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Collection
Prints and Drawings
44
Creator
Blake, William, 1757–1827
44
Edwards, Richard, active 1796–1797
38
Young, Edward, 1683–1765
38
Gray, Thomas, 1716–1771
6
Date
1794
47
1797
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44
1793
29
1783
28
1804
19
1789
18
1827
5
1800
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1806
3
1788
2
1795
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1799
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1805
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1810
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1820
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1749
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1757
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1771
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1776
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1777
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1784
1
1786
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1796
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1802
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1808
1
1809
1
1817
1
1825
1
On-site Access
Accessible by appointment in the Study Room
44
Image Use
Free to Use
44
Image Available
Available
44
Classification
Prints
38
Drawings & Watercolors
6
Creator Gender
male
44
Collective Title
Young's Night Thoughts
38
The Poems of Thomas Gray
6
Period
18th century
44
Materials & Techniques
black ink
6
graphite
6
watercolor
6
wove paper
6
Height [cm]
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43
Unknown
37
Width [cm]
32
7
Work Type
drawing
6
watercolor
6
Genre
literary theme
6
religious and mythological subject
3
Subject Terms
literary theme
6
text
6
women
6
men
4
religious and mythological subject
3
trees
3
dresses
2
hat
2
hats
2
man
2
vines
2
angels
1
babies
1
ball
1
basket
1
bat
1
bayonet
1
bench
1
bird
1
birdcage
1
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Associated Places
Berkshire
1
England
1
Eton College
1
United Kingdom
1
Windsor
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
44
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
[remove]
44
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
5
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Painting Networks - Romantic and Victorian Watercolors (Chazen Museum of Art, 2012-09-22 - 2012-12-02)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
1
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
44
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Date
1797
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Exhibition History
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
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1
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
2
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
3
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
4
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
5
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
6
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
7
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
8
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
9
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
10
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
11
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
12
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
13
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
14
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
15
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
1797
16
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
17
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
18
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
19
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
20
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
21
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
22
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
23
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
24
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
25
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
26
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
27
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
28
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
29
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
30
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
31
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
32
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
33
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
34
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
35
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
36
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
37
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
38
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
1797
39
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
40
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
41
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
42
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
43
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
44
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798