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1. Frontispiece. Albion's Angel (Plate 1)

Frontispiece. Albion's Angel (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. "What time the thirteen Governors that England sent convene..." (Plate 15)

"What time the thirteen Governors that England sent convene..." (Plate 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Title Page. America, A Prophecy (Plate 2)

Title Page. America, A Prophecy (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)

"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Portrait of a Boy

Portrait of a Boy
Creator:
George Dance, 1741–1825
Date:
August 3, 1793
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 7 1/2 inches (24.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Old Mill at Battersea

Old Mill at Battersea
Creator:
formerly John Varley, 1778–1842
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 13 1/2 inches (24.4 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Just out of Shaftesbury

Just out of Shaftesbury
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Lord Clifford's, Ugbrooke Park

Lord Clifford's, Ugbrooke Park
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Sketch of Chudleigh Rocks, Devon

Sketch of Chudleigh Rocks, Devon
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. In the Fish Ponds near Hastings

In the Fish Ponds near Hastings
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 13 inches (24.1 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Enlarged Detail of Figures from Painting Shown in Previous Sketch

Enlarged Detail of Figures from Painting Shown in Previous Sketch
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite on medium, slightly textured, white laid paper
Dimensions:
Sheet: 9 5/8 × 5 inches (24.4 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Flannel Coats of Mail against the Cold or the British Ladies Patriotic Presents to the Army

Flannel Coats of Mail against the Cold or the British Ladies Patriotic Presents to the Army
Creator:
Isaac Cruikshank, 1764–1811
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/8 x 13 3/4in. (23.8 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Soldier's Wife

The Soldier's Wife
Creator:
William S. Leney, 1769–1831
Date:
1793
Materials & Techniques:
Colored stipple engraving
Dimensions:
Sheet: 9 5/8 x 7 5/8in. (24.4 x 19.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Windsor Boar and Sow Driving to Manbey's Market

The Windsor Boar and Sow Driving to Manbey's Market
Creator:
unknown artist
Date:
ca. 1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 13 3/16in. (24.1 x 33.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Dent de Lion, Margate, Kent

The Dent de Lion, Margate, Kent
Creator:
William Alexander, 1767–1816
Date:
ca. 1798
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 8 3/8 inches (24.4 × 21.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Sailor's Wife

The Sailor's Wife
Creator:
William S. Leney, 1769–1831
Date:
1793
Materials & Techniques:
Colored stipple engraving
Dimensions:
Sheet: 9 5/8 x 7 5/8in. (24.4 x 19.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. May the Eye of Science pierce Through the Mists of Obsurity

May the Eye of Science pierce Through the Mists of Obsurity
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
ca. 1798
Materials & Techniques:
Etching and aquatint
Dimensions:
Sheet: 9 1/2 x 6 1/2in. (24.1 x 16.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. In Our Journey through Life may we Live Well on the Road

In Our Journey through Life may we Live Well on the Road
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
ca. 1798
Materials & Techniques:
Etching and aquatint
Dimensions:
Sheet: 9 1/2 x 6 1/2in. (24.1 x 16.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Barn Elmes

Barn Elmes
Creator:
Edward Edwards, 1738–1806
Date:
1793
Materials & Techniques:
Watercolor, gray wash, pen, gray ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, moderately textured, cream laid paper (contemporary mount)
Dimensions:
Sheet: 9 3/8 × 11 3/4 inches (23.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection