The Jockey Frank Buckle, the Owner-Breeder John Wastell, his Trainer Robert Robson, and a Stable-lad
1802
Not on view
8
Jacques-Laurent Agasse, 1767–1849
Nine Greyhounds in a Landscape
ca. 1807
Not on view
9
James Ward, 1769–1859
An Overshot Mill
between 1802 and 1807
Not on view
10
Daniel Turner, active 1782–1805
Lambeth Palace from the West
1802
Not on view
11
unknown artist
Avenue with Figures
ca. 1807
Not on view
12
Joseph Mallord William Turner, 1775–1851
Lake Geneva and Mount Blanc
1802 to 1805
13
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
14
John Glover, 1767–1849
The Thames at Isleworth
ca. 1807
15
Patrick Nasmyth, 1787–1831
Cloud Study
undated
16
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
17
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
1802
18
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
19
James Malton, 1761–1803
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
20
James Malton, 1761–1803
Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
21
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
22
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
23
James Malton, 1761–1803
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
24
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
25
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
26
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
27
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
28
James Malton, 1761–1803
Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
1802
29
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
30
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
31
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
32
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
33
James Malton, 1761–1803
Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
1802
34
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
35
Patrick Nasmyth, 1787–1831
Netley Abbey
undated
36
James Hook, ca. 1772–1828
A Regency Pair: Man with Walking Stick
1802
37
James Hook, ca. 1772–1828
A Regency Pair
1802
38
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
39
Print made by William Ward, 1766–1826
The Snake in the Grass
1802
40
unknown artist
The Remarkable Dirty Warehouse in Leadenhall Street
1802
41
unknown artist
A View of the East-India House, Leadenhall Street, London
1802
42
Charles Williams, active 1796–1830
A Trip to Paris or John Bull and His Spouse Invited to the Honors of the Sitting
1802
43
Charles Williams, active 1796–1830
Two Pair of Candidates Proposed to the Independant Electors of Middlesex
1802
44
Charles Williams, active 1796–1830
Theatrical Doctors Recovering Clara's Notes
1802
45
Charles Williams, active 1796–1830
The Little Green Man or the Bath Bugabo, or the Widows Terror
1802
46
Charles Williams, active 1796–1830
Birds of a Feather Flock Together. Diversions of Purley (scored through & replaced by) Brighton
1802
47
Charles Williams, active 1796–1830
Long Expected Come at Last or John Bull Disappointed at His Crippled Visitor
1802
48
unknown artist
Old Times Returned
1802
49
James Ward, 1769–1859
A Hog, Sleeping
ca. 1807
50
Charles Williams, active 1796–1830
English Patriots Bowing at the Shrine of Despotism
1802
51
Charles Williams, active 1796–1830
Close Shaveing, or The Will Our Own Way
1802
52
Charles Williams, active 1796–1830
The Norwich Bull-Bait
1802
53
Charles Williams, active 1796–1830
John Bull Viewing Billy's Preparations for His Birthday
1802
54
Thomas Girtin, 1775–1802
A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal
1802
55
Patrick Nasmyth, 1787–1831
An Open Road
undated
56
Print made by George Chinnery, 1774–1852
Henry Tresham, Esq, R.A
1802
57
Thomas Stothard, 1755–1834
[One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations
1802 - 1825
58
Attributed to William Etty, 1787–1849
Sheet of sketches
undated
59
Print made by William Daniell, 1769–1837
Sir Charles Bingham, first Earl of Lucan
between 1802 and 1814
60
Robert Thew, 1758–1802
Shakespeare, Macbeth Act IV, Scene I
1802
61
Samuel William Reynolds, 1773–1835
Vice Admiral Lord Hugh Seymour
1802
62
Print made by Charles Wilkin, 1750–1814
The Right Honourable The Countess of Euston
1802
63
Print made by Charles Wilkin, 1750–1814
The Right Honourable Lady Catherine Howard
1802
64
James Godby, 1767–1849
The Drinking Well in Hyde Park
1802
65
Francesco Bartolozzi, 1728–1815
The Distinguishing Characteristic of Masonry
1802
66
Print made by Henry Fuseli, 1741–1825
A Woman Sitting by the Window (Evening thou Bringest All)
1802, published 1806
67
Print made by Richard Earlom, 1743–1822
Vulcan's Forge
1802
68
Print made by William Daniell, 1769–1837
Francis Wheatley, R.A
between 1802 and 1814
69
Print made by Richard Corbould, 1757–1831
Old Trees with Old Man, a Girl and a Dog
1802
70
Thomas Girtin, 1775–1802
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
71
Thomas Girtin, 1775–1802
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
72
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
73
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1802
74
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
75
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
76
Thomas Girtin, 1775–1802
View of the City with the Louvre &c., taken from Pont Marie
1802
77
Thomas Girtin, 1775–1802
View of the City with the Louvre &c. taken from Pont Marie
1802
78
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1802
79
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1802
80
Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1802
81
Thomas Girtin, 1775–1802
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
82
Print made by Thomas Rowlandson, 1756–1827
The Monstrous Craw; or a New Discovered Animal
1802
83
Thomas Girtin, 1775–1802
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
84
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1802
85
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
86
Thomas Girtin, 1775–1802
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
87
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
88
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
89
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1802
90
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
91
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1802
92
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
93
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
94
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
95
Thomas Girtin, 1775–1802
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
96
Print made by William Daniell, 1769–1837
Nathaniel Marchant, R.A
between 1802 and 1814
97
Print made by William Daniell, 1769–1837
Henry Howard
between 1802 and 1814
98
Daniel Turner, active 1782–1805
View of Blackfriars Bridge and St. Paul's from the Patent Shot Manufactory on the South Side of the River
1802
99
Joseph Constantine Stadler, active 1780–1812
View of London, taken from Albion Place, Blackfryar Bridge