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Date 1793

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Joseph Mallord William Turner Christ Church Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
Joseph Mallord William Turner Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
Joseph Mallord William Turner Windsor
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
William Blake "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
William Blake A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
William Blake Frontispiece. Albion's Angel (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
William Blake Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
William Blake "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
William Blake "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
William Blake "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
William Blake "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake Title Page. America, A Prophecy (Plate 2)
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
William Blake "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
William Blake Title Page, Visions of the Daughters of Albion (Plate 2)
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
William Blake "And none but Bromian can hear my lamentations..." (Plate 6)
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
William Blake "But when the morn arose, her lamentation renewd..." (Plate 8)
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
William Blake "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
William Blake Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
John Varley Castle
John Varley, 1778–1842
Castle
undated
John Varley Trees and Cottages at the Bend of a River
John Varley, 1778–1842
Trees and Cottages at the Bend of a River
undated
John Varley Ludlow, Shropshire
John Varley, 1778–1842
Ludlow, Shropshire
undated
John Varley Landscape with a Distant Tower
John Varley, 1778–1842
Landscape with a Distant Tower
undated
William Henry Pyne A Boy Playing a Drum in the Garden of a Country House
William Henry Pyne, 1769–1843
A Boy Playing a Drum in the Garden of a Country House
1793
James Pattison Cockburn Tapestry-hung Room in Gothic Mansion
James Pattison Cockburn, 1779–1847
Tapestry-hung Room in Gothic Mansion
undated
James Pattison Cockburn Bishop's Bridge, Norwich
James Pattison Cockburn, 1779–1847
Bishop's Bridge, Norwich
undated
William Alexander The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin
William Alexander, 1767–1816
The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin
1793
William Alexander Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
William Alexander, 1767–1816
Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
1793
John Varley Seashore with Two Figures and a Distant Town
John Varley, 1778–1842
Seashore with Two Figures and a Distant Town
undated
John Varley Merida, Spain
John Varley, 1778–1842
Merida, Spain
undated
Richard Crosse Peter de Lautour
Richard Crosse, 1742–1810
Peter de Lautour
1793
John Varley A Village Street
pupil of John Varley, 1778–1842
A Village Street
undated
John Varley London from the Thames
John Varley, 1778–1842
London from the Thames
undated
James Pattison Cockburn Dismounted Cavalry
James Pattison Cockburn, 1779–1847
Dismounted Cavalry
undated
James Pattison Cockburn Raftered Hall with Figures in 16th Century Dress
James Pattison Cockburn, 1779–1847
Raftered Hall with Figures in 16th Century Dress
undated
John Varley Two Donkeys in a Landscape
John Varley, 1778–1842
Two Donkeys in a Landscape
undated
John Varley On the Thames
John Varley, 1778–1842
On the Thames
undated
John Varley Old Mill at Battersea
formerly John Varley, 1778–1842
Old Mill at Battersea
undated
John Varley A Castle at the Waterside
John Varley, 1778–1842
A Castle at the Waterside
undated
Thomas Hand Wooded Landscape with Figures Round a Cooking Pot
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
George Harley Landscape with a Boatshed
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
Richard Crosse Amelia de Lautour
Richard Crosse, 1742–1810
Amelia de Lautour
1793
Richard Crosse Joseph de Lautour
Richard Crosse, 1742–1810
Joseph de Lautour
1793
John Varley View on the Thames at Battersea
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
John Varley View of York
John Varley, 1778–1842
View of York
undated
John Varley On the Thames
pupil of John Varley, 1778–1842
On the Thames
undated
Samuel Howitt A Park Landscape with Shepherd and Sheep
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
Richard Banks Harraden Trinity Hall from the Garden, Cambridge
Richard Banks Harraden, 1778–1862
Trinity Hall from the Garden, Cambridge
undated
John Christian Schetky Boat Sailing to the Right with Mountains in the Background
John Christian Schetky, 1778–1874
Boat Sailing to the Right with Mountains in the Background
undated
John Varley Norwich
John Varley, 1778–1842
Norwich
undated
Lt. John Ritso Gateway of an Old Fort, Benares
Lt. John Ritso, 1772–1866
Gateway of an Old Fort, Benares
1793 or 179(8)
John Varley Bamburgh Castle, Northumberland
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
John Varley River Landscape
imitator of John Varley, 1778–1842
River Landscape
undated
John Varley Barnard Castle, County Durham
John Varley, 1778–1842
Barnard Castle, County Durham
undated
John Varley View of Rugged Coastline, Bamburgh, Northumberland
John Varley, 1778–1842
View of Rugged Coastline, Bamburgh, Northumberland
undated
John Varley Cattle Watering at Sunset
John Varley, 1778–1842
Cattle Watering at Sunset
undated
John Varley A Romantic Landscape
John Varley, 1778–1842
A Romantic Landscape
undated
John Varley River Landscape with Figures
John Varley, 1778–1842
River Landscape with Figures
undated
Joseph Clarendon Smith Sand Pits, Hunsdon
Joseph Clarendon Smith, 1778–1810
Sand Pits, Hunsdon
undated
John Varley Linlithgow Palace
John Varley, 1778–1842
Linlithgow Palace
undated
John Varley Millbank
John Varley, 1778–1842
Millbank
undated
James Ward Mother and Infant
James Ward, 1769–1859
Mother and Infant
ca. 1798
John Varley Architectural Drawing of a Building with Astrological Symbols
John Varley, 1778–1842
Architectural Drawing of a Building with Astrological Symbols
undated
John Varley Mountain Landscape with Castle Ruins on a Cliff
John Varley, 1778–1842
Mountain Landscape with Castle Ruins on a Cliff
undated
John Samuel Hayward A Young Woman Looking Down
John Samuel Hayward, 1778–1822
A Young Woman Looking Down
undated
Charles Gore Ruins du Château du Heidelberg
Charles Gore, 1729–1807
Ruins du Château du Heidelberg
1793
Richard Banks Harraden Clare College, Cambridge
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
Richard Banks Harraden Milton's Mulberry Tree, Christ's College Gardens, Cambridge
Richard Banks Harraden, 1778–1862
Milton's Mulberry Tree, Christ's College Gardens, Cambridge
undated
John Varley Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
pupil of John Varley, 1778–1842
Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
undated
John Varley Landscape by Moonlight
imitator of John Varley, 1778–1842
Landscape by Moonlight
undated
Gangaram Chintaman Tambat View of a Rock-Carved Temple, Ellora
Gangaram Chintaman Tambat, active 1790s
View of a Rock-Carved Temple, Ellora
1793 or 1795
Gangaram Chintaman Tambat Inside View of Indur Subba
Gangaram Chintaman Tambat, active 1790s
Inside View of Indur Subba
between 1793 and 1795
Gangaram Chintaman Tambat Outside View of Biskurma ka Joompree (Vishvakarma)
Gangaram Chintaman Tambat, active 1790s
Outside View of Biskurma ka Joompree (Vishvakarma)
1793
John Varley Landscape with a Clump of Trees near a Road and a Stream
John Varley, 1778–1842
Landscape with a Clump of Trees near a Road and a Stream
undated
John Varley View of New Street, near London Bridge
John Varley, 1778–1842
View of New Street, near London Bridge
undated
William Alexander Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
William Alexander, 1767–1816
Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
1793
John Varley Romantic Composition
John Varley, 1778–1842
Romantic Composition
undated
Joseph Clarendon Smith Tintern Abbey
Joseph Clarendon Smith, 1778–1810
Tintern Abbey
undated
John Varley Romantic Landscape with Cliffs and a Castle
John Varley, 1778–1842
Romantic Landscape with Cliffs and a Castle
undated
John Varley Landscape in Wales with Mountains, Lake, Castle and Two Figures in the Foreground
pupil of John Varley, 1778–1842
Landscape in Wales with Mountains, Lake, Castle and Two Figures in the Foreground
undated
John Varley Farm House with a Well
John Varley, 1778–1842
Farm House with a Well
undated
John Varley Landscape Composition, Dolbadern
pupil of John Varley, 1778–1842
Landscape Composition, Dolbadern
undated
John Varley Romatic Landscape with a Castle and a Tree on the Right
John Varley, 1778–1842
Romatic Landscape with a Castle and a Tree on the Right
undated
John Varley A Welsh Landscape a Lay-in'
John Varley, 1778–1842
A Welsh Landscape a Lay-in'
undated
John Varley Carnarvon Castle
John Varley, 1778–1842
Carnarvon Castle
undated
John Varley The Castle on the Hill
John Varley, 1778–1842
The Castle on the Hill
undated
Thomas Girtin A Temple in Harewood Park
Thomas Girtin, 1775–1802
A Temple in Harewood Park
ca. 1798
Thomas Girtin Trees and Pond near Bromley, Kent
Thomas Girtin, 1775–1802
Trees and Pond near Bromley, Kent
ca. 1798
James Moore Brighthelmstone, England
James Moore, 1762–1799
Brighthelmstone, England
1793
James Moore Church of St. Mary the Virgin, Hurley, Berkshire, England
James Moore, 1762–1799
Church of St. Mary the Virgin, Hurley, Berkshire, England
1793
James Moore Church of St. Nicholas, Thames Ditton, Surrey, England
James Moore, 1762–1799
Church of St. Nicholas, Thames Ditton, Surrey, England
1793
James Moore Holy Trinity Parish Church, Cookham, England
James Moore, 1762–1799
Holy Trinity Parish Church, Cookham, England
1793