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Collection
Prints and Drawings
136
Rare Books and Manuscripts
2
Creator
Varley, John, 1778–1842
42
Blake, William, 1757–1827
24
Cockburn, James Pattison, 1779–1847
16
Parish, Henry William, active 1792
7
Alexander, William, 1767–1816
6
Girtin, Thomas, 1775–1802
5
Moore, James, 1762–1799
4
Crosse, Richard, 1742–1810
3
Davis, Samuel, 1760–1819
3
Harraden, Richard Banks, 1778–1862
3
Tambat, Gangaram Chintaman, active 1790s
3
Turner, J. M. W. (Joseph Mallord William), 1775–1851
3
Daniell, Thomas, 1749–1840
2
Langdon, Thomas, active 1800
2
Smith, Joseph Clarendon, 1778–1810
2
Unknown artist
2
Chalon, John James, 1778–1854
1
Cozens, John Robert, 1752–1797
1
Daniell, William, 1769–1837
1
Edwards, Edward, 1738–1806
1
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Creator
»
Date
1791
797
1800
380
1867
319
1745
307
1802
257
1772
254
0
229
1790
224
1832
205
1752
189
1804
185
1771
184
1794
165
1814
162
1797
156
1775
154
1793
[remove]
138
1785
137
1825
131
1784
129
1795
127
1799
127
1820
125
1801
124
1789
121
1792
121
1700
120
1787
118
1839
110
1830
106
1818
101
1780
100
1796
93
1835
91
1836
91
1817
89
1763
87
1755
81
1770
77
1815
74
1768
73
1807
73
1798
72
1740
70
1774
69
1805
69
1748
65
1786
65
1810
64
1855
64
1812
62
1782
61
1827
60
1762
59
1765
59
1803
59
1811
59
1783
58
1788
57
1840
56
1808
55
1819
55
1828
55
1764
54
1834
53
1813
52
1821
51
1777
50
1823
49
1778
47
1781
46
1826
46
1861
44
1749
43
1746
42
1829
41
1809
40
1761
39
1776
37
1758
36
1837
36
1843
36
1844
36
1857
36
1760
35
1816
35
1822
34
1831
33
1753
32
1806
32
1838
32
1717
31
1767
31
1851
31
1751
30
1779
30
1850
30
1757
29
1759
29
1841
29
On-site Access
Accessible by appointment in the Study Room
138
Image Use
Free to Use
136
Under Certain Circumstances
2
Image Available
Available
134
Unavailable
4
Classification
Drawings & Watercolors
108
Prints
24
Drawings & Watercolors-Miniatures
5
Books
1
Creator Gender
male
136
unknown
4
female
1
Collective Title
America. A Prophecy, Copy M
18
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
7
Visions of the Daughters of Albion, Copy I
6
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
4
The Costume of China
1
Views in the Province of Kiang Nan, China
1
Period
18th century
70
18th century-19th century
66
19th century
1
Materials & Techniques
watercolor
111
wove paper
95
graphite
61
black ink
42
laid paper
32
relief etching
24
brown ink
19
gouache
16
brown wash
15
color printing
10
gray wash
8
pens
7
ivory
5
black chalk
3
board
3
gray ink
3
gum arabic
3
scratching out
3
pen
2
rose gold
2
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
7
to
61
Unknown
2
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
7
to
83
Unknown
2
Work Type
watercolor
[remove]
138
drawing
129
relief print
24
miniature
5
frontispiece
2
landscape drawing
2
travel sketche
2
albums (books)
1
aquatint
1
graphite drawing
1
ink drawing
1
sketchbook
1
view
1
wood engraving
1
Genre
landscape
63
architectural subject
41
genre subject
19
marine art
18
religious and mythological subject
18
cityscape
13
literary theme
7
portrait
6
animal art
1
botanical subject
1
figure study
1
sporting art
1
Subject Terms
landscape
61
trees
50
architectural subject
38
men
33
clouds
30
text
23
figures
21
nudes
19
religious and mythological subject
18
river
18
boats
17
hills
17
mountains
15
women
15
marine art
14
genre subject
12
houses
12
buildings
11
castle
10
cityscape
10
more
Subject Terms
»
Associated Places
United Kingdom
36
England
28
Europe
19
Wales
7
Asia
6
China
6
Cymru
6
Thames
5
Cambridge
3
Cambridgeshire
3
Ellora
3
Greater London
3
India
3
London
3
Northumberland
3
Barnard Castle
2
Battersea
2
Clare College
2
Durham
2
Kent
2
more
Associated Places
»
Associated People
Percy, Anne (nee Goodriche), wife of Bishop Thomas Percy of Dromore
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
19
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
18
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
11
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
11
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
7
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
6
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
5
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
2
Masters of the Sea - British Marine Watercolors (National Maritime Museum, 2005-08-25 - 2005-10-25)
2
Masters of the Sea - British Marine Watercolors (Yale Center for British Art, 1987-06-10 - 1987-08-02)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
130
Yale Center for British Art, Bequest of Richard L. Purdy
2
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
2
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935
1
Yale Center for British Art, Paul Mellon Fund
1
Language
English
2
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Date
1793
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Work Type
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1
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
2
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
3
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
4
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
5
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
6
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
7
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
8
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
9
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
10
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
11
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
12
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
13
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
14
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
15
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
16
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
17
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
18
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
19
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
20
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
21
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
22
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
23
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
24
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
25
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
26
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
27
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
28
John Varley, 1778–1842
Castle
undated
29
John Varley, 1778–1842
Trees and Cottages at the Bend of a River
undated
30
John Varley, 1778–1842
Ludlow, Shropshire
undated
31
John Varley, 1778–1842
Landscape with a Distant Tower
undated
32
William Henry Pyne, 1769–1843
A Boy Playing a Drum in the Garden of a Country House
1793
33
James Pattison Cockburn, 1779–1847
Tapestry-hung Room in Gothic Mansion
undated
34
James Pattison Cockburn, 1779–1847
Bishop's Bridge, Norwich
undated
35
William Alexander, 1767–1816
The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin
1793
36
William Alexander, 1767–1816
Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
1793
37
John Varley, 1778–1842
Seashore with Two Figures and a Distant Town
undated
38
John Varley, 1778–1842
Merida, Spain
undated
39
Richard Crosse, 1742–1810
Peter de Lautour
1793
40
pupil of John Varley, 1778–1842
A Village Street
undated
41
John Varley, 1778–1842
London from the Thames
undated
42
James Pattison Cockburn, 1779–1847
Dismounted Cavalry
undated
43
James Pattison Cockburn, 1779–1847
Raftered Hall with Figures in 16th Century Dress
undated
44
John Varley, 1778–1842
Two Donkeys in a Landscape
undated
45
John Varley, 1778–1842
On the Thames
undated
46
formerly John Varley, 1778–1842
Old Mill at Battersea
undated
47
John Varley, 1778–1842
A Castle at the Waterside
undated
48
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
49
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
50
Richard Crosse, 1742–1810
Amelia de Lautour
1793
51
Richard Crosse, 1742–1810
Joseph de Lautour
1793
52
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
53
John Varley, 1778–1842
View of York
undated
54
pupil of John Varley, 1778–1842
On the Thames
undated
55
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
56
Richard Banks Harraden, 1778–1862
Trinity Hall from the Garden, Cambridge
undated
57
John Christian Schetky, 1778–1874
Boat Sailing to the Right with Mountains in the Background
undated
58
John Varley, 1778–1842
Norwich
undated
59
Lt. John Ritso, 1772–1866
Gateway of an Old Fort, Benares
1793 or 179(8)
60
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
61
imitator of John Varley, 1778–1842
River Landscape
undated
62
John Varley, 1778–1842
Barnard Castle, County Durham
undated
63
John Varley, 1778–1842
View of Rugged Coastline, Bamburgh, Northumberland
undated
64
John Varley, 1778–1842
Cattle Watering at Sunset
undated
65
John Varley, 1778–1842
A Romantic Landscape
undated
66
John Varley, 1778–1842
River Landscape with Figures
undated
67
Joseph Clarendon Smith, 1778–1810
Sand Pits, Hunsdon
undated
68
John Varley, 1778–1842
Linlithgow Palace
undated
69
John Varley, 1778–1842
Millbank
undated
70
James Ward, 1769–1859
Mother and Infant
ca. 1798
71
John Varley, 1778–1842
Architectural Drawing of a Building with Astrological Symbols
undated
72
John Varley, 1778–1842
Mountain Landscape with Castle Ruins on a Cliff
undated
73
John Samuel Hayward, 1778–1822
A Young Woman Looking Down
undated
74
Charles Gore, 1729–1807
Ruins du Château du Heidelberg
1793
75
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
76
Richard Banks Harraden, 1778–1862
Milton's Mulberry Tree, Christ's College Gardens, Cambridge
undated
77
pupil of John Varley, 1778–1842
Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
undated
78
imitator of John Varley, 1778–1842
Landscape by Moonlight
undated
79
Gangaram Chintaman Tambat, active 1790s
View of a Rock-Carved Temple, Ellora
1793 or 1795
80
Gangaram Chintaman Tambat, active 1790s
Inside View of Indur Subba
between 1793 and 1795
81
Gangaram Chintaman Tambat, active 1790s
Outside View of Biskurma ka Joompree (Vishvakarma)
1793
82
John Varley, 1778–1842
Landscape with a Clump of Trees near a Road and a Stream
undated
83
John Varley, 1778–1842
View of New Street, near London Bridge
undated
84
William Alexander, 1767–1816
Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
1793
85
John Varley, 1778–1842
Romantic Composition
undated
86
Joseph Clarendon Smith, 1778–1810
Tintern Abbey
undated
87
John Varley, 1778–1842
Romantic Landscape with Cliffs and a Castle
undated
88
pupil of John Varley, 1778–1842
Landscape in Wales with Mountains, Lake, Castle and Two Figures in the Foreground
undated
89
John Varley, 1778–1842
Farm House with a Well
undated
90
pupil of John Varley, 1778–1842
Landscape Composition, Dolbadern
undated
91
John Varley, 1778–1842
Romatic Landscape with a Castle and a Tree on the Right
undated
92
John Varley, 1778–1842
A Welsh Landscape a Lay-in'
undated
93
John Varley, 1778–1842
Carnarvon Castle
undated
94
John Varley, 1778–1842
The Castle on the Hill
undated
95
Thomas Girtin, 1775–1802
A Temple in Harewood Park
ca. 1798
96
Thomas Girtin, 1775–1802
Trees and Pond near Bromley, Kent
ca. 1798
97
James Moore, 1762–1799
Brighthelmstone, England
1793
98
James Moore, 1762–1799
Church of St. Mary the Virgin, Hurley, Berkshire, England
1793
99
James Moore, 1762–1799
Church of St. Nicholas, Thames Ditton, Surrey, England
1793
100
James Moore, 1762–1799
Holy Trinity Parish Church, Cookham, England
1793
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