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Collection
Prints and Drawings
597
Rare Books and Manuscripts
7
Paintings and Sculpture
5
Creator
Varley, John, 1778–1842
109
Gay, John, 1685–1732
70
Stockdale, John, ca. 1749–1814
70
Blake, William, 1757–1827
57
Hastings, Thomas Capt., 1778–1854
46
Unknown artist
33
Romney, George, 1734–1802
29
Wootton, John, approximately 1682–1764
29
Tambat, Gangaram Chintaman Navgire, active 1790s
27
Kent, William, ca.1686–1748
23
Bartolozzi, Francesco, 1727–1815
21
Cockburn, James Pattison, 1779–1847
16
Gravelot, Hubert-François, 1699–1773
16
Cruikshank, Isaac, 1764–1811
14
Girtin, Thomas, 1775–1802
14
Skelton, William, 1763–1848
13
Grainger, W., active 1793
12
Carter, John, 1748–1817
11
Gillray, James, 1756–1815
11
Moore, James, 1762–1799
11
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Creator
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Date
1800
1,417
1900
683
1802
681
1834
662
1795
648
1796
630
1793
[remove]
609
1745
603
1790
600
1791
576
1775
552
1770
536
1826
535
1771
534
1789
534
1825
528
1792
519
1827
510
1804
509
1794
500
1832
480
1835
472
1830
470
1700
462
1797
449
1784
437
1820
425
1772
421
1799
416
1836
402
1833
400
1814
384
1960
376
2004
368
1803
365
1785
362
1867
350
1780
348
1801
342
1812
337
1767
336
1818
335
1768
334
1798
329
1808
329
1886
301
1807
299
1788
297
1821
293
1823
289
1805
288
1750
286
0
282
1783
281
1817
281
1787
276
1748
274
1811
273
1809
268
1813
264
1764
262
1828
262
1810
257
1815
251
1850
250
1755
242
1837
242
1819
238
1824
234
1765
232
1786
232
1831
232
1782
227
1778
222
1822
211
1839
211
1816
207
1806
206
1752
204
1730
203
1945
200
1829
195
1781
187
1838
185
1630
182
1840
180
1762
177
1725
176
1777
172
1740
171
1758
171
1846
170
1738
168
1855
166
1763
162
1779
159
1760
156
1776
156
1773
151
1774
151
On-site Access
Accessible in the Study Room
594
On view
11
Not on view
4
Image Use
Free to Use
601
Under Certain Circumstances
8
Image Available
Available
[remove]
609
Classification
Drawings & Watercolors
313
Prints
279
Drawings & Watercolors-Miniatures
7
Paintings
5
Books
3
Archives & Manuscripts
1
Three-Dimensional Artifacts
1
Creator Gender
male
585
unknown
40
female
6
Collective Title
Gay's Fables
70
Album of Topographical Sketches
60
Fables by John Gay, Vol. I
53
Sketches, Vol. 6: 152 Drawings of Isle of Wight, Canterbury, and Hampstead, etc.
39
For Children: The Gates of Paradise, Copy E
19
America. A Prophecy, Copy M
18
Fables by John Gay, Vol. II
17
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
11
Visions of the Daughters of Albion, Copy I
7
Cries of London
5
Iconographie Anglaise par Reynolds et Autres
5
Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etc.
5
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
4
Prints by Notable Dilettanti
3
Sketches, Volume IV: Drawings of Isle of Wight, Hampshire and Devon
2
Antiquities of London and Environs
1
Europe. A Prophecy, Copy A
1
The Costume of China
1
The Cries of London
1
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
more
Collective Title
»
Period
18th century
422
18th century-19th century
140
19th century
48
Materials & Techniques
wove paper
309
graphite
190
watercolor
126
etching (printing process)
108
line engraving
100
laid paper
83
black ink
71
gray wash
32
stipple engraving
32
brown ink
26
relief etching
24
brown wash
20
gouache
18
mezzotint
17
pens
16
color printing
14
black chalk
10
aquatint
7
ivory
7
pen
7
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
224
Unknown
116
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
185
Unknown
116
Work Type
drawing
272
intaglio print
162
watercolor
160
relief print
24
miniature
6
painting
5
frontispiece
4
ephemera
2
advertisement
1
albums (books)
1
ballad
1
broadside
1
engraving
1
graphite drawing
1
invoice
1
landscape drawing
1
panoramic view
1
planographic print
1
receipts (financial records)
1
seals (marks)
1
more
Work Type
»
Genre
landscape
110
architectural subject
91
literary theme
89
genre subject
75
animal art
72
portrait
40
figure study
35
historical subject
27
marine art
26
religious and mythological subject
26
cityscape
16
military art
7
sporting art
2
botanical subject
1
cartographic material
1
still life
1
Subject Terms
architectural subject
81
landscape
68
trees
66
men
48
genre subject
40
text
40
clouds
35
portrait
30
nudes
28
figures
26
historical subject
26
river
23
religious and mythological subject
21
boats
19
women
19
hills
18
correctional institution
17
prison
17
figure study
16
marine art
16
more
Subject Terms
»
Subject Period
18th century
1
Associated Places
United Kingdom
55
England
47
India
28
Ellora
22
Europe
22
London
15
City of Westminster
12
Palace of Westminster
12
Asia
9
Wales
8
Cymru
7
China
6
Thames
6
Karli
5
Greater London
4
Cambridge
3
Cambridgeshire
3
Great Britain
3
Northumberland
3
Rocca di Papa
3
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
5
Cornwallis, Charles (1738–1805), lieutenant-general
2
Bacon, Sir Nathaniel (1585–1627), painter
1
Barker, Robert, 1739–1806
1
De Sausmarez, Martha, -1849
1
Frederick Howard
1
Hastings, Francis Rawdon, first marquess of Hastings and second earl of Moira (1754–1826), army officer and politician
1
Henry VIII (1491–1547), king of England and Ireland
1
Jackson, William (fl. 1793), Excise man
1
Louis XV (1710–1774), king of France and of Navarre
1
Louis XVI (1754–1793), king of France
1
Montagu, Edward, first earl of Sandwich (1625–1672), army and naval officer and diplomat
1
Percy, Anne (nee Goodriche), wife of Bishop Thomas Percy of Dromore
1
Pisani, Alvise, 114th doge of Venice (1505–1523)
1
Quincey, Thomas Penson De (1785–1859), essayist
1
Reynolds, Sir Joshua (1723–1792), portrait and history painter and art theorist
1
Tipu Sultan of Mysore (1750–1799)
1
Watson, Ann, active 1793
1
Watson, Nicholas, active 1793
1
Whitefoord, Caleb (1734–1810), wine merchant and diplomatist
1
more
Associated People
»
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
29
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
29
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
23
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
20
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
19
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
13
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
13
William Blake: Burning Bright (Yale Center for British Art, 2025-09-04 - 2025-12-07)
10
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
6
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
6
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
4
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
4
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
463
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD
70
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
22
Yale Center for British Art, Paul Mellon Fund
18
Yale Center for British Art
8
Yale Center for British Art; Yale University Art Gallery Collection
5
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
3
Yale Center for British Art, Bequest of Richard L. Purdy
2
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
2
Yale Center for British Art, Gift of Paul F. Walter
2
22638577470008651|Yale Center for British Art, Paul Mellon Fund
1
22685485740008651|Yale Center for British Art, Paul Mellon Fund
1
22817916150008651|Yale Center for British Art, Paul Mellon Fund
1
22829313210008651|Yale Center for British Art, Paul Mellon Collection
1
22846215320008651|Yale Center for British Art, Paul Mellon Fund
1
22934966650008651|Yale Center for British Art, Paul Mellon Fund
1
22972272840008651|Yale Center for British Art, Paul Mellon Fund
1
Yale Center for British Art, Gift of Mr. and Mrs. Leon Korn
1
Yale Center for British Art, Gift of R. W. Hutton and J. S. Cogswell
1
Yale Center for British Art, Gift of Robert B. Simon
1
more
Credit Line
»
Language
English
7
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1
Henry Singleton, 1766–1839
The Wandering Sailor
ca. 1798
Not on view
2
William Anderson, 1757–1837
Hussars Embarking at Deptford
1793
Not on view
3
Robert Smirke, 1752–1845
The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay
1793
Not on view
4
Joseph Wright of Derby, 1734–1797
Landscape with a Rainbow
between 1793 and 1794
Not on view
5
George Garrard, 1760–1826
A Marmoset in Three Attitudes
1793
On view
6
John Constable, 1776–1837
Flowers in a Pitcher
undated
7
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
8
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
9
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
10
Print made by William Blake, 1757–1827
For Children. The Gates of Paradise; Title Page (Plate 2)
1793
11
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
12
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
13
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
14
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
15
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
16
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
17
Print made by William Blake, 1757–1827
Visions of the Daughters of Albion; Frontispiece (Plate 1)
1793
18
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
19
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
20
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
21
Print made by William Blake, 1757–1827
Albion's Angel; Frontispiece (Plate 1)
1793
22
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
On view
23
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
On view
24
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
25
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
26
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
27
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
28
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
29
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
30
Print made by William Blake, 1757–1827
America, A Prophecy; Title Page (Plate 2)
1793
On view
31
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
32
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
33
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
On view
34
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
On view
35
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
36
Print made by William Blake, 1757–1827
Earth (Plate 5)
1793
37
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
38
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
39
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
40
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
41
Print made by William Blake, 1757–1827
I Want! I Want! (Plate 11)
1793
42
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
43
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
44
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
45
Print made by William Blake, 1757–1827
Visions of the Daughters of Albion; Title Page (Plate 2)
1793
46
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
47
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
48
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
49
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
On view
50
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
On view
51
Prints made by William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
On view
52
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
On view
53
Print made by William Blake, 1757–1827
Europe. A Prophecy
1793, printed 1795
On view
54
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
55
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
56
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
57
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
58
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
59
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
60
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
61
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
62
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
63
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
64
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
65
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
66
George Romney, 1734–1802
Figure Composition Study 3
1793-1794
67
George Romney, 1734–1802
Figure Composition Study 4
1793
68
George Romney, 1734–1802
Figure Composition Study 48
1793
69
George Romney, 1734–1802
Two Figure Studies
1793
70
George Romney, 1734–1802
Figure Supporting a Fainting Figure
1793
71
George Romney, 1734–1802
Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
1793
72
George Romney, 1734–1802
Howard Visiting a Prison
1793
73
George Romney, 1734–1802
Howard Visiting a Prison
1793
74
George Romney, 1734–1802
Prison Scene
1793
75
George Romney, 1734–1802
Howard Visiting a Prison
1793
76
George Romney, 1734–1802
Prison Scene
1793
77
George Romney, 1734–1802
Prison Scene
1793
78
George Romney, 1734–1802
Demon Ruler and Subjects: "The Miserable Effects of War on John Bull..."
1793-1794
79
George Romney, 1734–1802
Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
1793
80
George Romney, 1734–1802
Howard Visiting a Prison
1793
81
George Romney, 1734–1802
Prison Scene
1793
82
George Romney, 1734–1802
Prison Scene
1793
83
George Romney, 1734–1802
Prison Scene
1793
84
George Romney, 1734–1802
Figure Supporting a Fainting Figure
1793
85
George Romney, 1734–1802
Figures
1793
86
George Romney, 1734–1802
John Howard Visiting a Lazaretto
1793
87
George Romney, 1734–1802
Prison Scene
1793
88
George Romney, 1734–1802
Prison Scene
1793
89
George Romney, 1734–1802
Prison Scene
1793
90
George Romney, 1734–1802
Prison Scene
1793
91
George Romney, 1734–1802
John Howard Visiting a Lazaretto
1793
92
George Romney, 1734–1802
Fallen Angel, or Figure for the Flood
1793
93
unknown artist
Falstaff at Hern's Oak - "Merry Wives of Windsor," Act V, Scene V
1793
94
William S. Leney, 1769–1831
Taming the Shrew, Act III, Scene II
1793
95
John Jones, ca. 1745–1797
Francis Hargrave
1793
96
Robert Dighton, 1752–1814
A Jack in Office
1793
97
Sir Edwin Henry Landseer, 1802–1873
Francis Rawdon-Hastings, 1st Marquess of Hastings
1793-1816
98
John Varley, 1778–1842
Romantic Composition
undated
99
John Varley, 1778–1842
River Landscape with Two Figures, Lake and Distant Mountains
undated
100
John Varley, 1778–1842
River, Trees and Distant Town
undated
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