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Collection
Prints and Drawings
490
Rare Books and Manuscripts
6
Paintings and Sculpture
5
Creator
Gay, John, 1685–1732
70
Stockdale, John, ca. 1749–1814
70
Blake, William, 1757–1827
57
Varley, John, 1778–1842
49
Hastings, Thomas Capt., 1778–1854
46
Unknown artist
33
Wootton, John, approximately 1682–1764
29
Kent, William, ca.1686–1748
23
Bartolozzi, Francesco, 1727–1815
21
Cockburn, James Pattison, 1779–1847
16
Gravelot, Hubert-François, 1699–1773
16
Cruikshank, Isaac, 1764–1811
14
Girtin, Thomas, 1775–1802
14
Skelton, William, 1763–1848
13
Grainger, W., active 1793
12
Carter, John, 1748–1817
11
Gillray, James, 1756–1815
11
Moore, James, 1762–1799
11
Wilson,, active 1793
9
Hamilton, William, 1751–1801
8
more
Creator
»
Date
1800
1,363
1900
685
1802
676
1834
662
1796
633
1775
618
1745
604
1791
574
1795
567
1749
554
1825
547
1771
523
1789
518
1792
513
1804
508
1827
507
1793
[remove]
501
1832
476
1835
470
1790
464
1830
464
1700
459
1797
446
1826
446
1784
431
1820
425
1772
419
1794
418
1799
413
1836
402
1770
396
0
394
1833
389
1814
379
2004
368
1801
345
1803
342
1785
336
1818
334
1812
333
1780
328
1798
327
1960
320
1767
314
1867
314
1808
312
1768
304
1807
296
1823
289
1750
280
1805
278
1748
274
1821
274
1788
273
1811
271
1813
270
1817
270
1809
262
1828
262
1787
260
1783
259
1810
257
1764
255
1815
248
1837
240
1819
239
1850
236
1824
233
1831
232
1782
225
1786
225
1755
217
1778
212
1839
210
1822
209
1816
205
1752
204
1730
203
1765
200
1945
197
1806
196
1829
194
1838
185
1630
181
1781
180
1725
176
1840
176
1762
172
1777
172
1740
171
1846
169
1738
167
1758
167
1855
160
1763
159
1779
155
1776
152
1774
145
1773
143
2000
143
On-site Access
Accessible by appointment in the Study Room
496
Not on view
5
Image Use
Free to Use
497
Under Certain Circumstances
4
Image Available
Available
[remove]
501
Classification
Prints
278
Drawings & Watercolors
206
Drawings & Watercolors-Miniatures
7
Paintings
5
Books
3
Archives & Manuscripts
1
Three-Dimensional Artifacts
1
Creator Gender
male
478
unknown
39
female
6
Collective Title
Gay's Fables
70
Fables by John Gay, Vol. I
53
Sketches, Vol. 6: 152 Drawings of Isle of Wight, Canterbury, and Hampstead, etc.
39
For Children: The Gates of Paradise, Copy E
19
America. A Prophecy, Copy M
18
Fables by John Gay, Vol. II
17
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
11
Visions of the Daughters of Albion, Copy I
7
Cries of London
5
Iconographie Anglaise par Reynolds et Autres
5
Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etc.
5
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
4
Sketches, Volume IV: Drawings of Isle of Wight, Hampshire and Devon
2
Antiquities of London and Environs
1
Collection of Prints by Notable Dilettanti
1
Europe. A Prophecy, Copy A
1
The Costume of China
1
The Cries of London
1
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Views in the Province of Kiang Nan, China
1
Period
18th century
374
18th century-19th century
77
19th century
47
Materials & Techniques
wove paper
288
graphite
148
watercolor
115
etching (printing process)
108
line engraving
100
laid paper
59
black ink
50
stipple engraving
32
relief etching
24
brown ink
22
brown wash
20
mezzotint
17
gouache
16
gray wash
15
color printing
14
pens
14
aquatint
7
black chalk
7
ivory
7
gray ink
5
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
224
Unknown
55
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
185
Unknown
55
Work Type
drawing
226
intaglio print
152
watercolor
133
relief print
24
miniature
6
painting
5
frontispiece
4
ephemera
2
advertisement
1
ballad
1
broadside
1
engraving
1
invoice
1
panoramic view
1
planographic print
1
receipts (financial records)
1
seals (marks)
1
song
1
Genre
landscape
107
literary theme
89
architectural subject
75
animal art
72
genre subject
58
portrait
39
marine art
26
religious and mythological subject
24
historical subject
21
cityscape
16
figure study
12
military art
7
sporting art
2
botanical subject
1
still life
1
Subject Terms
landscape
70
architectural subject
66
trees
66
men
47
text
40
clouds
36
portrait
30
genre subject
28
nudes
27
figures
24
river
23
historical subject
20
boats
19
religious and mythological subject
19
women
19
hills
18
buildings
16
marine art
16
mountains
16
children
15
more
Subject Terms
»
Subject Period
18th century
1
Associated Places
United Kingdom
56
England
48
Europe
23
London
15
City of Westminster
12
Palace of Westminster
12
Wales
8
Asia
7
Cymru
7
China
6
Thames
6
India
5
Greater London
4
Cambridge
3
Cambridgeshire
3
Ellora
3
Great Britain
3
Kent
3
Northumberland
3
Rocca di Papa
3
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
5
Cornwallis, Charles (1738–1805), lieutenant-general
2
Bacon, Sir Nathaniel (1585–1627), painter
1
Barker, Robert, 1739–1806
1
De Sausmarez, Martha, -1849
1
Frederick Howard
1
Hastings, Francis Rawdon, first marquess of Hastings and second earl of Moira (1754–1826), army officer and politician
1
Henry VIII (1491–1547), king of England and Ireland
1
Jackson, William (fl. 1793), Excise man
1
Louis XV (1710–1774), king of France and of Navarre
1
Louis XVI (1754–1793), king of France
1
Montagu, Edward, first earl of Sandwich (1625–1672), army and naval officer and diplomat
1
Percy, Anne (nee Goodriche), wife of Bishop Thomas Percy of Dromore
1
Pisani, Alvise, 114th doge of Venice (1505–1523)
1
Quincey, Thomas Penson De (1785–1859), essayist
1
Reynolds, Sir Joshua (1723–1792), portrait and history painter and art theorist
1
Tipu Sultan of Mysore (1750–1799)
1
Watson, Ann, active 1793
1
Watson, Nicholas, active 1793
1
Whitefoord, Caleb (1734–1810), wine merchant and diplomatist
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
29
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
29
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
23
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
20
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
19
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
13
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
6
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
6
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
4
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
4
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
379
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD
70
Yale Center for British Art, Paul Mellon Fund
16
Yale Center for British Art
8
Yale Center for British Art; Yale University Art Gallery Collection
5
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
3
Yale Center for British Art, Bequest of Richard L. Purdy
2
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
2
Yale Center for British Art, Gift of Paul F. Walter
2
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
2
Yale Center for British Art, Gift of Mr. and Mrs. Leon Korn
1
Yale Center for British Art, Gift of R. W. Hutton and J. S. Cogswell
1
Yale Center for British Art, Gift of Robert B. Simon
1
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935
1
Yale Center for British Art, Paul Mellon Fund, in honor of Duncan Robinson, Director, Yale Center for British Art (1981–1995)
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Francis P. Garvan
1
Language
English
6
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1
Henry Singleton, 1766–1839
The Wandering Sailor
ca. 1798
Not on view
2
William Anderson, 1757–1837
Hussars Embarking at Deptford
1793
Not on view
3
Robert Smirke, 1752–1845
The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay
1793
Not on view
4
Joseph Wright of Derby, 1734–1797
Landscape with a Rainbow
between 1793 and 1794
Not on view
5
George Garrard, 1760–1826
A Marmoset in Three Attitudes
1793
Not on view
6
John Constable, 1776–1837
Flowers in a Pitcher
undated
7
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
8
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
9
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
10
George Romney, 1734–1802
Figure Composition Study 4
1793
11
George Romney, 1734–1802
Figure Composition Study 48
1793
12
George Romney, 1734–1802
Devils for the Temptation of Christ
1793
13
George Romney, 1734–1802
Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
1793
14
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
15
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
16
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
17
Print made by William Blake, 1757–1827
I Want! I Want! (Plate 11)
1793
18
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
19
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
20
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
21
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
22
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
23
Print made by William Blake, 1757–1827
Title Page, For Children. The Gates of Paradise (Plate 2)
1793
24
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
25
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
26
Print made by William Blake, 1757–1827
Earth (Plate 5)
1793
27
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
28
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
29
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
30
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
31
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
32
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
33
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
34
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
35
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
36
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
37
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
38
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
39
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
40
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
41
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
42
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
43
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
44
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
45
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
46
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
47
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
48
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
49
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
50
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
51
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
52
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
53
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
54
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
55
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
56
Prints made by William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
57
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
58
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
59
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
60
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
61
Print made by William Blake, 1757–1827
Europe. A Prophecy
1793, printed 1795
62
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
63
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
64
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
65
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
66
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
67
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
68
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
69
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
70
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
71
William Alexander, 1767–1816
Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
1793
72
James Pattison Cockburn, 1779–1847
Dismounted Cavalry
undated
73
John Varley, 1778–1842
River Landscape with Two Figures, Lake and Distant Mountains
undated
74
John Varley, 1778–1842
River, Trees and Distant Town
undated
75
Lt. John Ritso, 1772–1866
Gateway of an Old Fort, Benares
1793 or 179(8)
76
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
77
Francis David Soiron, Born 1764
A Tea Garden
1793
78
John Varley, 1778–1842
Two Donkeys in a Landscape
undated
79
Gangaram Chintaman Tambat, active 1790s
Inside View of Indur Subba
between 1793 and 1795
80
John Varley, 1778–1842
Seashore with Two Figures and a Distant Town
undated
81
William Alexander, 1767–1816
The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin
1793
82
William Alexander, 1767–1816
Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
1793
83
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
84
Richard Crosse, 1742–1810
Joseph de Lautour
1793
85
Richard Crosse, 1742–1810
Amelia de Lautour
1793
86
Richard Crosse, 1742–1810
Peter de Lautour
1793
87
Horace Hone, 1756–1825
Thomas Quincey
1793
88
Print made by John Jones, ca. 1745–1797
Caleb Whitefoord, F.R.S., F.S.A
1793
89
Print made by Henry Birche, active 1790–1795
Hon. George Cranfield Berkeley
1793
90
Print made by Gainsborough Dupont, 1754–1797
Eldest Princesses
1793
91
John Hall, 1739–1797
The Right Honorable Edward Lord Hawke (1705-1781)
1793
92
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches of Penny Primroses, Two Bunches a Penny
1793
93
Print made by Luigi Schiavonetti, 1765–1810
Milk below Maids
1793
94
George Morland, 1763–1804
Two Men on a Country Road
1793
95
John Varley, 1778–1842
Norwich
undated
96
John Varley, 1778–1842
Mountain Landscape with Castle Ruins on a Cliff
undated
97
pupil of John Varley, 1778–1842
Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
undated
98
John Varley, 1778–1842
Barnard Castle, County Durham
undated
99
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
100
imitator of John Varley, 1778–1842
River Landscape
undated
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