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Date 1793

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William Anderson Hussars Embarking at Deptford
William Anderson, 1757–1837
Hussars Embarking at Deptford
1793
Not on view
Henry Singleton The Wandering Sailor
Henry Singleton, 1766–1839
The Wandering Sailor
ca. 1798
Not on view
George Garrard A Marmoset in Three Attitudes
George Garrard, 1760–1826
A Marmoset in Three Attitudes
1793
Not on view
Joseph Wright of Derby Landscape with a Rainbow
Joseph Wright of Derby, 1734–1797
Landscape with a Rainbow
between 1793 and 1794
Not on view
Robert Smirke The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay
Robert Smirke, 1752–1845
The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay
1793
Not on view
John Constable Flowers in a Pitcher
John Constable, 1776–1837
Flowers in a Pitcher
undated
Joseph Mallord William Turner Christ Church Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
Joseph Mallord William Turner Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
Joseph Mallord William Turner Windsor
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
William Blake "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
William Blake A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
William Blake Frontispiece. Albion's Angel (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
William Blake Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
William Blake "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
William Blake "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
William Blake "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
William Blake "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake Title Page. America, A Prophecy (Plate 2)
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
William Blake "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake I Found Him Beneath a Tree (Plate 3)
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
William Blake Fear & Hope Are -- Vision (Plate 15)
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
William Blake Title Page, Visions of the Daughters of Albion (Plate 2)
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
William Blake "And none but Bromian can hear my lamentations..." (Plate 6)
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
William Blake "But when the morn arose, her lamentation renewd..." (Plate 8)
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
William Blake "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
William Blake Air (Plate 6)
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
William Blake Fire (Plate 7)
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
William Blake Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
William Blake What is Man!, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
William Blake Earth (Plate 5)
Print made by William Blake, 1757–1827
Earth (Plate 5)
1793
William Blake At Length for Hatching Ripe He Breaks the Shell (Plate 8)
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
William Blake Aged Ignorance (Plate 13)
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
William Blake Does Thy God O Priest Take such Vengeance as This? (Plate 14)
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
William Blake The Traveller Hasteth in the Evening (Plate 16)
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
William Blake Death's Door (Plate 17)
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
William Blake Title Page, For Children. The Gates of Paradise (Plate 2)
Print made by William Blake, 1757–1827
Title Page, For Children. The Gates of Paradise (Plate 2)
1793
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
William Blake I Want! I Want! (Plate 11)
Print made by William Blake, 1757–1827
I Want! I Want! (Plate 11)
1793
William Blake My Son! My Son! (Plate 10)
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
William Blake Help! Help! (Plate 12)
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
William Blake I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
William Blake For Children. The Gates of Paradise, London, by William Blake
Prints made by William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
William Blake Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
William Blake Europe. A Prophecy
Print made by William Blake, 1757–1827
Europe. A Prophecy
1793, printed 1795
William Blake Fable XXIV. The Butterfly and the Snail
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
William Blake Fable XLI. The Owl and the Farmer
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
William Blake Fable I. The Dog and the Fox
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
William Blake Fable XII. Pan and Fortune
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
William Blake Fable XVI. The Ravens, the Sexton, and the Earth-Worm
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
William Blake Introduction to the Fables, The Shepherd and the Philosopher
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
William Blake Fable XXII. The Goat Without a Beard
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
William Blake Fable VI. The Miser and Plutus
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
William Blake Fable XVI. The Pin and the Needle
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
William Blake Fable XIII. The Tame Stag
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
William Blake Fable XXVIII. The Persian, the Sun, and the Cloud
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
William Blake Fable XXX. The Setting-dog and the Partridge
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
George Romney Figure Composition Study 48
George Romney, 1734–1802
Figure Composition Study 48
1793
George Romney Figure Composition Study 4
George Romney, 1734–1802
Figure Composition Study 4
1793
George Romney Devils for the Temptation of Christ
George Romney, 1734–1802
Devils for the Temptation of Christ
1793
George Romney Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
George Romney, 1734–1802
Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
1793
Isaac Cruikshank The Political Pawn Brokers
Isaac Cruikshank, 1764–1811
The Political Pawn Brokers
1793
William S. Leney The Sailor's Wife
William S. Leney, 1769–1831
The Sailor's Wife
1793
George Moutard Woodward The King
after George Moutard Woodward, ca. 1760–1809
The King
ca. 1798
George Moutard Woodward In Our Journey through Life may we Live Well on the Road
George Moutard Woodward, ca. 1760–1809
In Our Journey through Life may we Live Well on the Road
ca. 1798
George Moutard Woodward The Constitution - Gentlemen
after George Moutard Woodward, ca. 1760–1809
The Constitution - Gentlemen
ca. 1798
Richard Newton English Channel/ Both Sides of the Water
Richard Newton, 1777–1798
English Channel/ Both Sides of the Water
1793
Richard Newton A Serious Thought of a Plain Englishman, in 1793
Richard Newton, 1777–1798
A Serious Thought of a Plain Englishman, in 1793
1793
Isaac Cruikshank Flannel Coats of Mail against the Cold or the British Ladies Patriotic Presents to the Army
Isaac Cruikshank, 1764–1811
Flannel Coats of Mail against the Cold or the British Ladies Patriotic Presents to the Army
1793
Isaac Cruikshank A Right Hon(oura)ble, Alias a Sans Culotte, Alias the Man of the People, Alias the Dissipated Patriot....Alias the Protector turned Begger
Isaac Cruikshank, 1764–1811
A Right Hon(oura)ble, Alias a Sans Culotte, Alias the Man of the People, Alias the Dissipated Patriot....Alias the Protector turned Begger
1793
Isaac Cruikshank Preparing for Action or an English Man of War engaging Two Dutch Doggers
Isaac Cruikshank, 1764–1811
Preparing for Action or an English Man of War engaging Two Dutch Doggers
1793
Isaac Cruikshank John Bull in a Rage, forcing nic Frog to Fight against his Will
Isaac Cruikshank, 1764–1811
John Bull in a Rage, forcing nic Frog to Fight against his Will
1793
Isaac Cruikshank Half Seas Over, Alias the Hopes of the Family
Isaac Cruikshank, 1764–1811
Half Seas Over, Alias the Hopes of the Family
1793
Isaac Cruikshank False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats
Isaac Cruikshank, 1764–1811
False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats
1793
William S. Leney The Soldier's Wife
William S. Leney, 1769–1831
The Soldier's Wife
1793
Richard Newton The Birth of Billy Bugaboo
Richard Newton, 1777–1798
The Birth of Billy Bugaboo
1793
Richard Newton John Taylor, Verger to the Lodge of Black Friars, at the Fos, Bloomsbury most worthy Father - (') T-is Past Eleven O'Clock
Richard Newton, 1777–1798
John Taylor, Verger to the Lodge of Black Friars, at the Fos, Bloomsbury most worthy Father - (') T-is Past Eleven O'Clock
1793
unknown artist A French Invasion - or the Fashionable Dress of 1798
unknown artist
A French Invasion - or the Fashionable Dress of 1798
ca. 1798
Joseph Constantine Stadler View up the River from Millbank
Joseph Constantine Stadler, active 1780–1812
View up the River from Millbank
1793
Capt. Thomas Hastings Sketch of a Hollow Tree Trunk
Capt. Thomas Hastings, 1778–1854
Sketch of a Hollow Tree Trunk
undated
Capt. Thomas Hastings Sketch of a Woman Carrying a Sack and a Basket
Capt. Thomas Hastings, 1778–1854
Sketch of a Woman Carrying a Sack and a Basket
undated
Joseph Constantine Stadler Strawberry Hill
Joseph Constantine Stadler, active 1780–1812
Strawberry Hill
1793
James Walker Woolwich
James Walker, 1748–1808
Woolwich
1793
Richard Newton Prelude to Crim Con and The Finale
Richard Newton, 1777–1798
Prelude to Crim Con and The Finale
1793
Schenecker Edward Progers
Schenecker, active 1791
Edward Progers
1793
Robert Dighton A Jack in Office
Robert Dighton, 1752–1814
A Jack in Office
1793
Francesco Bartolozzi Prospero Disarming Ferdinand, Act I, Scene II
Francesco Bartolozzi, 1728–1815
Prospero Disarming Ferdinand, Act I, Scene II
1793
Francis David Soiron The Promenade in St. Jame's Park
Francis David Soiron, Born 1764
The Promenade in St. Jame's Park
1793
John Varley Castle
John Varley, 1778–1842
Castle
undated
Richard Earlom Smugglers Defeated
Print made by Richard Earlom, 1743–1822
Smugglers Defeated
ca. 1798
Robert Dodd The Dutch Fleet Defeated on the Afternoon of 11th October 1797
Robert Dodd, 1748–1816
The Dutch Fleet Defeated on the Afternoon of 11th October 1797
ca. 1798