Date: 1798 - YCBA Collections Search Search Results

101. Tomb of Thomas Windsor, 1486, with Brass Plates removed from Stanwell Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1798 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 10 5/8 inches (37.5 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Off Portsmouth: Boats Loading or Unloading a Large Hulk, Small Craft Nearby

Creator:: Follower of Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 10 3/16 inches (16.9 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. A Harbour; Breakwater Left, Small Boats Moored Alongside a Quay with Figures Right

Creator:: Follower of Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor with brown ink and gouache over graphite on moderately thick, slightly textured, green-beige wove paper
Dimensions:: Sheet: 4 5/8 × 7 13/16 inches (11.7 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Study of Figures at Ulm

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/16 × 4 7/16 inches (8.4 × 11.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Study of Figures at Schaffhausen

Creator:: Samuel Prout, 1783–1852
Date:: before 1841
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/16 × 4 7/16 inches (8.7 × 11.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Fisherfolk on the Beach, Ostend

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 9/16 × 6 1/4 inches (9 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Bathing Tents on the Beach, Ostend

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 9/16 × 6 5/16 inches (9 × 16.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. A Barbastelle Bat

Creator:: James Sowerby, 1756–1822
Date:: 1798
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 6 1/2 inches (18.1 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Half Timbered and Thatched Shack

Creator:: Thomas Hearne, 1744–1817
Date:: 1798
Materials & Techniques:: Watercolor and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 11 3/4 x 9 1/4 inches (29.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Beauvais Cathedral

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and white gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/16 × 10 9/16 inches (40.8 × 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

111. Seamstresses, St. Kitts, Caribbean

Creator:: William Hay, active 1776–1797
Date:: 1798
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 4 7/8 inches (16.8 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Wakefield

Creator:: Print made by James Walker, 1748–1808
Date:: 1798
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 10 3/8 inches (20.6 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Sheffield

Creator:: Print made by James Walker, 1748–1808
Date:: 1798
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 8 3/4 inches (14 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. The Trinity House

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Castle Baynard Volunteer

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Langbourn Ward Volunteer

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Holy Family

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Entrance to Oxford Street or Tyburn Turnpike with a View of Park Lane

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Bay's Water City Conduit

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. The Light House Volunteers of London and Westminster

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Cornelius Van Dun, Memorial and Almas Houses

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Manor House, St. Leonard's, Bromley

Creator:: James Peller Malcolm, 1767–1815
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Entrance from Mile End or White Chapel Turnpike

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Benjamin West Esqr. Prisident of the Royal Academy and Historical Painter to his Majesty

Creator:: Print made by Thomas Holloway, 1748–1827
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. St Martin-in-the-Fields, London: Elevation and Section

Creator:: Print made by John Le Keux, 1783–1846
Date:: undated
Materials & Techniques:: Etching and line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Image: 7 × 4 3/4 inches (17.8 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. The Right Hon'ble Adam Duncan, Viscount Duncan of Camperdown and Baron Duncan of Lundie in the Shire of Fairfax, Admiral of the Blue Squadron and Knight of the Russian Imperial Order of S.r. Alexander Nevsky.

The Right Hon'ble Adam Duncan, Viscount Duncan of Camperdown and Baron Duncan of Lundie in the Shire of Fairfax, Admiral of the Blue Squadron and Knight of the Russian Imperial Order of S.r. Alexander Nevsky.

Creator:: James Ward, 1769–1859
Date:: 1798
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 25 3/4 x 17 3/4in. (65.4 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. J. Richardson Dilworth

127. Bishopsgate Volunteer

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 11 1/2 x 9 5/8in. (29.2 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Lee

Creator:: George Isham Parkyns, 1749/50–c.1820
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 5/16 x 14 7/8in. (28.7 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Manor House, Clapham

Creator:: James Peller Malcolm, 1767–1815
Date:: 1798
Materials & Techniques:: Engraving
Dimensions:: Sheet: 4 9/16 x 7 1/8in. (11.6 x 18.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Salisbury, New Council House

Creator:: Francis Jukes, 1747–1812
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/4 x 19 3/4in. (37.5 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Entrance from Hackney or Cambridge Heath Turnpike with a Distant iew of St. Paul's

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. The Old Fountain in the Minaries

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. North, or inside, View of Traitor's Gate

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. South View of the Bloody Tower

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. North Front of the Royal Exchange

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. The Royal Exchange

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. South Front of the Royal Exchange

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Clarendon House

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. St. Luke's, Charlton

Creator:: James Peller Malcolm, 1767–1815
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. The Advantage of Shifting the Leg

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Soldiers Cooking

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Memorial To The Children Of James And Mary Woodmason

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Soldiers Recreating

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Sailors in a Fight

Creator:: William Ward, 1766–1826
Date:: 1798
Materials & Techniques:: Colored mezzotint on thick, rough, cream wove paper
Dimensions:: Sheet: 22 5/8 × 19 1/4 inches (57.5 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Sailors in a Storm

Creator:: William Ward, 1766–1826
Date:: 1798
Materials & Techniques:: Colored mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 3/4 × 19 5/16 inches (57.8 × 49.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Breaking the Ice

Creator:: John Rubens Smith, 1775–1849
Date:: 1798
Materials & Techniques:: Mezzotint on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 21 11/16 × 28 inches (55.1 × 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Cambridge University: Kings College Chapel

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1798
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 x 20 1/4in. (38.1 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Old Houses in the Butcher Row

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 12 5/8 × 9 7/8 inches (32.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Cut Two and Right Protect

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Does and Fawns

Creator:: Samuel Howitt, 1756–1822
Date:: 1812 reprint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Shooting a Buck

Creator:: Samuel Howitt, 1756–1822
Date:: 1812-reprint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Male Red Deer

Creator:: Samuel Howitt, 1756–1822
Date:: 1812 reprint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Fonrose

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 9/16 x 18 11/16 inches (34.4 x 47.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. The Apotheosis of Hoche

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 19 1/8 x 14 7/8in. (48.6 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 14in. (24.1 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 x 24in. (20.3 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 1/8 x 10in. (18.1 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 1/4 x 10in. (18.4 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Tempio d' Antonio e Faustina

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 x 10 1/8 inches (30.5 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Valle Crucis Abbey, near Llangollen

Creator:: imitator of Thomas Girtin, 1775–1802
Date:: between 1798 and 1801
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/4 × 11 5/8 inches (21 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Sir William Beechey

Creator:: William Ridley, 1764–1838
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Fonrose

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Adelaide

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Hay Makers in a Storm

Creator:: Charles Knight, 1743–c.1826
Date:: 1798
Materials & Techniques:: Colored stipple engraving
Dimensions:: Sheet: 20 1/4 x 15 1/2in. (51.4 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. King Henry the Eighth: Act IV Scene II: Abbey of Leicester. Wolsey, Northumberland, and Attendants, Abbot of Leicester, etc.

Creator:: Robert Thew, 1758–1802
Date:: 1798
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 7/16 x 23 1/2in. (44.3 x 59.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Cupid Sleeping

Creator:: Giovanni Vendramini, 1769–1839
Date:: 1798
Materials & Techniques:: Stipple engraving and etching
Dimensions:: Plate: 8 1/2 x 11 5/8in. (21.6 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Joseph Lanman Richards

169. Adelaide

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. An Iron Work at Downton, Herefordshire

Creator:: Benjamin Thomas Pouncey, active 1772–1799
Date:: 1798
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. A View of the House of Correction in Gold Bath Fields

Creator:: unknown artist
Date:: 1798
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Extirpation of the Plagues of Egypt

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 14in. (24.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Destruction of the French Collossus

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 3/16 x 9 7/8in. (33.5 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Set of Six Views in London, (Turn Pike series)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. On the Conway River, North Wales

Creator:: David Cox, 1783–1859
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache, and gum arabic on medium, moderately textured, cream wove paper
Dimensions:: Mount: 13 1/2 × 18 11/16 inches (34.3 × 47.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

176. Clarendon House

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1798
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

177. Henry, (Eldest Son) and Charles, (Second Son) of Charles Brandon, 1st Duke of Suffolk

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Line engraving and stipple engraving with hand coloring in watercolor gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

178. Hamburg

Creator:: Print made by Samuel Davenport, 1783–1867
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

179. The Capture of Tobago by Major General Cuyler, and Vice Admiral Sir John Laforey

Creator:: Print made by J. Pass, active 1796–1800
Date:: 1798
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection