Abbey, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Ville de Thun, Switzerland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Raglan Castle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 15 1/8 inches (28.3 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Tenth Plague of Egypt

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Norham Castle on the Tweed

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 10 7/8 inches (19.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Solway Moss

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 15 7/8 inches (27.9 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Entrance of Calais Harbour

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Leeds

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Watercolor, scraping out and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 17 inches (29.2 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. View of Swanage Bay, Dorset

Creator:: unknown artist
Date:: 1816
Materials & Techniques:: Watercolor over graphite on medium, smooth wove paper laid to card
Dimensions:: Sheet: 4 1/2 x 5 3/4in. (11.4 x 14.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Thames Near the Penitentiary, Millbank, London

Creator:: John Varley, 1778–1842
Date:: 1816
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 16 1/8 inches (29.2 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Portrait of Benjamin Robert Haydon

Creator:: Print made by Mary Dawson Turner, 1774–1850
Date:: 1816
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 7/16 × 9 1/2 inches (31.6 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Harewood House

Creator:: Print made by John Scott, 1774–1828
Date:: 1816
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 17 3/4 inches (28.9 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Crowhurst, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 3/4 inches (28.9 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Flower Garden Porch at Farnley

Creator:: Print made by unknown artist
Date:: 1816
Materials & Techniques:: Etching and line engraving; published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Gledhow

Creator:: Print made by George Cooke, 1781–1834
Date:: 1816
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 17 1/4 inches (28.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 × 17 1/4 inches (27.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 3/16 × 15 15/16 inches (36 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Vale of Heathfield, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 19 3/4 inches (34.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Little Devil's Bridge

Creator:: Print made by unknown artist
Date:: between 1816 and 1820
Materials & Techniques:: Etching with graphite; touched engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 9/16 inches (21.9 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Observatory at Rosehill, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; early state, engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Observatory at Rosehill, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving with gray wash; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 inches (25.1 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Farm Building

Creator:: John Monro, 1801–1880
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 10 15/16 inches (20.3 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Capel Church, Near Dorking, Surrey

Creator:: John Monro, 1801–1880
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, blue white laid paper
Dimensions:: Sheet: 8 5/8 × 11 15/16 inches (21.9 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Mole Head, Algiers

Creator:: Nicholas Pocock, 1740–1821
Date:: 1816
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 11 1/4 inches (10.8 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. From the Church Hill, Ambleside

Creator:: John Harden, 1772–1847
Date:: 1816
Materials & Techniques:: Watercolor, gouache, and pen and black ink, with stumping on thick, rough, blue-gray wove paper
Dimensions:: Sheet: 7 1/8 × 11 inches (18.1 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Shakespeare House, Aldersgate Street

Creator:: J. Jacobs, active 1816–1864
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, brown wash and white gouache on slightly textured, medium, white wove paper
Dimensions:: Sheet: 8 13/16 × 8 3/8 inches (22.4 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. John Keats

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1816
Materials & Techniques:: Pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 7 3/8 inches (23.2 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Mount Soratte from Civita Castellana

Creator:: William Haygarth, active 1810–1816
Date:: 1816
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 21 1/8 inches (32.7 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Crater of Vesuvius

Creator:: William Haygarth, active 1810–1816
Date:: 1816
Materials & Techniques:: Brown wash, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 1/8 × 21 1/8 inches (33.3 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Interior of a Room

Creator:: Attributed to William Henry Hunt, 1790–1864
Date:: ca. 1821
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/8 x 3 1/4 inches (6 x 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Village of Aldbury, Hertfordshire

Creator:: George Shepheard, ca. 1770–1842
Date:: 1816
Materials & Techniques:: Watercolor with pen and black ink and gouache over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 13 inches (20.7 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Cleopatra on the Cydnus to Meet Antony

Creator:: Alfred Edward Chalon, 1780–1860
Date:: ca. 1821
Materials & Techniques:: Brown ink with gray wash and scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 x 14 3/8 inches (49.6 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. Clifton Mount

Creator:: Godfrey Thomas Vigne, 1801–1863
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 13 inches (24.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Greytown

Creator:: Godfrey Thomas Vigne, 1801–1863
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 14 3/4 inches (13.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Stormy Sunset, Legh Park, Wiltshire

Creator:: Sir George Hayter, 1792–1871
Date:: 1816
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 8 1/2 inches (14.6 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Gledhow

Creator:: Print made by George Cooke, 1781–1834
Date:: 1816
Materials & Techniques:: Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 21 3/8 inches (38.4 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Harewood House

Creator:: Print made by John Scott, 1774–1828
Date:: 1816
Materials & Techniques:: Etching and line engraving; published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 19 1/4 inches (34.3 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Falmouth, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 14 1/8 inches (26 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Spot where Harold Fell

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/8 × 21 inches (37.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Spot where Harold Fell

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816 to 1820
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Vale of Ashburnham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 20 3/8 inches (34.6 × 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Observatory at Rosehill, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 20 inches (33.7 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Observatory at Rosehill, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 5/8 inches (38.1 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Vale of Ashburnham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 21 1/2 inches (38.7 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Crowhurst, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816 to 1820
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 18 1/2 inches (34.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Crowhurst, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 14 7/8 inches (30.2 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Winchelsea

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816 to 1820
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 × 14 1/2 inches (53.3 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Ivy Bridge, Devonshire

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1816
Materials & Techniques:: Etching; engraver's proof, open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 3/4 inches (39.7 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Ivy Bridge, Devonshire

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1816
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 20 1/2 inches (35.6 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Dartmoor; Source of the Tamar and the Torridge

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving with chine collé on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/4 × 21 1/2 inches (37.5 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Hylton Castle, County of Durham

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1816 to 1823
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/4 × 21 3/4 inches (40 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Ramsgate Harbour, Kent

Creator:: John Monro, 1801–1880
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/16 × 9 1/8 inches (15.4 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. A Classical City

Creator:: Print made by John Martin, 1789–1854
Date:: 1816
Materials & Techniques:: Etching with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 8 7/8 inches (16.8 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Carlo Maratti

Creator:: R. Page, active 1816–1825
Date:: 1816
Materials & Techniques:: Stipple engraving with hand coloring
Dimensions:: Sheet: 6 1/4 x 4 1/2in. (15.9 x 11.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Fry Print Collection, transfer from the Yale University Art Gallery

81. Field Marshal, The Duke of Wellington

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1816
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 23 9/16 × 17 5/8 inches (59.8 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. An Island with Returning Birds at Nightfall

Creator:: William West of Clifton near Bristol, 1801–1861
Date:: undated
Materials & Techniques:: Brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Cupid and Psyche

Creator:: Print made by William Say, 1768–1834
Date:: 1816
Materials & Techniques:: Mezzotint (second state) on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 21 1/4 inches (49.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. A View of the Waterloo Bridge

Creator:: unknown artist
Date:: 1816
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 13 1/8 x 18 1/8in. (33.3 x 46cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. A Southwest View of the Principal Quadrangle or Court Yard of Crosby Hall

Creator:: Samuel Rawle, 1771–1860
Date:: 1816
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 3/4 x 12 1/8in. (27.3 x 30.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Elevation of Part of the Interior of Crosby Hall (Council Room)

Creator:: Samuel Rawle, 1771–1860
Date:: 1816
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 3/4 x 9in. (27.3 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Plan and View of the Vaults of Crosby Hall

Creator:: William Wise, Active 1823–1876
Date:: 1816
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 5/8 x 14 5/8in. (27 x 37.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Ceiling Plan of Crosby Hall

Creator:: unknown artist
Date:: 1816
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 3/4 x 13 1/4in. (27.3 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Northeast View of Crosby Hall

Creator:: William Wise, Active 1823–1876
Date:: 1816
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/4 x 12 1/4in. (26 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The New Custom House

Creator:: unknown artist
Date:: 1816
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 6 1/4 x 9 3/4in. (15.9 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. St. Leonard, Shoreditch

Creator:: S. Jenkins, active 1814–1818
Date:: 1816
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 5/8 x 10 1/2in. (34.6 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Interior of Part of Crosby Hall, Called the Council Room

Creator:: Samuel Rawle, 1771–1860
Date:: 1816
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/4 x 9 3/4in. (28.6 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Interior of Crosby Hall (Looking South)

Creator:: William Wise, Active 1823–1876
Date:: 1816
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 3/8 x 9 1/8in. (28.9 x 23.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Gateway St. Stephen's Church, Coleman Street

Creator:: unknown artist
Date:: 1816
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. An Interior View of the Porch of the Parish Church at St. Alphage

Creator:: unknown artist
Date:: 1816
Materials & Techniques:: Etching
Dimensions:: Sheet: 8 5/8 x 6 1/4in. (21.9 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. A Discharged Fifer

Creator:: Attributed to Richard Dighton, 1795–1880
Date:: ca. 1821
Materials & Techniques:: Hand-colored etching on wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

97. The Dining Room at Newby Hall, Yorkshire

Creator:: John Buckler FSA, 1770–1851
Date:: 1816
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Mrs. Litchfield

Creator:: William Say, 1768–1834
Date:: 1816
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Cassiobury, Herfordshire, The Seat of the Earl of Essex

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1816
Materials & Techniques:: Aquatint, later state, 1837 edition: colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1816
Materials & Techniques:: Aquatint, 1st published state, printed in color, finished by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1816

Image Available Available

Search Results

1. The Avon Gorge

2. Cloud Study

3. Osmington Village

4. Extensive Landscape with Grey Clouds

5. Cloud Study

6. Cloud Study

7. A Cloud Study, Sunset

8. Cloud Study

9. Rushes by a pool

10. A View on Hampstead Heath, Early Morning

11. Landscape with Figures

12. North Country Mails at the Peacock, Islington

13. Entrance of Calais Harbour

14. Norham Castle on the Tweed

15. The Source of the Arveron in the Valley of Chamouni, Savoy

16. Tenth Plague of Egypt

17. Ville de Thun, Switzerland

18. Norham Castle on the Tweed

19. Dumblain Abbey, Scotland

20. Entrance of Calais Harbour

21. The Source of the Arveron in the Valley of Chamouni, Savoy

22. The Source of the Arveron in the Valley of Chamouni, Savoy

23. Bonneville, Savoy

24. Inverary Castle and Town, Scotland

25. Dumblain Abbey, Scotland

26. Ville de Thun, Switzerland

27. Raglan Castle

28. Tenth Plague of Egypt

29. Bonneville, Savoy

30. Norham Castle on the Tweed

31. Bonneville, Savoy

32. Solway Moss

33. Entrance of Calais Harbour

34. Leeds

35. View of Swanage Bay, Dorset

36. The Thames Near the Penitentiary, Millbank, London

37. Portrait of Benjamin Robert Haydon

38. Harewood House

39. Crowhurst, Sussex

40. Flower Garden Porch at Farnley

41. Gledhow

42. Plymouth Dock from Mount Edgecumbe

43. Plymouth Dock from Mount Edgecumbe

44. Vale of Heathfield, Sussex

45. Little Devil's Bridge

46. The Observatory at Rosehill, Sussex

47. The Observatory at Rosehill, Sussex

48. Farm Building

49. Capel Church, Near Dorking, Surrey

50. Mole Head, Algiers

51. From the Church Hill, Ambleside

52. Shakespeare House, Aldersgate Street

53. John Keats

54. Mount Soratte from Civita Castellana

55. Crater of Vesuvius

56. Interior of a Room

57. The Village of Aldbury, Hertfordshire

58. Cleopatra on the Cydnus to Meet Antony

59. Clifton Mount

60. Greytown

61. Stormy Sunset, Legh Park, Wiltshire

62. Gledhow

63. Harewood House

64. Falmouth, Cornwall

65. The Spot where Harold Fell

66. The Spot where Harold Fell

67. The Vale of Ashburnham

68. The Observatory at Rosehill, Sussex

69. The Observatory at Rosehill, Sussex

70. The Vale of Ashburnham

71. Crowhurst, Sussex

72. Crowhurst, Sussex

73. Winchelsea

74. Ivy Bridge, Devonshire