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John Constable Lane near Dedham
John Constable, 1776–1837
Lane near Dedham
1802
Not on view
John Constable Dedham Vale
John Constable, 1776–1837
Dedham Vale
1802
Not on view
Joseph Mallord William Turner Newark Abbey
Joseph Mallord William Turner, 1775–1851
Newark Abbey
ca. 1807
Not on view
Joseph Mallord William Turner Chateaux de St. Michael, Bonneville, Savoy
Joseph Mallord William Turner, 1775–1851
Chateaux de St. Michael, Bonneville, Savoy
exhibited 1803
Not on view
Joseph Mallord William Turner Tummel Bridge, Perthshire
Joseph Mallord William Turner, 1775–1851
Tummel Bridge, Perthshire
between 1802 and 1803
Not on view
Ramsay Richard Reinagle An Ornithologist, Possibly John Latham
Ramsay Richard Reinagle, 1775–1862
An Ornithologist, Possibly John Latham
1802
Not on view
James Ward Landscape with Cottages
James Ward, 1769–1859
Landscape with Cottages
between 1802 and 1827
Not on view
Jacques-Laurent Agasse Nine Greyhounds in a Landscape
Jacques-Laurent Agasse, 1767–1849
Nine Greyhounds in a Landscape
ca. 1807
Not on view
Benjamin Marshall The Jockey Frank Buckle, the Owner-Breeder John Wastell, his Trainer Robert Robson, and a Stable-lad
Benjamin Marshall, 1768–1835
The Jockey Frank Buckle, the Owner-Breeder John Wastell, his Trainer Robert Robson, and a Stable-lad
1802
Not on view
Daniel Turner Lambeth Palace from the West
Daniel Turner, active 1782–1805
Lambeth Palace from the West
1802
Not on view
unknown artist Avenue with Figures
unknown artist
Avenue with Figures
ca. 1807
Not on view
James Ward An Overshot Mill
James Ward, 1769–1859
An Overshot Mill
between 1802 and 1807
Not on view
Joseph Mallord William Turner Lake Geneva and Mont Blanc
Joseph Mallord William Turner, 1775–1851
Lake Geneva and Mont Blanc
1802 to 1806
Frederick Christian Lewis the Elder View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
John Glover The Thames at Isleworth
John Glover, 1767–1849
The Thames at Isleworth
ca. 1807
Thomas Hearne The Poor House, Hadley, Hertfordshire
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
James Hook A Regency Pair
James Hook, ca. 1772–1828
A Regency Pair
1802
James Hook A Regency Pair: Man with Walking Stick
James Hook, ca. 1772–1828
A Regency Pair: Man with Walking Stick
1802
James Malton Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
1802
James Malton Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
James Malton Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
Patrick Nasmyth Cloud Study
Patrick Nasmyth, 1787–1831
Cloud Study
undated
James Malton Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
James Malton Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
Patrick Nasmyth Netley Abbey
Patrick Nasmyth, 1787–1831
Netley Abbey
undated
John William Upham The Abbey Barn, Abbotsbury
John William Upham, 1772–1828
The Abbey Barn, Abbotsbury
1802
James Basire II Inside View of the East End of Merton College Chapel
Print made by James Basire II, 1769–1822
Inside View of the East End of Merton College Chapel
1802
S. Porter Durham Cathedral
Print made by S. Porter, active 1802
Durham Cathedral
1802
Thomas Girtin View of the Pantheon, Paris
Thomas Girtin, 1775–1802
View of the Pantheon, Paris
1802
Thomas Girtin View of the Pantheon from the Arsenal
Thomas Girtin, 1775–1802
View of the Pantheon from the Arsenal
1802
Paul Sandby A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
Paul Sandby, 1731–1809
A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
1802
Abraham Raimbach Prince Amgiad and Prince Assad
Print made by Abraham Raimbach, 1784–1868
Prince Amgiad and Prince Assad
1802
Thomas Girtin View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
Print made by Thomas Girtin, 1775–1802
View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
1802
Thomas Girtin View of Pont Neuf, The Mint etc.
Thomas Girtin, 1775–1802
View of Pont Neuf, The Mint etc
1802
Thomas Girtin View of Pont St. Michel, Taken from Pont Neuf
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michel, Taken from Pont Neuf
1802
Thomas Girtin View of the Tuileries and Bridge taken from the Pont de la Concorde
Print made by Thomas Girtin, 1775–1802
View of the Tuileries and Bridge taken from the Pont de la Concorde
1802
Thomas Stothard [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations
Thomas Stothard, 1755–1834
[One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations
1802 - 1825
Thomas Stothard [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations
Thomas Stothard, 1755–1834
[One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations
1802 - 1825
Thomas Stothard [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations
Thomas Stothard, 1755–1834
[One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations
1802 - 1825
Francesco Bartolozzi Peasants Going to Market
Francesco Bartolozzi, 1728–1815
Peasants Going to Market
1802
William Ward Sailors Conversation
William Ward, 1766–1826
Sailors Conversation
1802
William Ward Sailors Conversation
William Ward, 1766–1826
Sailors Conversation
1802
unknown artist Returning from a Review...Paris
unknown artist
Returning from a Review...Paris
1802
Thomas Burke Saturday Morning, Favorite Chickens Going to Market
Thomas Burke, 1749–1815
Saturday Morning, Favorite Chickens Going to Market
1802
Richard Earlom Vulcan's Forge
Print made by Richard Earlom, 1743–1822
Vulcan's Forge
1802
James Basire II Inside View of the East End of Merton College Chapel
Print made by James Basire II, 1769–1822
Inside View of the East End of Merton College Chapel
1802
William Henry Pyne Fishermen, from "Picturesque Groups for the Embellishment of Landscape in a series of above 1000 Subjects..."
William Henry Pyne, 1769–1843
Fishermen, from "Picturesque Groups for the Embellishment of Landscape in a series of above 1000 Subjects..."
1802
William Henry Pyne Woodmen, from "Picturesque Groups for the Embellishment of Landscape in a series of above 1000 Subjects..."
William Henry Pyne, 1769–1843
Woodmen, from "Picturesque Groups for the Embellishment of Landscape in a series of above 1000 Subjects..."
1802
William Henry Pyne Hay Making, from "Picturesque groups for the Embellishment of Landscape in a series of above 1000 Subjects..."
William Henry Pyne, 1769–1843
Hay Making, from "Picturesque groups for the Embellishment of Landscape in a series of above 1000 Subjects..."
1802
William Henry Pyne Brickmakers
William Henry Pyne, 1769–1843
Brickmakers
1802
William Henry Pyne Miscellaneous Figures
William Henry Pyne, 1769–1843
Miscellaneous Figures
1802
Christian Friedrich Duttenhoffer Solitude
Christian Friedrich Duttenhoffer, 1778–1846
Solitude
1802
William Daniell Henry Howard
Print made by William Daniell, 1769–1837
Henry Howard
between 1802 and 1814
Thomas Girtin The Waterworks at Marli; and St. Germain en Laye seen in the distance
Thomas Girtin, 1775–1802
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
George Chinnery Henry Tresham, Esq, R.A.
Print made by George Chinnery, 1774–1852
Henry Tresham, Esq, R.A
1802
Thomas Girtin View of Thuilleries and Bridge taken from the Quay d'Orsai
Thomas Girtin, 1775–1802
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
Thomas Girtin View of the City with the Louvre &c. taken from Pont Marie
Thomas Girtin, 1775–1802
View of the City with the Louvre &c. taken from Pont Marie
1802
Thomas Girtin View of the Gate of St. Denis taken from the Suburbs
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
Thomas Girtin View of the Gate of St. Denis taken from the Suburbs
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
Thomas Girtin View of the Pantheon taken from the Arsenal
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1802
Charles Williams English Patriots Bowing at the Shrine of Despotism
Charles Williams, active 1796–1830
English Patriots Bowing at the Shrine of Despotism
1802
Charles Williams Close Shaveing, or The Will Our Own Way
Charles Williams, active 1796–1830
Close Shaveing, or The Will Our Own Way
1802
Charles Williams The Norwich Bull-Bait
Charles Williams, active 1796–1830
The Norwich Bull-Bait
1802
Charles Williams Two Pair of Candidates Proposed to the Independant Electors of Middlesex
Charles Williams, active 1796–1830
Two Pair of Candidates Proposed to the Independant Electors of Middlesex
1802
unknown artist The Remarkable Dirty Warehouse in Leadenhall Street
unknown artist
The Remarkable Dirty Warehouse in Leadenhall Street
1802
Charles Williams Long Expected Come at Last or John Bull Disappointed at His Crippled Visitor
Charles Williams, active 1796–1830
Long Expected Come at Last or John Bull Disappointed at His Crippled Visitor
1802
Charles Williams John Bull Viewing Billy's Preparations for His Birthday
Charles Williams, active 1796–1830
John Bull Viewing Billy's Preparations for His Birthday
1802
Thomas Rowlandson The Monstrous Craw; or a New Discovered Animal
Print made by Thomas Rowlandson, 1756–1827
The Monstrous Craw; or a New Discovered Animal
1802
William Daniell Nathaniel Marchant, R.A.
Print made by William Daniell, 1769–1837
Nathaniel Marchant, R.A
between 1802 and 1814
Thomas Girtin View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
Thomas Girtin View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
Thomas Girtin View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
Thomas Girtin View of the City with the Louvre &c., taken from Pont Marie
Thomas Girtin, 1775–1802
View of the City with the Louvre &c., taken from Pont Marie
1802
Thomas Girtin A General View of Paris taken from Chaillot
Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1802
Thomas Girtin View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1802
Thomas Girtin View of Pont St. Michel, taken from Pont Neuf
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1802
Thomas Girtin View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1802
Thomas Girtin A View of Pont Neuf, the Mint, &c.
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1802
Thomas Girtin View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
Thomas Girtin, 1775–1802
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
Thomas Girtin View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
Thomas Girtin View of the Village of Chaillot &c., taken from Pont de la Concorde
Thomas Girtin, 1775–1802
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
Thomas Girtin View of St. Cloud and Mount Calvary taken from Pont de Seve
Thomas Girtin, 1775–1802
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1802