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Collection
Prints and Drawings
121
Creator
Blake, William, 1757–1827
41
Edwards, Richard, active 1796–1797
41
Young, Edward, 1683–1765
41
Bartolozzi, Francesco, 1727–1815
14
Gaugain, Thomas, 1748–1812
13
Gillray, James, 1756–1815
11
Northcote, James, 1746–1831
11
Hellyer, Thomas, active 1800
10
Turner, J. M. W. (Joseph Mallord William), 1775–1851
9
Walker, James, 1748–1808
7
Ward, William, 1766–1826
7
Wheatley, Francis, 1747–1801
6
Hoppner, John, 1758–1810
4
Reynolds, Joshua, Sir, 1723–1792
4
Unknown artist
4
Abbot, John, 1751–ca. 1840
2
Carracci, Lodovico, 1555–1619
2
Colnaghi,, established 1760, active ca. 1785–1911
2
Cosway, Richard, 1742–1821
2
Gainsborough, Thomas, 1727–1788
2
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Date
1793
165
1795
126
1792
122
1797
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121
1799
121
1794
118
1789
111
1780
109
1745
89
1779
89
1776
87
1788
85
1796
85
1785
83
1790
83
1782
80
1775
79
1784
79
1791
78
1700
76
1786
75
1787
72
1783
71
1739
69
1772
69
1778
68
1771
67
1773
67
1781
67
1762
65
1755
62
1769
61
1770
61
1798
61
1738
60
1777
56
1765
52
1750
51
1754
49
1719
46
1774
44
1800
44
1768
42
1735
41
1740
39
1760
39
1767
39
1751
36
1764
35
1742
31
1757
30
1746
29
1747
29
1741
27
1763
27
1737
26
1731
24
1732
24
1725
23
1756
23
1766
23
1744
21
1748
21
1710
20
1753
20
1758
20
1715
19
1729
19
1761
19
1736
18
1752
17
1717
16
1759
15
1734
14
1749
13
1720
12
1743
11
1730
10
1733
10
1727
9
1699
7
1728
7
1705
6
1707
6
1712
6
0
5
1701
5
1713
5
1722
5
1723
5
1702
4
1714
4
1690
3
1695
3
1704
3
1716
3
1703
2
1708
2
1721
2
1724
2
On-site Access
Accessible by appointment in the Study Room
121
Image Use
Free to Use
121
Image Available
Available
119
Unavailable
2
Classification
Prints
121
Creator Gender
male
121
unknown
4
female
3
Collective Title
Young's Night Thoughts
41
'The Copper-Plate Magazine' and 'The Itinerant,' 1794-1798
7
Iconographie Anglaise par Reynolds et Autres
3
Cries of London
2
The Natural History of the Rare Lepidopterious insects of Georgia, London: 1797. Volume 2
2
Howlett's 'Selection of Views in the County of Lincoln,' 1797-1801
1
The Copper-Plate Magazine and The Itinerant
1
The Cries of London
1
Period
18th century
[remove]
121
Materials & Techniques
wove paper
61
line engraving
59
etching (printing process)
51
watercolor
43
stipple engraving
28
mezzotint
15
aquatint
9
laid paper
6
hand coloring
5
color printing
2
colored ink
2
brown ink
1
card
1
drypoint
1
proofs: prints
1
soft-ground etching
1
Height [cm]
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66
Unknown
11
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80
Unknown
11
Work Type
intaglio print
[remove]
121
watercolor
42
ticket
2
Genre
literary theme
55
religious and mythological subject
47
portrait
22
genre subject
14
architectural subject
8
landscape
7
cityscape
5
historical subject
5
marine art
5
military art
4
animal art
2
botanical subject
2
Subject Terms
literary theme
50
religious and mythological subject
41
text
37
men
32
man
27
women
23
nudes
13
beard
11
clouds
11
caricature
10
nude
10
satire
10
woman
10
caricatures
9
children
9
grass
9
river
9
wings
8
angels
7
landscape
7
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Subject Terms
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Associated Places
United Kingdom
11
England
10
Greater London
3
London
3
Hampton Court
2
Hereford and Worcester
2
Herefordshire
2
Leominster
2
Lugg
2
Thames
2
Westminster
2
Westminster bridge
2
Cambridgeshire
1
Carlisle
1
Carlisle Cathedral
1
Cumbria
1
Dee
1
Devon
1
Eden
1
Elgin
1
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Associated Places
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Associated People
Fox, Charles James (1749–1806), politician
6
Pitt, William [known as Pitt the younger] (1759–1806), prime minister
3
Dundas, Henry, first Viscount Melville (1742–1811), British politician and lawyer
1
Erskine, Thomas, first Baron Erskine (1750–1823), British politician
1
Frederick, Prince William Duke of Gloucester and Edinburgh (1776–1834)
1
Grey, Charles, 2nd Earl Grey (1764–1845), politician/statesman
1
Kemble, Stephen (1758–1822), actor and entertainer
1
Medina, Sir John Baptiste de (1659–1710), painter
1
Rebecca, Lady Northwick (nee Bowles, married Sir John Rushout; d. 1818)
1
Rushout, Anne (d. 1849)
1
Shakespeare, William (1564–1616), playwright and poet
1
Sheridan, Richard Brinsley (1751–1816), playwright and politician
1
Taylor, Right Hon Michael Angelo (1757–1834), English politician and member of Parliament
1
Wilberforce, William (1759–1833), politician and philanthropist
1
angel
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
1
Crown Pictorial - Art and the British Monarchy (Yale Center for British Art, 1990-12-05 - 1991-02-17)
1
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
1
Thomas Gainsborough (Tate) (Musée du Louvre, 1981-02-07 - 1981-04-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
99
Yale Center for British Art, Paul Mellon Fund
16
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961
2
Yale Center for British Art, Gift of Dr. Ruth Ivor
1
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
1
Yale Center for British Art; Yale University Art Gallery Collection
1
Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey
1
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Date
1797
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1
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
2
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
3
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
4
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
5
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
6
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
7
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
8
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
9
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
10
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
11
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
12
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
13
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
14
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
15
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
16
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
17
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
18
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
19
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
20
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
21
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
22
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
23
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
24
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
25
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
26
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
27
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
28
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
29
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
30
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
31
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
32
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
33
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
34
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
35
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
36
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
37
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
38
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
39
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
40
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
41
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
42
Print made by James Walker, 1748–1808
Carlisle
1797
43
Print made by James Walker, 1748–1808
Ely
1797
44
Print made by James Walker, 1748–1808
Westminster Bridge
1797
45
Print made by John Walker, active 1792–1803
Flint, from Park-Gate
1797
46
Print made by James Walker, 1748–1808
Hampton Court Palace, Herefordshire
1797
47
Print made by James Walker, 1748–1808
Elgin Cathedral, Morayshire
1797
48
Print made by Bartholomew Howlett, 1767–1827
Grantham Church
1797
49
George Siegmund Facius, 1750–1804
John Smith, D.D.F.S.A
1797
50
William Ward, 1766–1826
[Fox-hunting] Outside of a Country Alehouse
1797
51
George Morland, 1763–1804
The Horse Feeder
1797
52
Print made by Francis Haward, 1759–1797
Cymon and Iphigenia
1797
53
James Gillray, 1756–1815
Pylades & Orestes (Stadtholder & His Secretary)
1797
54
James Gillray, 1756–1815
The Salute, - Vide, The Parade
1797
55
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
56
James Gillray, 1756–1815
The Tree of Liberty
1797
57
William Ward, 1766–1826
His Grace the Duke of Hamilton and Brandon etc
1797
58
Francesco Bartolozzi, 1728–1815
The Apotheosis of A Beautiful Female
1797
59
William Ward, 1766–1826
Daughters of Sir Thomas Frankland
1797
60
Print made by Thomas Burke, 1749–1815
Content and Innocence
1797
61
Print made by Robert Pollard, 1755–1838
His Majesty Reviewing His Troops on Black Heath
1797
62
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
1797
63
William Ward, 1766–1826
Daughters of Sir Thomas Frankland
1797
64
unknown artist
North Front of the Bank
1797
65
James Gillray, 1756–1815
St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone
1797
66
James Gillray, 1756–1815
A Dash Up St. James's Street
1797
67
James Gillray, 1756–1815
Le Coup de Maitre
1797
68
James Gillray, 1756–1815
The Republican - Hercules Defending His Country
1797
69
Francesco Bartolozzi, 1728–1815
Jacob's Vision, Genesis 28, v. II
1797
70
Francesco Bartolozzi, 1728–1815
Abraham Entertaining Three Angels, Genesis 18, v. 1
1797
71
Francesco Bartolozzi, 1728–1815
Princess Charlotte Augusta
1797
72
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
73
John Whessell, 1760–ca. 1823
The Woodman's Return
1797
74
James Gillray, 1756–1815
Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined
1797
75
James Gillray, 1756–1815
Patern-Staff - Weymouth
1797
76
Edward Harding, 1755–1840
Sir John Medina
1797
77
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
78
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
1797
79
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
1797
80
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
1797
81
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
1797
82
Print made by William Nelson Gardiner, 1766–1814
Mr. Kemble, of the Theatre Royal, Drury Lane
1797
83
Print made by Samuel William Reynolds, 1773–1835
Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth
1797
84
Print made by Thomas Gainsborough, 1727–1788
Wooded Upland Landscape with Riders and Packhorse
1797
85
Robert Dunkarton, 1744–1811
Abraham Offering up His Son
1797
86
Richard Earlom, 1743–1822
Vice Admiral Colpoys
1797
87
William Ward, 1766–1826
Inside of a Country Alehouse
1797
88
Print made by Charles Wilkin, 1750–1814
The Right Honourable Lady Charlotte Duncombe
1797
89
John Raphael Smith, 1752–1812
Sir Brooke Boothby, 6th Baronet Boothby of Broadlow Ash
1797
90
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
91
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
1797
92
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
93
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
94
Robert Pollard, 1755–1838
A North East View of the Tuesday Market Place of Lynn Regis
1797
95
Francesco Bartolozzi, 1728–1815
Princess Charlotte Augusta
1797
96
Francesco Bartolozzi, 1728–1815
Flight Into Egypt
1797
97
Print made by James Walker, 1748–1808
Hampton Court Palace, Herefordshire
1797
98
Print made by James Walker, 1748–1808
Westminster Bridge
1797
99
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
100
Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
1797
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