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201. The Lower Lobby, House of Commons

The Lower Lobby, House of Commons
Creator:
Print made by James Sands, active 1813–1846
Date:
1815
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 1/8 × 5 1/2 inches (20.6 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

202. South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June

South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite on smooth, medium, white wove paper
Dimensions:
Sheet: 6 1/4 × 8 3/4 inches (15.9 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

203. Springing of groins

Springing of groins
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite on smooth, medium, cream wove paper
Dimensions:
Sheet: 5 3/4 × 8 3/8 inches (14.6 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

204. Part of the Old Dormitory

Part of the Old Dormitory
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite, pen and brown ink, and gray wash on slightly textured, medium, white laid paper
Dimensions:
Sheet: 8 3/16 × 11 7/8 inches (20.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

205. The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
Creator:
Print made by James Basire II, 1769–1822
Date:
1815
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 11 3/4 × 8 inches (29.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

206. Lady Pringle, née Emilia Anne Macleod

Lady Pringle, née Emilia Anne Macleod
Creator:
Archibald Skirving, 1749–1819
Date:
1815
Materials & Techniques:
Pastel on moderately textured laid paper
Dimensions:
Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of Jane and Richard C. Levin, President of Yale University (1993-2013)

207. Ultima, One of Lord Maynard's Mares

Ultima, One of Lord Maynard's Mares
Creator:
William Henry Davis, active 1803–1849
Date:
1815
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 7/8 × 18 1/16 inches (35.2 × 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

208. Representation of the Festival for the Return of Peace

Representation of the Festival for the Return of Peace
Creator:
William Johnstone White, active 1804–died c.1870
Date:
1815
Materials & Techniques:
Colored aquatint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 19 3/4 × 24 7/16 inches (50.2 × 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

209. A Potter Going Out

A Potter Going Out
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1820
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 9 3/8 inches (15.2 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

210. An Old Coquette Outstood her Market

An Old Coquette Outstood her Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1820
Materials & Techniques:
Watercolor with pen and brown and red-brown ink, over graphite, with pen and gray ink wash line on border; verso: graphite and watercolor blots on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 5/8 x 5 1/8 inches (16.8 x 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

211. Death Turned Pilot

Death Turned Pilot
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1816
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

212. A Sporting Cove

A Sporting Cove
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1820
Materials & Techniques:
Watercolor with pen and brown ink over graphite; verso: watercolor blots on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 6 inches (19.7 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

213. Newbury Market Place, Berkshire

Newbury Market Place, Berkshire
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1820
Materials & Techniques:
Watercolor with pen and brown, red-brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 x 15 7/8 inches (25.4 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

214. John Bacon Esqr., F. A. S.

John Bacon Esqr., F. A. S.
Creator:
Print made by T. Blood, active 1812–1814
Date:
1815
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream wove paper, laid in mount
Dimensions:
Sheet: 7 7/8 × 4 15/16 inches (20 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

215. South East View of the Remains of the Gorhambury House Hertfordshire, belonging to the Earl of Verulam

South East View of the Remains of the Gorhambury House Hertfordshire, belonging to the Earl of Verulam
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

216. Clare Hall Chapel

Clare Hall Chapel
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1815
Materials & Techniques:
Colored etching and aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

217. Plan of Longford Castle, Wiltshire; the Seat of the Right Hon'ble the Earl of Radnor

Plan of Longford Castle, Wiltshire; the Seat of the Right Hon'ble the Earl of Radnor
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

218. Ground Plan of Newby Hall, Yorkshire; the Seat of the Right Hon'ble Lord Grantham

Ground Plan of Newby Hall, Yorkshire; the Seat of the Right Hon'ble Lord Grantham
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

219. Entrance to the Avenue from Clare Hall Piece with the new Buildings of King's

Entrance to the Avenue from Clare Hall Piece with the new Buildings of King's
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1815
Materials & Techniques:
Hand-colored etching and aquatint
Dimensions:
Sheet: 10 1/2 x 13in. (26.7 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

220. A Scene at Cambridge

A Scene at Cambridge
Creator:
unknown artist
Date:
ca. 1820
Materials & Techniques:
Pen black ink and watercolor on medium, slightly textured, cream wove paper mounted to moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 9 1/2 inches (17.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

221. North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton

North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

222. South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton

South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

223. North East View of Beaudesert, Staffordshire; the Seat of the Marquis of Anglesea

North East View of Beaudesert, Staffordshire; the Seat of the Marquis of Anglesea
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

224. North West View of Ingestre, Staffordshire; the Seat of the Right Hon'ble Earl Talbot

North West View of Ingestre, Staffordshire; the Seat of the Right Hon'ble Earl Talbot
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

225. South West View of Ingestre, Staffordshire; the Seat of the Right Honourable Earl Talbot

South West View of Ingestre, Staffordshire; the Seat of the Right Honourable Earl Talbot
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

226. North West view of Charlton House, Kent; The Seat of Lady Wilson

North West view of Charlton House, Kent; The Seat of Lady Wilson
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

227. James Northcote

James Northcote
Creator:
Print made by Henry Hoppner Meyer, ca. 1782–1847
Date:
1815
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 21 7/8 × 14 3/4 inches (55.5 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

228. Fishermen Drawing a Net

Fishermen Drawing a Net
Creator:
David Cox, 1783–1859
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 inches (8.9 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

229. Castle at Alencon

Castle at Alencon
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1820
Materials & Techniques:
Graphite and brown wash on medium slightly textured cream wove paper
Dimensions:
Sheet: 9 1/2 x 13 inches (24.1 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

230. South-East View of the Church of Ifs, Near Caen, Normandy

South-East View of the Church of Ifs, Near Caen, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1820
Materials & Techniques:
Graphite and brown wash on medium smooth cream wove paper
Dimensions:
Sheet: 18 1/4 x 11 3/8 inches (46.4 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

231. Ruin on a Lake, in the Manner of Richard Wilson

Ruin on a Lake, in the Manner of Richard Wilson
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1820
Materials & Techniques:
Graphite on medium smooth cream wove paper
Dimensions:
Sheet: 4 x 6 1/2 inches (10.2 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

232. Bridge and Ruin, after Richard Wilson; On the Tiber

Bridge and Ruin, after Richard Wilson; On the Tiber
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1820
Materials & Techniques:
Graphite and black chalk on medium slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 x 6 5/8 inches (10.5 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

233. Bridge and Tower, after Richard Wilson

Bridge and Tower, after Richard Wilson
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1820
Materials & Techniques:
Graphite on medium slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 x 6 1/2 inches (10.5 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

234. Font at Dersingham Church, Norfolk

Font at Dersingham Church, Norfolk
Creator:
John Sell Cotman, 1782–1842
Date:
1815
Materials & Techniques:
Watercolor over graphite on medium, smooth cream wove paper
Dimensions:
Sheet: 7 1/4 x 6 1/4 inches (18.4 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

235. Man Leaning on a Fence

Man Leaning on a Fence
Creator:
Henry Thomas Alken, 1785–1851
Date:
1815
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 6 inches (22.2 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

236. Leopolde Gulflocher, sculpteur en marbre et albatre.

Leopolde Gulflocher, sculpteur en marbre et albatre.
Creator:
Gulflocher, Leopolde
Date:
[approximately 1815]
Physical Description:
1 trade card ; 11 x 15 cm
Collection:
Rare Books and Manuscripts
Credit Line:
22983542030008651|Yale Center for British Art, Paul Mellon Fund

237. Walkers' tour through France. Being a new geographical game, containing many interesting particulars of the present state of the principal cities, towns, villages, mountains, rivers, &c. in that kingdom.

Walkers' tour through France. Being a new geographical game, containing many interesting particulars of the present state of the principal cities, towns, villages, mountains, rivers, &c. in that kingdom.
Date:
1815
Physical Description:
1 game ; 53 x 55 cm. fold. to 18 x 15 cm. & booklet (84 p.)
Collection:
Rare Books and Manuscripts

238. Passions of the soul and the anatomy of the human face : delineated in a series of twenty-four chalk engraved heads / by Henry Singleton, Esq. ; and engraved by Charles Knight.

Passions of the soul and the anatomy of the human face : delineated in a series of twenty-four chalk engraved heads / by Henry Singleton, Esq. ; and engraved by Charles Knight.
Date:
1815
Collection:
Rare Books and Manuscripts
Credit Line:
22770790490008651|Yale Center for British Art, Paul Mellon Collection

239. Panharmonicon : designed as an illustration of an engraved plate, in which is attempted to be proved, that the principles of harmony more or less prevail throughout the whole system of nature, but more especially in the human frame and that where these principles can be applied to works of art, they excite the pleasing and satisfying ideas of proportion and beauty / by F. Webb.

Panharmonicon : designed as an illustration of an engraved plate, in which is attempted to be proved, that the principles of harmony more or less prevail throughout the whole system of nature, but more especially in the human frame and that where these principles can be applied to works of art, they excite the pleasing and satisfying ideas of proportion and beauty / by F. Webb.
Creator:
Webb, Francis, 1735–1815
Date:
[1815]
Physical Description:
45 p., [4] leaves of plates (some folded) : illustrations ; 27 cm.
Collection:
Rare Books and Manuscripts
Credit Line:
22619186520008651|Yale Center for British Art, Paul Mellon Fund

240. Corporal Violette!!

Corporal Violette!!
Date:
[1815?]
Physical Description:
1 sheet ([1] page) ; 31 x 21 cm
Collection:
Rare Books and Manuscripts
Credit Line:
22623916500008651|Yale Center for British Art, Paul Mellon Fund

241. Etchings of remarkable beggars, itinerant traders and other persons of notoriety in London and its environs / by John Thomas Smith, draughtsman and etcher of London and Westminster topography.

Etchings of remarkable beggars, itinerant traders and other persons of notoriety in London and its environs / by John Thomas Smith, draughtsman and etcher of London and Westminster topography.
Creator:
Smith, John Thomas, 1766–1833
Date:
[1815]
Physical Description:
[24] leaves : all. ill. ; 26 cm.
Collection:
Rare Books and Manuscripts
Credit Line:
22843431650008651|Yale Center for British Art, Paul Mellon Collection

242. [Portraits of the winning horses of the Great St. Leger Stakes at Doncaster : from the year 1815 to the present year].

[Portraits of the winning horses of the Great St. Leger Stakes at Doncaster : from the year 1815 to the present year].
Date:
[1815-1844]
Physical Description:
30 prints : aquatint, hand-colored ; 56 x 77 cm.
Collection:
Rare Books and Manuscripts
Credit Line:
22678040510008651|Yale Center for British Art, Paul Mellon Collection

243. Violettes du 20 Mars 1815 / Cana fecit.

Violettes du 20 Mars 1815 / Cana fecit.
Creator:
Canu, Jean Dominique Etienne, 1768–
Date:
20 Mars 1815
Physical Description:
1 print : hand colored engraving. ; 14 x 10 cm, on sheet 25 x 18 cm
Collection:
Rare Books and Manuscripts
Credit Line:
22623902210008651|Yale Center for British Art, Paul Mellon Fund

244. Sidmouth, Devon [graphic] / Hubert Cornish Esqr. del. ; engraved by Havell, 5 Chandos Strt., Covent Garden

Sidmouth, Devon [graphic] / Hubert Cornish Esqr. del. ; engraved by Havell, 5 Chandos Strt., Covent Garden
Creator:
Havell, Robert, -1832
Date:
1815
Physical Description:
1 print on 3 joined sheets : hand-colored aquatint ; sheets end-to-end 38 x 328 cm, rolled to 38 x 6 cm (scroll format)
Collection:
Rare Books and Manuscripts
Credit Line:
22632245850008651|Yale Center for British Art, Paul Mellon Collection

245. Views in St. Helena.

Views in St. Helena.
Creator:
Tobin, George, 1768–1838
Date:
[Nov. 1, 1815]
Physical Description:
[1] leaf, [4] leaves of plates : illustrations ; 35 cm x 51 cm
Collection:
Rare Books and Manuscripts
Credit Line:
22744647180008651|Yale Center for British Art, Paul Mellon Collection

246. Advantages of the Cremerian Boot : to elevate the wearer : to improve the instep : to produce an arched and hollow waist : to give a symmetrical form to the foot.

Advantages of the Cremerian Boot : to elevate the wearer : to improve the instep : to produce an arched and hollow waist : to give a symmetrical form to the foot.
Creator:
Cremer & Co. (Firm : London, England)
Date:
1851
Physical Description:
1 sheet : illustrations ; 21 cm
Collection:
Rare Books and Manuscripts
Credit Line:
22768888920008651|Yale Center for British Art, Paul Mellon Fund

247. Ancient topography of London : containing not only views of buildings, which in many instances no longer exist, and for the most part were never before published, but some account of places and customs either unknown, or overlooked by the London historians / by John Thomas Smith.

Ancient topography of London : containing not only views of buildings, which in many instances no longer exist, and for the most part were never before published, but some account of places and customs either unknown, or overlooked by the London historians / by John Thomas Smith.
Creator:
Smith, John Thomas, 1766–1833
Date:
1815
Physical Description:
[4], 82 p., [33] leaves of plates : ill. ; 34 cm.
Collection:
Rare Books and Manuscripts
Credit Line:
22843356560008651|Yale Center for British Art, Paul Mellon Collection

248. A series of portraits of the emperors of Turkey : from the foundation of the monarchy to the year 1815 : engraved from pictures painted at Constantinople : commenced under the auspices of Sultan Selim the Third, and completed by command of Sultan Mahmoud the Second : with a biographical account of each of the emperors / By John Young.

A series of portraits of the emperors of Turkey : from the foundation of the monarchy to the year 1815 : engraved from pictures painted at Constantinople : commenced under the auspices of Sultan Selim the Third, and completed by command of Sultan Mahmoud the Second : with a biographical account of each of the emperors / By John Young.
Creator:
Young, John, 1755–1825
Date:
1815]
Physical Description:
4 p.L., 128, [2] p. : ill. ; 58 cm. in case 61 cm.
Collection:
Rare Books and Manuscripts
Credit Line:
22814909610008651|Yale Center for British Art, Paul Mellon Collection

249. Billhead recording fabric purchased by Robert Campbell, Esq. from John Sinclair, Edinburgh.

Billhead recording fabric purchased by Robert Campbell, Esq. from John Sinclair, Edinburgh.
Creator:
Sinclair, John, active 1815
Date:
1815
Physical Description:
1 sheet ; 20 x 13 cm
Collection:
Rare Books and Manuscripts
Credit Line:
22967933020008651|Yale Center for British Art, Paul Mellon Fund

250. Conversation cards, or, Pleasing pastimes for winter evenings : [game]

Conversation cards, or, Pleasing pastimes for winter evenings : [game]
Date:
[ca. 1815?]
Physical Description:
[26] pictorial cards : ill. ; 65 x 45 mm.
Collection:
Rare Books and Manuscripts
Credit Line:
22845911170008651|Yale Center for British Art, Paul Mellon Fund