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Collection
Prints and Drawings
287
Rare Books and Manuscripts
1
Creator
Blake, William, 1757–1827
81
Edwards, Richard, active 1796–1797
81
Young, Edward, 1683–1765
81
Unknown artist
39
Gillray, James, 1756–1815
19
Bartolozzi, Francesco, 1727–1815
15
Gaugain, Thomas, 1748–1812
14
Smith, John Thomas, 1766–1833
14
Cruikshank, Isaac, 1764–1811
13
Northcote, James, 1746–1831
11
Hellyer, Thomas, active 1800
10
Malton, Thomas, 1726–1801
10
Turner, J. M. W. (Joseph Mallord William), 1775–1851
9
Newton, Richard, 1777–1798
8
Dayes, Edward, 1763–1804
7
Walker, James, 1748–1808
7
Ward, William, 1766–1826
7
Wheatley, Francis, 1747–1801
7
Hoppner, John, 1758–1810
5
Malcolm, James Peller, 1767–1815
4
more
Creator
»
Date
1800
554
1834
551
1789
389
1835
327
1794
315
1827
313
1792
308
1825
308
1797
[remove]
288
1833
287
1793
278
1795
261
1799
257
1830
256
1791
254
1804
251
1700
242
1836
234
1802
211
1798
209
1775
208
1808
205
1796
202
1820
201
1823
197
1832
193
1826
192
1780
185
1801
185
1809
184
1790
183
1812
175
1821
173
1630
172
1803
170
1814
170
1828
167
1783
165
1824
165
1807
164
1811
163
1837
163
1813
161
1784
156
1788
156
1818
146
1816
144
1819
140
1850
135
1810
131
1805
130
1786
129
1831
129
1787
128
1782
127
1785
126
1822
126
1745
116
1778
116
1859
114
1806
112
1817
112
1838
109
2000
108
1770
107
1781
104
1815
102
1779
101
1755
99
1829
98
1999
98
1771
92
1765
91
1839
90
1772
89
1776
87
1739
86
0
85
1750
85
1762
82
1773
82
1674
81
1769
81
1767
80
1880
80
1768
78
1900
78
1751
76
1847
72
1855
72
1875
71
1777
70
1890
70
1897
70
1546
68
1667
68
1738
67
1881
67
1550
66
1842
66
On-site Access
Accessible in the Study Room
288
Image Use
Free to Use
287
Under Certain Circumstances
1
Image Available
Available
[remove]
288
Classification
Prints
[remove]
288
Creator Gender
male
272
unknown
40
female
2
Collective Title
Young's Night Thoughts
81
'The Copper-Plate Magazine' and 'The Itinerant,' 1794-1798
7
Iconographie Anglaise par Reynolds et Autres
3
Cries of London
2
The Natural History of the Rare Lepidopterious insects of Georgia, London: 1797. Volume 2
2
Three Views of Cottages near Colchester
2
Howlett's 'Selection of Views in the County of Lincoln,' 1797-1801
1
Smirke [Shakespeare] Album
1
The Copper-Plate Magazine and The Itinerant
1
The Cries of London
1
Period
18th century
269
19th century
10
18th century-19th century
9
Materials & Techniques
wove paper
69
line engraving
61
etching (printing process)
53
watercolor
43
stipple engraving
30
mezzotint
17
aquatint
8
laid paper
6
hand coloring
5
soft-ground etching
4
color printing
2
colored ink
2
Engraving
1
brown ink
1
card
1
chine collé
1
drypoint
1
proofs: prints
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
66
Unknown
96
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
80
Unknown
96
Work Type
intaglio print
136
watercolor
43
relief print
40
ticket
2
engraving
1
trade card
1
Genre
literary theme
58
portrait
24
genre subject
17
architectural subject
12
landscape
10
religious and mythological subject
6
cityscape
5
historical subject
5
marine art
5
military art
4
animal art
2
botanical subject
2
relief print
2
Subject Terms
literary theme
51
religious and mythological subject
41
text
37
men
32
caricature
31
satire
31
caricatures
30
man
27
women
23
nudes
13
beard
12
clouds
11
woman
11
landscape
10
nude
10
river
10
children
9
grass
9
portrait
9
trees
8
more
Subject Terms
»
Associated Places
United Kingdom
13
England
11
Greater London
3
London
3
Europe
2
Hampton Court
2
Hereford and Worcester
2
Herefordshire
2
Leominster
2
Lugg
2
Thames
2
Wales
2
Westminster
2
Westminster bridge
2
Caernarfonshire and Merionethshire
1
Cambridgeshire
1
Carlisle
1
Carlisle Cathedral
1
Cumbria
1
Cymru
1
more
Associated Places
»
Associated People
Fox, Charles James (1749–1806), politician
6
Shakespeare, William (1564–1616), playwright and poet
5
Pitt, William [known as Pitt the younger] (1759–1806), prime minister
3
Bedford, Francis Russell, 5th Duke of (British aristocrat, 1765–1802)
1
Dundas, Henry, first Viscount Melville (1742–1811), British politician and lawyer
1
Dundas, Lady Jane, Viscountess Melville (1766–1829)
1
Dyck, Sir Anthony Van (1599–1641), painter and etcher
1
Erskine, Thomas, first Baron Erskine (1750–1823), British politician
1
Frederick, Prince William Duke of Gloucester and Edinburgh (1776–1834)
1
Grey, Charles, 2nd Earl Grey (1764–1845), politician/statesman
1
Jane, Duchess of Gordon (née Maxwell) (1748/9 - 1812), academic/intellectual
1
Kemble, Stephen (1758–1822), actor and entertainer
1
Medina, Sir John Baptiste de (1659–1710), painter
1
Rebecca, Lady Northwick (nee Bowles, married Sir John Rushout; d. 1818)
1
Repton, Humphry, 1752–1818
1
Rushout, Anne (d. 1849)
1
Sheridan, Richard Brinsley (1751–1816), playwright and politician
1
Taylor, Right Hon Michael Angelo (1757–1834), English politician and member of Parliament
1
Wilberforce, William (1759–1833), politician and philanthropist
1
angel
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
38
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
38
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
4
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
2
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
2
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
1
Crown Pictorial - Art and the British Monarchy (Yale Center for British Art, 1990-12-05 - 1991-02-17)
1
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
1
Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)
1
The Body Politic: The Evolution of Political Satire in Print (Yale University Art Gallery, 2000-09-01 - 2000-11-26)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
Thomas Gainsborough (Tate) (Musée du Louvre, 1981-02-07 - 1981-04-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
254
Yale Center for British Art, Paul Mellon Fund
19
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961
2
Yale Center for British Art; Gift of Herman W. Liebert
2
Yale Center for British Art
1
Yale Center for British Art, Gift of Chauncey Brewster Tinker
1
Yale Center for British Art, Gift of David M. Doret in memory of William Ferguson
1
Yale Center for British Art, Gift of Dr. Ruth Ivor
1
Yale Center for British Art, Gift of Mary E. Knapp
1
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
1
Yale Center for British Art, Gift of Susan L. Darling in Memory of Arthur Burr Darling, Yale 1916
1
Yale Center for British Art; Gift of Michael Zinman
1
Yale Center for British Art; Yale University Art Gallery Collection
1
Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey
1
Language
English
1
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Date
1797
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1
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
1797
2
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
3
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
4
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
5
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
6
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
7
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
8
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
1797
9
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
10
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
11
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
12
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
13
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
14
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
15
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
16
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
17
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
18
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
19
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
20
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
21
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
22
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
23
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
24
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
25
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
26
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
27
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
28
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
29
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
30
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
31
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
32
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
33
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
34
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
35
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
36
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
37
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
38
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
39
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
40
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
41
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
42
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
43
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
44
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
45
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
46
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
47
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
48
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
49
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
50
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
51
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
52
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
53
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
54
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
55
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
56
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
57
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
58
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
59
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
60
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
1797
61
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
1797
62
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
63
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
64
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
65
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
66
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
67
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
68
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
69
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
70
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
71
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
72
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
73
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
74
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
75
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
76
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
77
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
78
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
79
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
80
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
81
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
82
Print made by John Sell Cotman, 1782–1842
Harlech Castle
undated
83
Francis Jukes, 1747–1812
Chepstow Castle on the River Wye
ca. 1802
84
William Ward, 1766–1826
Daughters of Sir Thomas Frankland
1797
85
William Ward, 1766–1826
Daughters of Sir Thomas Frankland
1797
86
John Ogborne the Elder, 1755–1795
The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross (Laid down on the same sheet as B1977.14.12069)
1797
87
Print made by Robert Pollard, 1755–1838
His Majesty Reviewing His Troops on Black Heath
1797
88
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
1797
89
Print made by Thomas Burke, 1749–1815
Content and Innocence
1797
90
Christian Josi, ca. 1765–1828
The Peasant's Repast
1797
91
Print made by John Sell Cotman, 1782–1842
A Bridge
undated
92
Christian Josi, ca. 1765–1828
Peace
ca. 1802
93
Robert Dunkarton, 1744–1811
The Soldier's Widow; or Schoolboys' Collection
ca. 1802
94
Print made by John Sell Cotman, 1782–1842
Castle Above a Rocky Gorge
undated
95
William Henry Brooke, 1772–1860
Herstmonceux Castle from the South
undated
96
Print made by James Walker, 1748–1808
Ely
1797
97
Print made by Bartholomew Howlett, 1767–1827
Grantham Church
1797
98
Print made by George Cruikshank, 1792–1878
A Fancy Sketch, to the Memory of Shakespeare
1797
99
Print made by William Nelson Gardiner, 1766–1814
Mr. Kemble, of the Theatre Royal, Drury Lane
1797
100
Benjamin Smith, 1775–1833
"Tempest", Act I, Scene I
1797
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