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Collection
Prints and Drawings
540
Paintings and Sculpture
5
Rare Books and Manuscripts
4
Creator
Gay, John, 1685–1732
72
Stockdale, John, ca. 1749–1814
71
Blake, William, 1757–1827
59
Varley, John, 1778–1842
49
Hastings, Thomas Capt., 1778–1854
46
Unknown artist
35
Wootton, John, approximately 1682–1764
29
Bartolozzi, Francesco, 1727–1815
27
Labruzzi, Carlo, 1748–1817
26
Kent, William, ca.1686–1748
23
Cockburn, James Pattison, 1779–1847
16
Gravelot, Hubert-François, 1699–1773
16
Skelton, William, 1763–1848
15
Cruikshank, Isaac, 1764–1811
14
Girtin, Thomas, 1775–1802
14
Hamilton, William, 1751–1801
13
Grainger, W., active 1793
12
Carter, John, 1748–1817
11
Gillray, James, 1756–1815
11
Moore, James, 1762–1799
11
more
Creator
»
Date
1800
1,196
1791
1,172
1802
1,077
1834
732
1745
658
1796
652
1775
643
1795
622
1749
580
1827
566
1793
[remove]
549
1789
543
1771
540
1825
524
1792
522
1804
522
1832
521
1835
517
1790
510
1799
503
1830
503
1826
485
1820
474
1794
457
1797
453
1803
450
1784
441
1836
437
1772
433
1700
428
1770
414
1808
413
1833
404
1782
378
1780
372
1785
371
1823
369
1867
351
1818
347
1807
341
1812
341
1768
339
1801
328
1798
324
1814
315
1821
315
1767
312
1750
311
1788
295
1815
294
1853
293
1813
290
1810
288
1783
287
1805
287
1748
285
1809
285
1811
285
1828
278
1787
275
1764
273
1773
273
1817
273
1839
272
1831
267
1840
267
1752
266
1824
263
1786
255
1837
255
1730
250
1546
248
1819
246
1778
245
1739
242
1755
241
1822
231
1855
230
1816
224
1806
220
1829
213
1765
208
1758
207
1725
204
1781
202
1870
201
1777
198
1838
197
1630
190
1850
190
1738
188
1877
187
1776
186
1762
185
1740
181
1763
180
1760
178
1846
177
1754
175
1779
173
On-site Access
Accessible by appointment in the Study Room
544
Not on view
5
Image Use
Free to Use
[remove]
549
Image Available
Available
497
Unavailable
52
Classification
Prints
301
Drawings & Watercolors
232
Drawings & Watercolors-Miniatures
8
Paintings
5
Books
2
Three-Dimensional Artifacts
1
Creator Gender
male
528
unknown
39
female
6
Collective Title
Gay's Fables
72
Fables by John Gay, Vol. I
54
Sketches, Vol. 6: 152 Drawings of Isle of Wight, Canterbury, and Hampstead, etc.
39
For Children: The Gates of Paradise, Copy E
19
America. A Prophecy, Copy M
18
Fables by John Gay, Vol. II
18
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
11
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
7
Cries of London
7
Visions of the Daughters of Albion, Copy I
7
Iconographie Anglaise par Reynolds et Autres
6
Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etc.
5
Sketches, Volume IV: Drawings of Isle of Wight, Hampshire and Devon
2
Antiquities of London and Environs
1
Collection of Prints by Notable Dilettanti
1
Europe. A Prophecy, Copy A
1
The Costume of China
1
The Cries of London
1
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Views in the Province of Kiang Nan, China
1
Period
18th century
422
18th century-19th century
77
19th century
47
Materials & Techniques
wove paper
297
graphite
149
watercolor
122
etching (printing process)
116
line engraving
103
laid paper
63
black ink
53
stipple engraving
39
relief etching
24
brown ink
22
brown wash
20
mezzotint
20
color printing
17
gouache
16
gray wash
15
pens
14
aquatint
9
hand coloring
8
ivory
8
black chalk
7
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
224
Unknown
75
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
185
Unknown
75
Work Type
drawing
230
intaglio print
167
watercolor
136
relief print
24
miniature
6
painting
5
frontispiece
4
advertisement
1
broadside
1
engraving
1
panoramic view
1
planographic print
1
seals (marks)
1
Genre
landscape
113
literary theme
93
architectural subject
75
animal art
74
genre subject
67
portrait
64
marine art
29
religious and mythological subject
24
historical subject
22
cityscape
16
figure study
12
military art
7
sporting art
2
botanical subject
1
still life
1
Subject Terms
landscape
76
trees
67
architectural subject
66
portrait
55
men
49
text
40
clouds
39
genre subject
32
nudes
27
figures
24
river
23
women
22
historical subject
21
boats
19
marine art
19
religious and mythological subject
19
children
18
costume
18
hills
18
buildings
16
more
Subject Terms
»
Subject Period
18th century
1
Associated Places
United Kingdom
56
England
48
Europe
23
London
15
Rocca di Papa
13
City of Westminster
12
Palace of Westminster
12
Wales
8
Asia
7
Cymru
7
China
6
Thames
6
India
5
Greater London
4
Cambridge
3
Cambridgeshire
3
Ellora
3
Kent
3
Northumberland
3
York
3
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
7
Cornwallis, Charles (1738–1805), lieutenant-general
2
Bacon, Sir Nathaniel (1585–1627), painter
1
Barker, Robert, 1739–1806
1
Frederick Howard
1
Hastings, Francis Rawdon, first marquess of Hastings and second earl of Moira (1754–1826), army officer and politician
1
Henry VIII (1491–1547), king of England and Ireland
1
Jackson, William (fl. 1793), Excise man
1
Louis XV (1710–1774), king of France and of Navarre
1
Louis XVI (1754–1793), king of France
1
Montagu, Edward, first earl of Sandwich (1625–1672), army and naval officer and diplomat
1
Percy, Anne (nee Goodriche), wife of Bishop Thomas Percy of Dromore
1
Pisani, Alvise, 114th doge of Venice (1505–1523)
1
Quincey, Thomas Penson De (1785–1859), essayist
1
Reynolds, Sir Joshua (1723–1792), portrait and history painter and art theorist
1
Tipu Sultan of Mysore (1750–1799)
1
Whitefoord, Caleb (1734–1810), wine merchant and diplomatist
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
29
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
29
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
25
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
20
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
19
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
13
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
9
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
6
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
4
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
4
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
421
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD
72
Yale Center for British Art, Paul Mellon Fund
18
Yale Center for British Art
9
Yale Center for British Art; Yale University Art Gallery Collection
5
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
4
Yale Center for British Art, Bequest of Richard L. Purdy
2
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
2
Yale Center for British Art, Gift of Paul F. Walter
2
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
2
Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Doris M. Brixey
2
Yale Center for British Art, Gift of Mr. and Mrs. Leon Korn
1
Yale Center for British Art, Gift of R. W. Hutton and J. S. Cogswell
1
Yale Center for British Art, Gift of Robert B. Simon
1
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935
1
Yale Center for British Art, Paul Mellon Fund, in honor of Duncan Robinson, Director, Yale Center for British Art (1981–1995)
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Francis P. Garvan
1
Language
English
4
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Date
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1
William Anderson, 1757–1837
Hussars Embarking at Deptford
1793
Not on view
2
Henry Singleton, 1766–1839
The Wandering Sailor
ca. 1798
Not on view
3
George Garrard, 1760–1826
A Marmoset in Three Attitudes
1793
Not on view
4
Joseph Wright of Derby, 1734–1797
Landscape with a Rainbow
between 1793 and 1794
Not on view
5
Robert Smirke, 1752–1845
The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay
1793
Not on view
6
John Constable, 1776–1837
Flowers in a Pitcher
undated
7
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
8
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
9
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
10
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
11
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
12
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
13
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
14
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
15
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
16
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
17
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
18
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
19
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
20
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
21
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
22
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
23
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
24
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
25
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
26
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
27
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
28
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
29
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
30
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
31
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
32
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
33
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
34
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
35
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
36
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
37
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
38
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
39
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
40
Print made by William Blake, 1757–1827
Earth (Plate 5)
1793
41
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
42
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
43
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
44
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
45
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
46
Print made by William Blake, 1757–1827
Title Page, For Children. The Gates of Paradise (Plate 2)
1793
47
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
48
Print made by William Blake, 1757–1827
I Want! I Want! (Plate 11)
1793
49
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
50
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
51
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
52
Prints made by William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
53
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
54
Print made by William Blake, 1757–1827
Europe. A Prophecy
1793, printed 1795
55
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
56
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
57
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
58
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
59
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
60
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
61
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
62
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
63
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
64
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
65
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
66
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
67
George Romney, 1734–1802
Figure Composition Study 48
1793
68
George Romney, 1734–1802
Figure Composition Study 4
1793
69
George Romney, 1734–1802
Devils for the Temptation of Christ
1793
70
George Romney, 1734–1802
Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
1793
71
Isaac Cruikshank, 1764–1811
The Political Pawn Brokers
1793
72
William S. Leney, 1769–1831
The Sailor's Wife
1793
73
after George Moutard Woodward, ca. 1760–1809
The King
ca. 1798
74
George Moutard Woodward, ca. 1760–1809
In Our Journey through Life may we Live Well on the Road
ca. 1798
75
after George Moutard Woodward, ca. 1760–1809
The Constitution - Gentlemen
ca. 1798
76
Richard Newton, 1777–1798
English Channel/ Both Sides of the Water
1793
77
Richard Newton, 1777–1798
A Serious Thought of a Plain Englishman, in 1793
1793
78
Isaac Cruikshank, 1764–1811
Flannel Coats of Mail against the Cold or the British Ladies Patriotic Presents to the Army
1793
79
Isaac Cruikshank, 1764–1811
A Right Hon(oura)ble, Alias a Sans Culotte, Alias the Man of the People, Alias the Dissipated Patriot....Alias the Protector turned Begger
1793
80
Isaac Cruikshank, 1764–1811
Preparing for Action or an English Man of War engaging Two Dutch Doggers
1793
81
Isaac Cruikshank, 1764–1811
John Bull in a Rage, forcing nic Frog to Fight against his Will
1793
82
Isaac Cruikshank, 1764–1811
Half Seas Over, Alias the Hopes of the Family
1793
83
Isaac Cruikshank, 1764–1811
False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats
1793
84
William S. Leney, 1769–1831
The Soldier's Wife
1793
85
Richard Newton, 1777–1798
The Birth of Billy Bugaboo
1793
86
Richard Newton, 1777–1798
John Taylor, Verger to the Lodge of Black Friars, at the Fos, Bloomsbury most worthy Father - (') T-is Past Eleven O'Clock
1793
87
unknown artist
A French Invasion - or the Fashionable Dress of 1798
ca. 1798
88
Joseph Constantine Stadler, active 1780–1812
View up the River from Millbank
1793
89
Capt. Thomas Hastings, 1778–1854
Sketch of a Hollow Tree Trunk
undated
90
Capt. Thomas Hastings, 1778–1854
Sketch of a Woman Carrying a Sack and a Basket
undated
91
Joseph Constantine Stadler, active 1780–1812
Strawberry Hill
1793
92
James Walker, 1748–1808
Woolwich
1793
93
Richard Newton, 1777–1798
Prelude to Crim Con and The Finale
1793
94
Schenecker, active 1791
Edward Progers
1793
95
Robert Dighton, 1752–1814
A Jack in Office
1793
96
Francesco Bartolozzi, 1728–1815
Prospero Disarming Ferdinand, Act I, Scene II
1793
97
Francis David Soiron, Born 1764
The Promenade in St. Jame's Park
1793
98
John Varley, 1778–1842
Castle
undated
99
Print made by Richard Earlom, 1743–1822
Smugglers Defeated
ca. 1798
100
Robert Dodd, 1748–1816
The Dutch Fleet Defeated on the Afternoon of 11th October 1797
ca. 1798
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