Date: 1804 - YCBA Collections Search Search Results

101. "I have mock'd those who refused cruelty..." (Plate 81)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. "I have heard Jerusalems groans..." (Plate 82)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. "Corruptability appears upon thy limbs..." (Plate 83)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. "Highgates heights & Hampsteads..." (Plate 84)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. "Became a Space & an Allegory..." (Plate 85)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. "I see thy Form O lovely mild Jerusalem..." (Plate 86)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. "Repelling weeping Enion blind & age-bent..." (Plate 87)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. "Condens'd his Emanations..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. "The Feminine separates from the Masculine..." (Plate 90)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. "It is easier to forgive an enemy..." (Plate 91)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. "What do I see! The Briton Saxon Roman Norman..." (Plate 92)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. "Albion cold lays on his Rock..." (Plate 94)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. "Her voice pierc'd Albions clay cold ear..." (Plate 95)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, white gouache, and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.

Creator:: Print made by William Blake, 1757–1827
Date:: 1804
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.

Creator:: Print made by William Blake, 1757–1827
Date:: 1804
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Albion Compelling the Four Zoas to Their Proper Tasks

Creator:: William Blake, 1757–1827
Date:: 1804 to 1810
Materials & Techniques:: Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 x 12 1/4 inches (25.1 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery
On View:: On view

119. Study for 'Finding of the Body of Bassanio'

Creator:: Henry Fuseli, 1741–1825
Date:: 1804
Materials & Techniques:: Pen and brown ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 x 8 inches (30.8 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Oxford, Folly Bridge

Creator:: William Turner of Oxford, 1789–1862
Date:: undated
Materials & Techniques:: Graphite on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 6 1/8 x 9 7/8 inches (15.6 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Kirkstall Abbey near Leeds

Creator:: John Varley, 1778–1842
Date:: 1804
Materials & Techniques:: Watercolor on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 3 15/16 x 5 15/16 inches (10 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Wolf Fish

Creator:: James Sowerby, 1756–1822
Date:: 1804
Materials & Techniques:: watercolor over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 11 1/2 inches (18.1 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Clovelly, North Devon

Creator:: William Turner of Oxford, 1789–1862
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 29 1/4 x 44 1/2 inches (74.3 x 113 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. The Spottiswoode Ox

Creator:: Print made by James Ward, 1769–1859
Date:: 1804
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 25 1/2 inches (51.4 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

125. Prince Rasselas and His Sister Conversing in Their Summer Palace on the Banks of the Nile

Creator:: Samuel Shelley, 1750–1808
Date:: 1804
Materials & Techniques:: Watercolor, gouache, graphite and white chalk on moderately thick, slightly textured, beige wove paper, mounted to moderately thick, smooth cream card
Dimensions:: Sheet: 21 7/8 × 15 1/4 inches (55.6 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. York House, the corner of Villiers Street and the Strand, with Richardson's Ancient and Modern Print Warehouse in the Foreground

Creator:: George Shepheard, ca. 1770–1842
Date:: ca. 1809
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 8 1/8in. (27.3 x 20.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. View from the Dean's Garden, Christ Church, Oxford

Creator:: William Turner of Oxford, 1789–1862
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 x 14 3/4 inches (27.3 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Kensington Gardens

Creator:: John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor and pen and brown ink over graphite with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 5/8 x 7 inches (24.5 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Upton-on-Severn

Creator:: William Turner of Oxford, 1789–1862
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on thick, smooth, beige wove paper
Dimensions:: Sheet: 11 x 7 1/2 inches (27.9 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. January 9th, 1804, Miss Ann Lukie (?)

Creator:: Edward Francis Burney, 1760–1848
Date:: 1804
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 × 4 5/8 inches (12.1 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

131. Caernarvon (Castle) Eagle Tower

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1809
Materials & Techniques:: Pen and black ink, brown ink, brown wash, graphite, and gum arabic on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/8 × 20 3/4 inches (38.4 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Lavinia Bingham, Countess Spencer

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1804
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 10 3/16 inches (36.2 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

133. Samuel Richardson

Creator:: Print made by Caroline Watson, 1760–1814
Date:: 1804
Materials & Techniques:: Stipple and engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

134. Rev'd. John Home, Author of Douglas

Creator:: William Ridley, 1764–1838
Date:: 1804
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

135. The Young Roscius

Creator:: Print made by unknown artist
Date:: 1804
Materials & Techniques:: Etching with hand coloring on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 5/8 × 11 1/8 inches (34.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

136. "Mark your divorce young sir, whom son I dare not call"

Creator:: James Heath, 1757–1834
Date:: 1804
Materials & Techniques:: Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 13/16 x 13 1/16 inches (42.7 x 33.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

137. James Hare

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1804
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 9/16 × 11 9/16 inches (39.5 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. Admiral William Sidney Smith and The Seige of Acre

Creator:: Anthony Cardon, 1772–1813
Date:: 1804
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 × 9 1/16 inches (40.6 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Cain and Abel

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. 'Sweetbrier'

Creator:: George Townly Stubbs, 1748–1815
Date:: 1804
Materials & Techniques:: Stipple with etching, second state
Dimensions:: Sheet: 15 15/16 x 20 1/16in. (40.5 x 50.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Death of the Doe

Creator:: Print made by George Townly Stubbs, 1748–1815
Date:: 1804
Materials & Techniques:: Color printed mezzotint; first state
Dimensions:: Sheet: 14 15/16 x 19 3/4in. (38 x 50.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. All's Well the Ends Well, Act IV, Sc. I

Creator:: William Angus, 1752–1821
Date:: 1804
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

143. Comedy of Errors, Act II Sc. 2

Creator:: Charles Warren, 1767–1823
Date:: 1804
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

144. Porchester Castle: A View from Porchester Village Looking across the Water to Portsmouth

Creator:: William Turner of Oxford, 1789–1862
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 x 18 1/2 inches (26.4 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. The "Friend" Sailing Vessel at Upton-on-Severn

Creator:: William Turner of Oxford, 1789–1862
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 x 7 3/8 inches (27.9 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Lady Heathcote

Creator:: Print made by James Ward, 1769–1859
Date:: 1804
Materials & Techniques:: Mezzotint (second state) on thick, rough, cream wove paper
Dimensions:: Sheet: 26 5/8 × 17 1/2 inches (67.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

147. A Mountain Lake

Creator:: William Turner of Oxford, 1789–1862
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. The Bridge

Creator:: John Varley, 1778–1842
Date:: 1804
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 x 14 7/8 inches (43.2 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Dorothea

Creator:: Print made by William Say, 1768–1834
Date:: 1804
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 28 3/4 × 19 5/8 inches (73 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

150. Harlech Castle and Twgwyn Ferry

Creator:: John Varley, 1778–1842
Date:: 1804
Materials & Techniques:: Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/8 x 21 1/4 inches (41 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Crosby Hall

Creator:: James S. Storer, 1771–1853
Date:: 1804
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 8 1/4in. (27.9 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Interior of Crosby Hall

Creator:: James S. Storer, 1771–1853
Date:: 1804
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 3/4 x 7 1/8in. (24.8 x 18.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Westminster

Creator:: John Greig, active 1803–1853
Date:: 1804
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

154. West View of St. Paul's Cathedral

Creator:: James S. Storer, 1771–1853
Date:: 1804
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. West View of St. Pauls Cathedral

Creator:: James S. Storer, 1771–1853
Date:: 1804
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Westminster Abbey

Creator:: Samuel Rawle, 1771–1860
Date:: 1804
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

157. Interior of the Abbey Church, St. Albans, Outer Suburb - North

Creator:: James S. Storer, 1771–1853
Date:: 1804
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Sphinx, in the Gardens of the Villa Albani, and a Study of a Roman Mask

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1804
Materials & Techniques:: Charcoal and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 5/8 × 9 inches (29.5 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Roman Sphinx in the Gardens of the Villa Albani

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1804
Materials & Techniques:: Brown wash and charcoal on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 1/16 × 11 1/2 inches (23 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. The Murazzi at Venice

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1804
Materials & Techniques:: Graphite, brown wash, pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/2 × 15 inches (24.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. San Germano

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/16 × 6 13/16 inches (12.9 × 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Monte Cassino

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 7 inches (14 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. The Right Honorable Charles Abbot

Creator:: Charles Picart, c.1780–1837
Date:: 1804
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 20 13/16 × 15 1/16 inches (52.9 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Sir Watkin Williams-Wynn, 4th Baronet Wynn

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1804
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 13/16 × 11 9/16 inches (40.2 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Sir Francis Bourgeois, R. A.

Creator:: William Ridley, 1764–1838
Date:: 1804
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. The Rotunda in the Bank of England

Creator:: unknown artist
Date:: 1804
Materials & Techniques:: Engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 7/8 × 6 1/4 inches (22.5 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. The Old Bridge at Stratford-le-Bow

Creator:: James S. Storer, 1771–1853
Date:: 1804
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 7/8 x 9 3/4in. (20 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Lieutenant General Bowater

Creator:: Print made by William Ward, 1766–1826
Date:: 1804
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 20 3/4 × 14 5/8 inches (52.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. South East View of Stepney Church

Creator:: James S. Storer, 1771–1853
Date:: 1804
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. The Hall of Greenwich Hospital

Creator:: James S. Storer, 1771–1853
Date:: 1804
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Bushhill, Middlesex, Outer Suburb - North

Creator:: John Hassell, 1767–1825
Date:: 1804
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. South East View of the Abbey Church, St. Albans, Hertsfordshire, Outer Suburb - North

Creator:: James S. Storer, 1771–1853
Date:: 1804
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Chingford Church, Essex, Outer Suburb - East

Creator:: James S. Storer, 1771–1853
Date:: 1804
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Waltham Abbey, Outer Suburb - East

Creator:: John Greig, active 1803–1853
Date:: 1804
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Barking, Essex, Outer Suburb - East

Creator:: James S. Storer, 1771–1853
Date:: 1804
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. North East View of Waltham Abbey Church

Creator:: John Greig, active 1803–1853
Date:: 1804
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. Interior of Waltham Abbey Church, Outer Suburb - East

Creator:: John Greig, active 1803–1853
Date:: 1804
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. View of the Entrance to Regent's Park, North

Creator:: Charles J. Hullmandel, 1789–1850
Date:: undated
Materials & Techniques:: Lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Specimens of Sculpture from St. Stephen's Chapel - Plate I

Creator:: John Thomas Smith, 1766–1833
Date:: 1804
Dimensions:: Sheet: 11 7/16 x 9 11/16in. (29.1 x 24.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

180. Views of the Four sides of a cellar under the Old House of Lords. East end of the Princes Chamber, South side of the Princes Chamber.

Creator:: John Thomas Smith, 1766–1833
Date:: 1804
Dimensions:: Sheet: 12 7/16 x 10in. (31.6 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

181. The House of Commons

Creator:: James Fittler, 1758–1835
Date:: 1804
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 9/16 x 8 1/16in. (16.7 x 20.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

182. The House of Commons

Creator:: James Fittler, 1758–1835
Date:: 1804
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 9/16 x 8 1/16in. (16.7 x 20.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

183. Views in England, Scotland and Wales: Netley Abbey near Southampton, July 24, 1804

Creator:: Amos Green, 1735–1807
Date:: 1804
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Views in England, Scotland and Wales: Ventnor Cove, Isle of Wight, July 1804

Creator:: Amos Green, 1735–1807
Date:: 1804
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Views in England, Scotland and Wales: Scene from the Inn at Devil's Bridge with the Fall of the Rhydal

Creator:: Amos Green, 1735–1807
Date:: 1804
Materials & Techniques:: Gray wash over graphite on wove paper
Dimensions:: Sheet: 12 5/8 x 16 3/8in. (32.1 x 41.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Views in England, Scotland and Wales: The Devil's Bridge near Aberystwith, Cardiganshire, September 1804

Creator:: Amos Green, 1735–1807
Date:: 1804
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Views in England, Scotland and Wales: Inn at the Devil's Bridge, with the Fall of the Mynach

Creator:: Amos Green, 1735–1807
Date:: 1804
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Landscape with Trees, Girl Crossing Footbridge

Creator:: Print made by William Havell, 1782–1857
Date:: 1804, published 1807
Materials & Techniques:: Lithograph on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 14 × 10 3/8 inches (35.6 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Landscape with Trees, Girl Crossing Footbridge

Creator:: Print made by William Havell, 1782–1857
Date:: 1804, published 1807
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 8 7/8 inches (32.1 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Horses at Cottages Door

Creator:: Print made by Conrad Gessner, 1764–1826
Date:: 1804, published 1806
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 7/8 inches (23.2 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Study of Two Children

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 3 3/8 × 3 3/8 inches (8.6 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Portrait Sketch and Seated Figures

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/4 × 5 1/16 inches (8.3 × 12.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Head Studies

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 9/16 × 4 7/16 inches (11.6 × 11.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Study of a Figure Leaning out of a Window

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1804
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/4 × 2 7/16 inches (8.3 × 6.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. Untitled

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 × 3 3/4 inches (20.3 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. Study ot the Backside of a Nude Figure

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 15/16 × 3 5/16 inches (7.5 × 8.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Untitled

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1804
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 3 7/16 × 2 15/16 inches (8.7 × 7.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. Head Study

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 9/16 × 4 5/16 inches (11.6 × 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. Study of Two Men Standing, While in Conversation

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 × 3 3/16 inches (8.6 × 8.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Studies of Men with Hats

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/16 × 3 11/16 inches (10.6 × 9.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1804

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101. "I have mock'd those who refused cruelty..." (Plate 81)

102. "I have heard Jerusalems groans..." (Plate 82)

103. "Corruptability appears upon thy limbs..." (Plate 83)

104. "Highgates heights & Hampsteads..." (Plate 84)

105. "Became a Space & an Allegory..." (Plate 85)

106. "I see thy Form O lovely mild Jerusalem..." (Plate 86)

107. "Repelling weeping Enion blind & age-bent..." (Plate 87)

108. "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

109. "Condens'd his Emanations..." (Plate 9)

110. "The Feminine separates from the Masculine..." (Plate 90)

111. "It is easier to forgive an enemy..." (Plate 91)

112. "What do I see! The Briton Saxon Roman Norman..." (Plate 92)

113. "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

114. "Albion cold lays on his Rock..." (Plate 94)

115. "Her voice pierc'd Albions clay cold ear..." (Plate 95)

116. A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.

117. A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.

118. Albion Compelling the Four Zoas to Their Proper Tasks

119. Study for 'Finding of the Body of Bassanio'

120. Oxford, Folly Bridge

121. Kirkstall Abbey near Leeds

122. Wolf Fish

123. Clovelly, North Devon

124. The Spottiswoode Ox

125. Prince Rasselas and His Sister Conversing in Their Summer Palace on the Banks of the Nile

126. York House, the corner of Villiers Street and the Strand, with Richardson's Ancient and Modern Print Warehouse in the Foreground

127. View from the Dean's Garden, Christ Church, Oxford

128. Kensington Gardens

129. Upton-on-Severn

130. January 9th, 1804, Miss Ann Lukie (?)

131. Caernarvon (Castle) Eagle Tower

132. Lavinia Bingham, Countess Spencer

133. Samuel Richardson

134. Rev'd. John Home, Author of Douglas

135. The Young Roscius

136. "Mark your divorce young sir, whom son I dare not call"

137. James Hare

138. Admiral William Sidney Smith and The Seige of Acre

139. Cain and Abel

140. 'Sweetbrier'

141. Death of the Doe

142. All's Well the Ends Well, Act IV, Sc. I

143. Comedy of Errors, Act II Sc. 2

144. Porchester Castle: A View from Porchester Village Looking across the Water to Portsmouth

145. The "Friend" Sailing Vessel at Upton-on-Severn

146. Lady Heathcote

147. A Mountain Lake

148. The Bridge

149. Dorothea

150. Harlech Castle and Twgwyn Ferry

151. Crosby Hall

152. Interior of Crosby Hall

153. Westminster

154. West View of St. Paul's Cathedral

155. West View of St. Pauls Cathedral

156. Westminster Abbey

157. Interior of the Abbey Church, St. Albans, Outer Suburb - North

158. Sphinx, in the Gardens of the Villa Albani, and a Study of a Roman Mask

159. Roman Sphinx in the Gardens of the Villa Albani

160. The Murazzi at Venice

161. San Germano

162. Monte Cassino

163. The Right Honorable Charles Abbot

164. Sir Watkin Williams-Wynn, 4th Baronet Wynn

165. Sir Francis Bourgeois, R. A.

166. The Rotunda in the Bank of England

167. The Old Bridge at Stratford-le-Bow

168. Lieutenant General Bowater

169. South East View of Stepney Church

170. The Hall of Greenwich Hospital

171. Bushhill, Middlesex, Outer Suburb - North

172. South East View of the Abbey Church, St. Albans, Hertsfordshire, Outer Suburb - North

173. Chingford Church, Essex, Outer Suburb - East

174. Waltham Abbey, Outer Suburb - East

175. Barking, Essex, Outer Suburb - East