Date: 1802 / Period: 19th century - YCBA Collections Search Search Results

1. Lane near Dedham

Creator:: John Constable, 1776–1837
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/8 x 16 3/4 inches (33.3 x 42.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Dedham Vale

Creator:: John Constable, 1776–1837
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/8 x 16 3/8 inches (33.3 x 41.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Tummel Bridge, Perthshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1802 and 1803
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/8 x 18 3/8 inches (28.9 x 46.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Chateaux de St. Michael, Bonneville, Savoy

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1802 to 1803
Materials & Techniques:: Oil on canvas
Dimensions:: 36 x 48 inches (91.4 x 121.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. An Ornithologist, Possibly John Latham

Creator:: Ramsay Richard Reinagle, 1775–1862
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 58 x 58 inches (147.3 x 147.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Landscape with Cottages

Creator:: James Ward, 1769–1859
Date:: between 1802 and 1827
Materials & Techniques:: Oil on panel
Dimensions:: 9 1/2 x 17 1/4 inches (24.1 x 43.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. The Jockey Frank Buckle, the Owner-Breeder John Wastell, his Trainer Robert Robson, and a Stable-lad

Creator:: Benjamin Marshall, 1768–1835
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/4 x 14 5/8 inches (46.4 x 37.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Nine Greyhounds in a Landscape

Creator:: Jacques-Laurent Agasse, 1767–1849
Date:: ca. 1807
Materials & Techniques:: Oil on canvas
Dimensions:: 25 1/16 x 29 7/8 inches (63.7 x 75.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. An Overshot Mill

Creator:: James Ward, 1769–1859
Date:: between 1802 and 1807
Materials & Techniques:: Oil on panel
Dimensions:: 10 7/8 × 13 1/8 inches (27.6 × 33.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Lambeth Palace from the West

Creator:: Daniel Turner, active 1782–1805
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 18 × 24 inches (45.7 × 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Avenue with Figures

Creator:: unknown artist
Date:: ca. 1807
Materials & Techniques:: Oil on paper
Dimensions:: 9 1/4 x 7 3/4 inches (23.5 x 19.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Lake Geneva and Mount Blanc

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1802 to 1805
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink and scraping out on slightly textured, cream wove paper
Dimensions:: Sheet: 28 7/8 x 44 5/8 inches (73.3 x 113.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

Date:: 1802
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Thames at Isleworth

Creator:: John Glover, 1767–1849
Date:: ca. 1807
Materials & Techniques:: Watercolor and graphite on thick, smooth, cream wove paper
Dimensions:: Sheet: 26 7/8 x 40 1/8 inches (68.3 x 101.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Cloud Study

Creator:: Patrick Nasmyth, 1787–1831
Date:: undated
Materials & Techniques:: Chalk and graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 5 3/8 × 8 1/4 inches (13.7 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 3 1/2 inches (10.2 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 7 9/16 inches (13 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, pink laid paper
Dimensions:: Sheet: 3 3/16 × 7 3/8 inches (8.1 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 x 9 1/4in. (20.3 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/16 x 8 5/8in. (26.2 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/16 x 9 7/16in. (18.9 x 24cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite and pen and black ink on thin, slightly textured, pink and cream laid paper laid mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 8 1/16in. (25.1 x 20.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 9 inches (14.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 9 3/4 inches (17 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 × 9 inches (12.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, sligihtly textured, cream laid paper
Dimensions:: Sheet: 4 13/16 × 4 1/2 inches (12.2 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 9 3/8in. (18.1 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 10in. (18.1 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, pink laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 7 13/16in. (23.2 x 19.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 x 7 13/16in. (24.4 x 19.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 7 7/8in. (25.2 x 20cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 7 3/4in. (23.5 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Netley Abbey

Creator:: Patrick Nasmyth, 1787–1831
Date:: undated
Materials & Techniques:: Watercolor and graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/16 x 10 13/16in. (17.9 x 27.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. A Regency Pair: Man with Walking Stick

Creator:: James Hook, ca. 1772–1828
Date:: 1802
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 11 1/2 × 10 inches (29.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. A Regency Pair

Creator:: James Hook, ca. 1772–1828
Date:: 1802
Materials & Techniques:: Watercolor, graphite, pen and black ink, and pen and brown ink on medium, slightly textured, cream wove paper mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 11 3/8 × 10 1/4 inches (28.9 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Poor House, Hadley, Hertfordshire

Creator:: Thomas Hearne, 1744–1817
Date:: 1802
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 x 9 1/2 inches (17.8 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Snake in the Grass

Creator:: Print made by William Ward, 1766–1826
Date:: 1802
Materials & Techniques:: Mezzotint (second state) on thick, rough, cream laid paper
Dimensions:: Sheet: 20 × 14 1/16 inches (50.8 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. The Remarkable Dirty Warehouse in Leadenhall Street

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Portrait of Frank Buckle

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 11/16 × 3 7/8 inches (9.4 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. A View of the East-India House, Leadenhall Street, London

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Portrait of Thomas Goodisson

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/8 × 3 13/16 inches (9.2 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. A Trip to Paris or John Bull and His Spouse Invited to the Honors of the Sitting

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 13/16 x 13 3/4in. (22.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Two Pair of Candidates Proposed to the Independant Electors of Middlesex

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 13 1/2in. (22.9 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Theatrical Doctors Recovering Clara's Notes

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 13 3/8in. (22.5 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Little Green Man or the Bath Bugabo, or the Widows Terror

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 11 1/4in. (25.4 x 28.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Birds of a Feather Flock Together. Diversions of Purley (scored through & replaced by) Brighton

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 14 1/4in. (22.2 x 36.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Long Expected Come at Last or John Bull Disappointed at His Crippled Visitor

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/8 x 13 1/2in. (23.2 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Old Times Returned

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 13 3/8in. (24.1 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. English Patriots Bowing at the Shrine of Despotism

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 13 1/8in. (22.5 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Close Shaveing, or The Will Our Own Way

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 13in. (21.9 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Norwich Bull-Bait

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 13/16 x 13 1/8in. (22.4 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. John Bull Viewing Billy's Preparations for His Birthday

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/8 x 15 3/8in. (23.8 x 39.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Henry Tresham, Esq, R.A.

Creator:: Print made by George Chinnery, 1774–1852
Date:: 1802
Materials & Techniques:: Etching, drypoint, and stipple engraving on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 9 7/16 × 7 3/16 inches (24 × 18.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations

Creator:: Thomas Stothard, 1755–1834
Date:: 1802 - 1825
Materials & Techniques:: Watercolor and pen and ink
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Sheet of sketches

Creator:: Attributed to William Etty, 1787–1849
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/8 × 7 1/8 inches (23.8 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

58. Sir Charles Bingham, first Earl of Lucan

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 5 1/2 inches (22.9 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

59. Shakespeare, Macbeth Act IV, Scene I

Creator:: Robert Thew, 1758–1802
Date:: 1802
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 15/16 × 25 1/16 inches (50.6 × 63.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Vice Admiral Lord Hugh Seymour

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1802
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 11 9/16 inches (39.4 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Right Honourable The Countess of Euston

Creator:: Print made by Charles Wilkin, 1750–1814
Date:: 1802
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 × 8 13/16 inches (28.1 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. The Right Honourable Lady Catherine Howard

Creator:: Print made by Charles Wilkin, 1750–1814
Date:: 1802
Materials & Techniques:: Stipple engraving (proof without letters) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 8 7/8 inches (28.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. The Drinking Well in Hyde Park

Creator:: James Godby, 1767–1849
Date:: 1802
Materials & Techniques:: Colored stipple engraving
Dimensions:: Sheet: 21 1/8 x 25 7/8in. (53.7 x 65.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Distinguishing Characteristic of Masonry

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1802
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 23 x 28in. (58.4 x 71.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. A Woman Sitting by the Window (Evening thou Bringest All)

Creator:: Print made by Henry Fuseli, 1741–1825
Date:: 1802, published 1806
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 x 13 5/8 inches (22.8 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901, Fund

66. Vulcan's Forge

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1802
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 15/16 x 16 5/8 inches (27.8 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

67. Francis Wheatley, R.A.

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 15/16 x 11 5/16 inches (45.5 x 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Old Trees with Old Man, a Girl and a Dog

Creator:: Print made by Richard Corbould, 1757–1831
Date:: 1802
Materials & Techniques:: Lithograph on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 9 3/16 × 12 5/8 inches (23.3 × 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

69. View of the Village of Chaillot &c., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. View of St. Cloud and Mount Calvary taken from Pont de Seve

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. View of Pont St. Michel, taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. View of the Thuilleries and Bridge taken f rom the Quai d'Orsai

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. View of the City with the Louvre &c., taken from Pont Marie

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. View of the City with the Louvre &c. taken from Pont Marie

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. A General View of Paris taken from Chaillot

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Waterworks at Marli; and St. Germain en Laye seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Monstrous Craw; or a New Discovered Animal

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1802
Materials & Techniques:: Etching and watercolor
Dimensions:: Sheet: 15 x 9 1/2in. (38.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara and Max Wilk, Yale BA 1941

82. View of Thuilleries and Bridge taken from the Quay d'Orsai

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint and soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. A View of Pont Neuf, the Mint, &c.

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. View of the Gate of St. Denis taken from the Suburbs

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. View of the Gate of St. Denis taken from the Suburbs

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. View of the Pantheon taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. View of St. Cloud and Mount Calvary taken from Pont de Seve

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Nathaniel Marchant, R.A.

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/8 x 11 1/4 inches (43.5 x 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Henry Howard

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 15/16 x 11 1/8 inches (45.5 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. View of Blackfriars Bridge and St. Paul's from the Patent Shot Manufactory on the South Side of the River

Creator:: Daniel Turner, active 1782–1805
Date:: 1802
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. View of London, taken from Albion Place, Blackfryar Bridge

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Cunning Gypsy

Creator:: Print made by William T. Annis, active 1798–1811
Date:: 1802
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 7/8 x 21 3/4in. (45.4 x 55.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Portraits of the Royal Academicians

Creator:: Charles Bestland, 1763–ca. 1837
Date:: 1802
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 25 3/4 x 31 7/8in. (65.4 x 81cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Date 1802

Period 19th century

Search Results

1. Lane near Dedham

2. Dedham Vale

3. Tummel Bridge, Perthshire

4. Chateaux de St. Michael, Bonneville, Savoy

5. An Ornithologist, Possibly John Latham

6. Landscape with Cottages

7. The Jockey Frank Buckle, the Owner-Breeder John Wastell, his Trainer Robert Robson, and a Stable-lad

8. Nine Greyhounds in a Landscape

9. An Overshot Mill

10. Lambeth Palace from the West

11. Avenue with Figures

12. Lake Geneva and Mount Blanc

13. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

14. The Thames at Isleworth

15. Cloud Study

16. Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats

17. Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats

18. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

19. Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats

20. Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats

21. Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

22. Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats

23. Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats

24. Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats

25. Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

26. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

27. Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats

28. Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats

29. Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats

30. Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats

31. Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

32. Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats

33. Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats

34. Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

35. Netley Abbey

36. A Regency Pair: Man with Walking Stick

37. A Regency Pair

38. The Poor House, Hadley, Hertfordshire

39. The Snake in the Grass

40. The Remarkable Dirty Warehouse in Leadenhall Street

41. Portrait of Frank Buckle

42. A View of the East-India House, Leadenhall Street, London

43. Portrait of Thomas Goodisson

44. A Trip to Paris or John Bull and His Spouse Invited to the Honors of the Sitting

45. Two Pair of Candidates Proposed to the Independant Electors of Middlesex

46. Theatrical Doctors Recovering Clara's Notes

47. The Little Green Man or the Bath Bugabo, or the Widows Terror

48. Birds of a Feather Flock Together. Diversions of Purley (scored through & replaced by) Brighton

49. Long Expected Come at Last or John Bull Disappointed at His Crippled Visitor

50. Old Times Returned

51. English Patriots Bowing at the Shrine of Despotism

52. Close Shaveing, or The Will Our Own Way

53. The Norwich Bull-Bait

54. John Bull Viewing Billy's Preparations for His Birthday

55. Henry Tresham, Esq, R.A.

56. [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations

57. Sheet of sketches

58. Sir Charles Bingham, first Earl of Lucan

59. Shakespeare, Macbeth Act IV, Scene I

60. Vice Admiral Lord Hugh Seymour

61. The Right Honourable The Countess of Euston

62. The Right Honourable Lady Catherine Howard

63. The Drinking Well in Hyde Park

64. The Distinguishing Characteristic of Masonry

65. A Woman Sitting by the Window (Evening thou Bringest All)

66. Vulcan's Forge

67. Francis Wheatley, R.A.

68. Old Trees with Old Man, a Girl and a Dog

69. View of the Village of Chaillot &c., taken from Pont de la Concorde

70. View of St. Cloud and Mount Calvary taken from Pont de Seve

71. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

72. View of Pont St. Michel, taken from Pont Neuf

73. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

74. View of the Thuilleries and Bridge taken f rom the Quai d'Orsai