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Collection
Prints and Drawings
162
Rare Books and Manuscripts
2
Creator
Varley, John, 1778–1842
42
Tambat, Gangaram Chintaman Navgire, active 1790s
27
Blake, William, 1757–1827
24
Cockburn, James Pattison, 1779–1847
16
Parish, Henry William, active 1792
7
Alexander, William, 1767–1816
6
Girtin, Thomas, 1775–1802
5
Moore, James, 1762–1799
4
Crosse, Richard, 1742–1810
3
Davis, Samuel, 1760–1819
3
Harraden, Richard Banks, 1778–1862
3
Romney, George, 1734–1802
3
Daniell, Thomas, 1749–1840
2
Langdon, Thomas, active 1800
2
Smith, Joseph Clarendon, 1778–1810
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Unknown artist
2
Chalon, John James, 1778–1854
1
Cozens, John Robert, 1752–1797
1
Daniell, William, 1769–1837
1
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Creator
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Date
1791
794
1800
415
1867
319
1745
307
1802
258
1772
254
1790
245
1832
206
1752
189
1804
187
1771
183
0
166
1794
166
1775
165
1793
[remove]
164
1814
161
1797
157
1785
138
1795
134
1825
131
1784
129
1799
126
1820
124
1789
123
1792
123
1801
121
1700
120
1787
119
1839
110
1780
106
1830
105
1818
101
1835
90
1836
90
1770
88
1817
88
1763
87
1796
82
1755
81
1815
77
1768
74
1807
73
1798
72
1740
70
1774
69
1805
69
1786
66
1748
65
1810
65
1855
64
1765
60
1782
60
1812
60
1827
60
1762
59
1811
59
1783
58
1803
58
1840
56
1788
55
1808
55
1828
55
1764
54
1813
53
1834
53
1819
52
1821
51
1777
49
1823
49
1778
48
1781
46
1826
46
1861
43
1746
42
1809
42
1829
40
1761
39
1833
38
1760
37
1776
37
1758
36
1838
36
1843
36
1844
36
1857
36
1816
35
1822
35
1837
34
1806
33
1831
33
1753
32
1717
31
1779
31
1851
31
1751
30
1767
30
1850
30
1759
29
1841
29
1848
29
On-site Access
Accessible in the Study Room
164
Image Use
Free to Use
159
Under Certain Circumstances
5
Image Available
Available
160
Unavailable
4
Classification
Drawings & Watercolors
134
Prints
24
Drawings & Watercolors-Miniatures
5
Books
1
Creator Gender
male
162
unknown
4
female
1
Collective Title
America. A Prophecy, Copy M
18
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
7
Visions of the Daughters of Albion, Copy I
6
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
4
The Costume of China
1
Views in the Province of Kiang Nan, China
1
Period
18th century
96
18th century-19th century
68
19th century
1
Materials & Techniques
watercolor
122
wove paper
97
graphite
82
black ink
63
laid paper
54
gray wash
25
relief etching
24
brown ink
22
gouache
18
brown wash
15
color printing
10
pens
9
black chalk
6
ivory
5
pen
4
board
3
gray ink
3
gum arabic
3
scratching out
3
black wash
2
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
7
to
64
Unknown
2
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
7
to
97
Unknown
2
Work Type
watercolor
[remove]
164
drawing
155
relief print
24
miniature
5
frontispiece
2
landscape drawing
2
travel sketche
2
albums (books)
1
aquatint
1
graphite drawing
1
ink drawing
1
sketchbook
1
view
1
wood engraving
1
Genre
landscape
66
architectural subject
57
religious and mythological subject
21
genre subject
20
marine art
18
cityscape
13
literary theme
7
portrait
6
figure study
4
animal art
1
botanical subject
1
cartographic material
1
sporting art
1
Subject Terms
landscape
61
architectural subject
53
trees
50
men
33
clouds
29
text
23
figures
22
religious and mythological subject
21
nudes
19
river
18
boats
17
hills
17
mountains
15
women
15
marine art
14
houses
12
genre subject
11
buildings
10
castle
10
cityscape
10
more
Subject Terms
»
Associated Places
United Kingdom
35
England
27
India
26
Ellora
22
Europe
18
Asia
8
Wales
7
China
6
Cymru
6
Karli
5
Thames
5
Cambridge
3
Cambridgeshire
3
Greater London
3
London
3
Northumberland
3
Barnard Castle
2
Battersea
2
Clare College
2
Durham
2
more
Associated Places
»
Associated People
Percy, Anne (nee Goodriche), wife of Bishop Thomas Percy of Dromore
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
19
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
18
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
13
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
11
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
11
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
7
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
6
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
5
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
2
Masters of the Sea - British Marine Watercolors (National Maritime Museum, 2005-08-25 - 2005-10-25)
2
Masters of the Sea - British Marine Watercolors (Yale Center for British Art, 1987-06-10 - 1987-08-02)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
153
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
3
Yale Center for British Art, Bequest of Richard L. Purdy
2
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
2
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935
1
Yale Center for British Art, Paul Mellon Fund
1
Language
English
2
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Date
1793
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Work Type
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1
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
2
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
3
Print made by William Blake, 1757–1827
Visions of the Daughters of Albion; Title Page (Plate 2)
1793
4
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
5
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
6
Print made by William Blake, 1757–1827
Visions of the Daughters of Albion; Frontispiece (Plate 1)
1793
7
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
8
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
9
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
10
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
11
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
12
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
13
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
14
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
15
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
16
Print made by William Blake, 1757–1827
Albion's Angel; Frontispiece (Plate 1)
1793
17
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
18
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
19
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
20
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
21
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
22
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
23
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
24
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
25
Print made by William Blake, 1757–1827
America, A Prophecy; Title Page (Plate 2)
1793
26
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
27
George Romney, 1734–1802
John Howard Visiting a Lazaretto
1793
28
George Romney, 1734–1802
John Howard Visiting a Lazaretto
1793
29
George Romney, 1734–1802
Fallen Angel, or Figure for the Flood
1793
30
Joseph Clarendon Smith, 1778–1810
Tintern Abbey
undated
31
John Varley, 1778–1842
Romantic Landscape with Cliffs and a Castle
undated
32
John Varley, 1778–1842
Romatic Landscape with a Castle and a Tree on the Right
undated
33
pupil of John Varley, 1778–1842
Landscape Composition, Dolbadern
undated
34
pupil of John Varley, 1778–1842
Landscape in Wales with Mountains, Lake, Castle and Two Figures in the Foreground
undated
35
pupil of John Varley, 1778–1842
On the Thames
undated
36
Richard Crosse, 1742–1810
Joseph de Lautour
1793
37
John Varley, 1778–1842
A Romantic Landscape
undated
38
John Varley, 1778–1842
River Landscape with Figures
undated
39
John Christian Schetky, 1778–1874
Boat Sailing to the Right with Mountains in the Background
undated
40
John Varley, 1778–1842
Landscape with a Clump of Trees near a Road and a Stream
undated
41
John Varley, 1778–1842
View of New Street, near London Bridge
undated
42
Charles Gore, 1729–1807
Ruins du Château du Heidelberg
1793
43
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
44
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
45
Richard Banks Harraden, 1778–1862
Milton's Mulberry Tree, Christ's College Gardens, Cambridge
undated
46
John Varley, 1778–1842
Farm House with a Well
undated
47
William Henry Pyne, 1769–1843
A Boy Playing a Drum in the Garden of a Country House
1793
48
John Varley, 1778–1842
On the Thames
undated
49
formerly John Varley, 1778–1842
Old Mill at Battersea
undated
50
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
51
James Ward, 1769–1859
Mother and Infant
ca. 1798
52
John Varley, 1778–1842
View of York
undated
53
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
54
Richard Banks Harraden, 1778–1862
Trinity Hall from the Garden, Cambridge
undated
55
John Samuel Hayward, 1778–1822
A Young Woman Looking Down
undated
56
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
57
John Varley, 1778–1842
Two Donkeys in a Landscape
undated
58
Joseph Clarendon Smith, 1778–1810
Sand Pits, Hunsdon
undated
59
John Varley, 1778–1842
Millbank
undated
60
John Varley, 1778–1842
Linlithgow Palace
undated
61
John Varley, 1778–1842
Norwich
undated
62
Richard Crosse, 1742–1810
Amelia de Lautour
1793
63
Richard Crosse, 1742–1810
Peter de Lautour
1793
64
Lt. John Ritso, 1772–1866
Gateway of an Old Fort, Benares
1793 or 179(8)
65
John Varley, 1778–1842
A Castle at the Waterside
undated
66
pupil of John Varley, 1778–1842
Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
undated
67
John Varley, 1778–1842
Merida, Spain
undated
68
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
69
imitator of John Varley, 1778–1842
River Landscape
undated
70
pupil of John Varley, 1778–1842
A Village Street
undated
71
imitator of John Varley, 1778–1842
Landscape by Moonlight
undated
72
John Varley, 1778–1842
Cattle Watering at Sunset
undated
73
Gangaram Chintaman Navgire Tambat, active 1790s
Indra Sabha Temple at Ellora, Upper Level of East-Facing Cave
between 1793 and 1795
74
Gangaram Chintaman Navgire Tambat, active 1790s
Dashavatara Temple at Ellora
between 1793 and 1795
75
Gangaram Chintaman Navgire Tambat, active 1790s
The Waterfall at Dhumar Lena, Dry Except in Rains
between 1793 and 1795
76
Gangaram Chintaman Navgire Tambat, active 1790s
Exterior View of Great Chaitya Hall at Karla, Ekvira Devi Temple at Right
1793
77
Gangaram Chintaman Navgire Tambat, active 1790s
Shiva and Parvati Playing Chaupar, Relief Sculpture at Ellora
between 1793 and 1795
78
Gangaram Chintaman Navgire Tambat, active 1790s
Great Chaitya Hall at Karla
1793
79
Gangaram Chintaman Navgire Tambat, active 1790s
Jagannatha Sabha Temple at Ellora, Interior View
between 1793 and 1795
80
John Varley, 1778–1842
Seashore with Two Figures and a Distant Town
undated
81
Gangaram Chintaman Navgire Tambat, active 1790s
Kailasa Temple at Ellora, Exterior View from the Entrance
between 1793 and 1795
82
Gangaram Chintaman Navgire Tambat, active 1790s
Vishvakarma Temple Chaitya Hall at Ellora
between 1793 and 1795
83
Gangaram Chintaman Navgire Tambat, active 1790s
Janwasa Temple at Ellora
between 1793 and 1795
84
Gangaram Chintaman Navgire Tambat, active 1790s
Tin Thal Temple at Ellora
between 1793 and 1795
85
Gangaram Chintaman Navgire Tambat, active 1790s
Jagannatha Sabha Temple at Ellora, Exterior View
between 1793 and 1795
86
Gangaram Chintaman Navgire Tambat, active 1790s
Drawing of a Pillar at Karla
1793
87
Gangaram Chintaman Navgire Tambat, active 1790s
Kailasa Temple at Ellora, Exterior View from the Northeast
between 1793 and 1795
88
Gangaram Chintaman Navgire Tambat, active 1790s
Vishvakarma Temple at Ellora, Exterior View
between 1793 and 1795
89
Gangaram Chintaman Navgire Tambat, active 1790s
Indra Sabha Temple at Ellora, Interior View
between 1793 and 1795
90
Gangaram Chintaman Navgire Tambat, active 1790s
Chota Kailasa Temple at Ellora
between 1793 and 1795
91
Gangaram Chintaman Navgire Tambat, active 1790s
Do Thal Temple at Ellora
between 1793 and 1795
92
Gangaram Chintaman Navgire Tambat, active 1790s
Indra Sabha Temple at Ellora, Exterior View
between 1793 and 1795
93
Gangaram Chintaman Navgire Tambat, active 1790s
Ravana Shaking Mount Kailasa below Shiva and Parvati, Relief Sculpture at Ellora
between 1793 and 1795
94
Gangaram Chintaman Navgire Tambat, active 1790s
Sarvanubhuti Relief Sculpture in Indra Sabha Temple, Ellora
between 1793 and 1795
95
Gangaram Chintaman Navgire Tambat, active 1790s
Temple Complex of Great Chaitya and Viharas at Karla, Ekvira Devi Temple at Right
1793
96
Gangaram Chintaman Navgire Tambat, active 1790s
Kailasa Temple at Ellora, Exterior Side View
between 1793 and 1795
97
Gangaram Chintaman Navgire Tambat, active 1790s
The Waterfall at Dhumar Lena, Dry Except in the Rains
between 1793 and 1795
98
Gangaram Chintaman Navgire Tambat, active 1790s
Valley and Village of Verul taken from Donkhamb
between 1793 and 1795
99
William Alexander, 1767–1816
The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin
1793
100
William Alexander, 1767–1816
Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
1793
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