The Jockey Frank Buckle, the Owner-Breeder John Wastell, his Trainer Robert Robson, and a Stable-lad
1802
Not on view
13
Joseph Mallord William Turner, 1775–1851
Lake Geneva and Mount Blanc
1802 to 1805
14
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
15
Thomas Girtin, 1775–1802
View of the Pantheon from the Arsenal
1802
16
Paul Sandby, 1731–1809
A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
1802
17
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
18
John Glover, 1767–1849
The Thames at Isleworth
ca. 1807
19
James Hook, ca. 1772–1828
A Regency Pair
1802
20
James Hook, ca. 1772–1828
A Regency Pair: Man with Walking Stick
1802
21
Patrick Nasmyth, 1787–1831
Cloud Study
undated
22
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
23
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
24
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
25
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
26
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
27
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
28
James Malton, 1761–1803
Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
29
Amos Green, 1735–1807
Views in England, Scotland and Wales: Landscape with Stream
1802
30
Amos Green, 1735–1807
Views in England, Scotland and Wale: View near Bolton Abbey
1802
31
Amos Green, 1735–1807
Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802
1802
32
John Scott, 1774–1828
Prior, Love Disarmed, vol. II
1802
33
Amos Green, 1735–1807
Views in England, Scotland and Wales: Watenlath, August 30, 1802
1802
34
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
35
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
36
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
37
Isaac Weld, 1774–1856
Dunloh Castle, Killarney, Ireland
ca. 1807
38
Robert Hills, 1769–1844
Studies of Haymakers
ca. 1807
39
Isaac Weld, 1774–1856
Killarney (Ireland)
ca. 1807
40
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
1802
41
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
42
Patrick Nasmyth, 1787–1831
Netley Abbey
undated
43
James Malton, 1761–1803
Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
1802
44
James Malton, 1761–1803
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
45
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
46
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
47
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
48
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
49
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
50
James Malton, 1761–1803
Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
1802
51
James Malton, 1761–1803
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
52
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
53
Cornelius Varley, 1781–1873
Carnarvon Castle
1802
54
Cornelius Varley, 1781–1873
Carnarvon
1802
55
Amos Green, 1735–1807
Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802
1802
56
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
57
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
58
Henry Edridge, 1769–1821
Windsor Castle from the Brocas
1802
59
Sir George Howland Beaumont seventh Baronet, 1753–1827
Lane with Figures, May 1802
1802
60
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
61
Thomas Girtin, 1775–1802
View of the Pantheon, Paris
1802
62
John Varley, 1778–1842
View of Chepstow Castle, Monmouthshire, from Under the Bridge
1802
63
Samuel Rawle, 1771–1860
A View of the New Tower and part of the Great Kitchin Window of Arundel Castle, Sussex (published by J. Sewell); page 13 (Volume One)
1802
64
Print made by William Say, 1768–1834
The Cottar's Door
1802
65
Print made by William Daniell, 1769–1837
Sir Charles Bingham, first Earl of Lucan
between 1802 and 1814
66
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
67
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
68
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
69
Thomas Girtin, 1775–1802
View of Pont Neuf, The Mint etc
1802
70
Print made by Thomas Girtin, 1775–1802
View of the Tuileries and Bridge taken from the Pont de la Concorde
1802
71
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michel, Taken from Pont Neuf
1802
72
Thomas Stothard, 1755–1834
[One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations
1802 - 1825
73
Thomas Stothard, 1755–1834
[One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations
1802 - 1825
74
Thomas Stothard, 1755–1834
[One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations
1802 - 1825
75
Print made by Raphael Lamar West, 1769–1850
Study of a Tree
1802, published 1807
76
Print made by Richard Cooper the Younger, 1740–1814
Landscape with Group of Trees
1802, published 1806
77
Print made by Richard Corbould, 1757–1831
Old Trees with Old Man, a Girl and a Dog
1802, published 1806
78
Print made by Thomas Girtin, 1775–1802
View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
1802
79
Print made by Abraham Raimbach, 1784–1868
Prince Amgiad and Prince Assad
1802
80
Thomas Stothard, 1755–1834
[One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations
1802 - 1825
81
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
82
Cornelius Varley, 1781–1873
Tygwyn Ferry
1802
83
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
84
James de Carle Sowerby, 1787–1871
A Crane
undated
85
James de Carle Sowerby, 1787–1871
Three Toucans
undated
86
James de Carle Sowerby, 1787–1871
A Parrot
undated
87
James de Carle Sowerby, 1787–1871
A Cockatoo
undated
88
James de Carle Sowerby, 1787–1871
Zebra
undated
89
James de Carle Sowerby, 1787–1871
A Parrot
undated
90
Edward Francis Burney, 1760–1848
Farmhouse
1802
91
Patrick Nasmyth, 1787–1831
Battersea Fields, Painted for Charles Matthews, Esq