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Collection
Prints and Drawings
38
Paintings and Sculpture
1
Creator
Blake, William, 1757–1827
31
Cox, David, 1783–1859
2
Cruikshank, Robert Isaac, 1789–1856
2
Clennell, Luke, 1781–1840
1
Constable, John, 1776–1837
1
Haydon, Benjamin Robert, 1786–1846
1
Hullmandel, Charles Joseph, 1789–1850
1
Unknown artist
1
Vulliamy, Lewis, 1791–1871
1
Date
1834
91
1630
52
1800
50
1811
41
1804
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39
1835
36
2006
36
1896
34
1812
32
1816
30
1825
29
1836
29
1808
26
1813
26
1802
24
1771
23
1823
23
1784
22
1755
21
1795
21
1789
20
1790
20
1862
20
1775
19
1826
19
1839
19
1764
18
1799
18
1819
18
1788
17
1772
16
1792
16
1807
16
1809
16
1820
16
1700
15
1846
15
1731
14
1791
14
1818
14
1891
14
0
13
1785
13
1793
13
1805
13
1814
13
1965
13
1774
12
1780
12
1797
12
1810
12
1909
12
1787
11
1796
11
1798
11
1803
11
1806
11
1960
11
1783
10
1794
10
1817
10
1824
10
1833
10
1765
9
1782
9
1827
9
1837
9
1850
9
1860
9
1715
8
1717
8
1742
8
1770
8
1821
8
1875
8
1925
8
1667
7
1674
7
1738
7
1745
7
1778
7
1786
7
1815
7
1855
7
1913
7
1920
7
1955
7
1757
6
1768
6
1801
6
1845
6
1880
6
1904
6
1921
6
1690
5
1740
5
1750
5
1776
5
1779
5
1822
5
On-site Access
Accessible by appointment in the Study Room
38
Not on view
1
Image Use
Free to Use
39
Image Available
Available
39
Classification
Prints
32
Drawings & Watercolors
5
Drawing & Watercolors-Architectural
1
Paintings
1
Creator Gender
male
39
unknown
1
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
31
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
1
Period
19th century
39
Materials & Techniques
wove paper
35
watercolor
34
black ink
31
relief etching
31
graphite
5
gold
4
laid paper
3
brown ink
2
canvas
1
chine collé
1
gouache
1
gray wash
1
lithography
1
oil paint
1
painting (technique)
1
pen
1
scratching out
1
Height [cm]
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Current results range from
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34
Width [cm]
Width [cm] range begin
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Current results range from
13
to
42
Work Type
drawing
37
watercolor
35
relief print
31
painting
1
planographic print
1
Genre
literary theme
31
religious and mythological subject
31
figure study
3
architectural subject
2
landscape
2
cityscape
1
genre subject
1
Subject Terms
literary theme
31
religious and mythological subject
31
text
31
men
19
vines
17
nudes
16
women
11
roots
8
flames
7
sun
7
fire
6
leaf
6
sky
6
birds
5
vegetation
5
clouds
4
stars
4
wings
4
boat
3
branches
3
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Subject Terms
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Associated Places
United Kingdom
4
England
2
Birmingham
1
East Bergholt
1
Europe
1
Hawes Bridge
1
Kendal
1
Kent
1
Lincoln
1
Suffolk
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
31
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
31
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
5
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
4
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
2
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
2
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
Deluge (Yale Center for British Art, 2018-12-18 - 2019-03-24)
1
Richard Wilson and the Transformation of European Landscape Painting (Yale Center for British Art, 2014-03-06 - 2014-06-01)
1
The Paul Mellon Bequest : Treasures of a Lifetime (Yale Center for British Art, 2001-02-17 - 2001-04-29)
1
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
39
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1
John Constable, 1776–1837
Golding Constable's House, East Bergholt: the Artist's birthplace
ca. 1809
Not on view
2
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
3
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
4
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
5
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
6
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
7
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
8
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
9
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
10
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
11
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
12
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
13
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
14
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
15
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
16
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
17
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
18
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
19
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
20
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
21
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
22
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
23
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
24
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
25
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
26
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
27
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
28
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
29
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
30
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
31
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
32
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
33
Lewis Vulliamy, 1791–1871
Perspective View of a Fanciful Acropolis Complex
undated
34
David Cox, 1783–1859
Lincoln Cathedral From Brayford Pool
ca. 1808
35
Print made by unknown artist
Hawes Bridge near Kendal
undated
36
Benjamin Robert Haydon, 1786–1846
Study of a Man with Outstretched Arm
undated
37
Robert Isaac Cruikshank, 1789–1856
An Unconventional Visit
undated
38
David Cox, 1783–1859
Boat Building - Dockyard at Birmingham
mid to late 1800s
39
Robert Isaac Cruikshank, 1789–1856
Public Refreshment in High Society
undated