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Collection
Prints and Drawings
420
Rare Books and Manuscripts
65
Paintings and Sculpture
5
Reference Library
2
Creator
Gay, John, 1685–1732
73
Stockdale, John, ca. 1749–1814
71
Blake, William, 1757–1827
59
Unknown artist
40
Wootton, John, approximately 1682–1764
29
Bartolozzi, Francesco, 1727–1815
26
Labruzzi, Carlo, 1748–1817
26
Kent, William, ca.1686–1748
23
Gravelot, Hubert-François, 1699–1773
16
Skelton, William, 1763–1848
15
Cruikshank, Isaac, 1764–1811
14
Girtin, Thomas, 1775–1802
14
Hamilton, William, 1751–1801
13
Grainger, W., active 1793
12
Carter, John, 1748–1817
11
Gillray, James, 1756–1815
11
Moore, James, 1762–1799
11
Mazell, Peter, active 1761–1797
9
Reynolds, Joshua, Sir, 1723–1792
9
Schiavonetti, Luigi, 1765–1810
9
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Creator
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Date
1745
638
1792
545
1791
535
1775
526
1789
521
1794
496
1790
493
1793
[remove]
492
1700
487
1797
442
1795
426
1799
374
1785
369
1780
360
1750
340
1798
326
1796
319
1749
314
1767
305
1783
298
1768
294
1752
286
1788
284
1773
280
1787
273
1770
270
1730
269
1784
256
1739
241
1800
236
1786
233
1778
229
1776
224
1725
220
1782
216
1758
210
1771
209
1755
205
1754
202
1738
201
1777
190
1760
188
1762
186
1763
186
1779
186
1781
176
1765
170
1740
169
1772
161
1764
156
1742
154
1769
147
1753
145
1735
124
1751
123
1774
118
1717
111
1757
104
1748
101
1761
98
1766
97
1736
93
1715
89
1746
87
1705
85
1747
79
1720
76
1737
75
1756
75
1732
74
1731
72
1759
72
1743
66
1741
65
1712
63
1744
62
1719
58
1729
58
1728
48
1710
46
1734
37
1733
34
1723
32
1727
32
1701
28
1724
28
1707
24
1709
23
1726
23
0
20
1713
20
1722
19
1718
18
1714
17
1716
16
1721
16
1703
15
1690
14
1699
13
1704
13
On-site Access
Accessible by appointment in the Study Room
485
Not on view
5
Accessible by appointment in the Reference Library
2
Image Use
Free to Use
422
Under Certain Circumstances
70
Image Available
Available
374
Unavailable
118
Classification
Prints
306
Drawings & Watercolors
109
Books
58
Drawings & Watercolors-Miniatures
8
Paintings
5
Archives & Manuscripts
2
Maps & Atlas (printed)
2
Articles & Chapters
1
Three-Dimensional Artifacts
1
Creator Gender
male
406
unknown
107
female
5
Collective Title
Gay's Fables
72
Fables by John Gay, Vol. I
54
For Children: The Gates of Paradise, Copy E
19
America. A Prophecy, Copy M
18
Fables by John Gay, Vol. II
18
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
11
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
7
Cries of London
7
Visions of the Daughters of Albion, Copy I
7
Iconographie Anglaise par Reynolds et Autres
5
Antiquities of London and Environs
1
Collection of Prints by Notable Dilettanti
1
Europe. A Prophecy, Copy A
1
The Costume of China
1
The Cries of London
1
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Views in the Province of Kiang Nan, China
1
Period
18th century
[remove]
492
19th century
4
20th century
2
Materials & Techniques
wove paper
184
etching (printing process)
116
line engraving
103
watercolor
70
graphite
61
black ink
49
laid paper
47
stipple engraving
38
relief etching
24
mezzotint
19
color printing
17
gouache
10
aquatint
9
gray wash
9
ivory
8
hand coloring
7
pens
7
brown ink
6
colored ink
6
black chalk
5
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
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Height [cm] range end
Current results range from
0
to
224
Unknown
140
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
185
Unknown
140
Work Type
intaglio print
162
drawing
108
watercolor
70
relief print
24
aquatint
9
engraving
6
miniature
6
auction catalog
5
painting
5
frontispiece
4
ephemera
3
extra-illustrated copies (provenance)
3
armorial bookplates (provenance)
2
drawing book
2
etching
2
landscape drawing
2
soft-ground etching
2
travel sketche
2
wood engraving
2
a la poupée print
1
more
Work Type
»
Genre
literary theme
92
animal art
73
portrait
57
genre subject
46
architectural subject
43
landscape
34
religious and mythological subject
24
historical subject
22
marine art
20
figure study
11
military art
6
cityscape
5
botanical subject
1
sporting art
1
Subject Terms
portrait
49
men
44
text
40
architectural subject
34
landscape
32
trees
30
nudes
27
genre subject
24
clouds
23
historical subject
21
women
21
religious and mythological subject
19
children
17
costume
16
marine art
15
man
13
Engraving -- Specimens -- 1793.
12
literary theme
12
hat
9
leaf
9
more
Subject Terms
»
Subject Period
19th century
2
18th century
1
Associated Places
England
37
United Kingdom
28
London
17
Europe
14
Great Britain
13
Rocca di Papa
13
City of Westminster
12
Palace of Westminster
12
Asia
7
China
6
India
6
London (England)
4
Ellora
3
Kent
3
Greater London
2
Alamgir Mosque
1
Avon, River (Gloucestershire-Avon, England)
1
Barnes
1
Bath (England)
1
Berkshire
1
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
6
Bute, John Stuart, Earl of, 1713–1792
2
Cornwallis, Charles (1738–1805), lieutenant-general
2
Aesop
1
Bacon, Sir Nathaniel (1585–1627), painter
1
Barker, Robert, 1739–1806
1
Barker, Thomas, 1769–1847
1
Bell, John, 1745–1831
1
Bonasone, Giulio, ca. 1498–ca. 1580
1
Cook, James, 1728–1779
1
Dante Alighieri, 1265–1321
1
De Sausmarez, Martha, -1849
1
Henry VIII (1491–1547), king of England and Ireland
1
Hunter, John, 1728–1793
1
Jackson, William (fl. 1793), Excise man
1
Louis XVI (1754–1793), king of France
1
Montagu, Edward, first earl of Sandwich (1625–1672), army and naval officer and diplomat
1
Percy, Anne (nee Goodriche), wife of Bishop Thomas Percy of Dromore
1
Pisani, Alvise, 114th doge of Venice (1505–1523)
1
Quincey, Thomas Penson De (1785–1859), essayist
1
more
Associated People
»
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
29
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
29
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
25
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
20
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
19
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
13
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
9
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
6
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
4
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
3
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
300
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD
72
Yale Center for British Art, Paul Mellon Fund
17
Yale Center for British Art
9
Yale Center for British Art; Gift of Herman W. Liebert
5
Yale Center for British Art; Yale University Art Gallery Collection
5
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
4
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
2
Yale Center for British Art, Gift of Paul F. Walter
2
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
2
Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Doris M. Brixey
2
Yale Center for British Art, Gift of Mr. and Mrs. Leon Korn
1
Yale Center for British Art, Gift of Paul F. Walter.
1
Yale Center for British Art, Gift of R. W. Hutton and J. S. Cogswell
1
Yale Center for British Art, Gift of Robert B. Simon
1
Yale Center for British Art, Paul Mellon Fund, in honor of Duncan Robinson, Director, Yale Center for British Art (1981–1995)
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Francis P. Garvan
1
Language
English
62
French
2
Italian
2
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Date
1793
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Period
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1
Henry Singleton, 1766–1839
The Wandering Sailor
ca. 1798
Not on view
2
William Anderson, 1757–1837
Hussars Embarking at Deptford
1793
Not on view
3
Robert Smirke, 1752–1845
The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay
1793
Not on view
4
Joseph Wright of Derby, 1734–1797
Landscape with a Rainbow
between 1793 and 1794
Not on view
5
George Garrard, 1760–1826
A Marmoset in Three Attitudes
1793
Not on view
6
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
7
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
8
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
9
George Romney, 1734–1802
Figure Composition Study 4
1793
10
George Romney, 1734–1802
Figure Composition Study 48
1793
11
George Romney, 1734–1802
Devils for the Temptation of Christ
1793
12
George Romney, 1734–1802
Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
1793
13
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
14
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
15
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
16
Print made by William Blake, 1757–1827
I Want! I Want! (Plate 11)
1793
17
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
18
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
19
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
20
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
21
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
22
Print made by William Blake, 1757–1827
Title Page, For Children. The Gates of Paradise (Plate 2)
1793
23
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
24
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
25
Print made by William Blake, 1757–1827
Earth (Plate 5)
1793
26
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
27
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
28
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
29
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
30
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
31
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
32
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
33
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
34
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
35
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
36
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
37
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
38
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
39
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
40
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
41
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
42
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
43
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
44
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
45
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
46
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
47
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
48
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
49
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
50
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
51
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
52
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
53
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
54
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
55
Prints made by William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
56
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
57
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
58
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
59
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
60
Print made by William Blake, 1757–1827
Europe. A Prophecy
1793, printed 1795
61
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
62
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
63
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
64
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
65
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
66
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
67
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
68
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
69
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
70
William Alexander, 1767–1816
Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
1793
71
Lt. John Ritso, 1772–1866
Gateway of an Old Fort, Benares
1793 or 179(8)
72
Francis David Soiron, Born 1764
A Tea Garden
1793
73
Gangaram Chintaman Tambat, active 1790s
Inside View of Indur Subba
between 1793 and 1795
74
William Alexander, 1767–1816
The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin
1793
75
William Alexander, 1767–1816
Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
1793
76
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
77
Richard Crosse, 1742–1810
Joseph de Lautour
1793
78
Richard Crosse, 1742–1810
Amelia de Lautour
1793
79
Richard Crosse, 1742–1810
Peter de Lautour
1793
80
Horace Hone, 1756–1825
Thomas Quincey
1793
81
Print made by John Jones, ca. 1745–1797
Caleb Whitefoord, F.R.S., F.S.A
1793
82
Print made by Henry Birche, active 1790–1795
Hon. George Cranfield Berkeley
1793
83
Print made by Gainsborough Dupont, 1754–1797
Eldest Princesses
1793
84
John Hall, 1739–1797
The Right Honorable Edward Lord Hawke (1705-1781)
1793
85
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches of Penny Primroses, Two Bunches a Penny
1793
86
Print made by Luigi Schiavonetti, 1765–1810
Milk below Maids
1793
87
George Morland, 1763–1804
Two Men on a Country Road
1793
88
David Allan, 1744–1796
The High Street of Edinburgh from the East
1793
89
David Allan, 1744–1796
View of the High Street of Edinburgh and the Commissioner
1793
90
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
91
John Singleton Copley, 1738–1815
Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
ca. 1798
92
Charles Gore, 1729–1807
Ruins du Château du Heidelberg
1793
93
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
94
George Dance, 1741–1825
Portrait of a Boy
August 3, 1793
95
Gangaram Chintaman Tambat, active 1790s
View of a Rock-Carved Temple, Ellora
1793 or 1795
96
Gangaram Chintaman Tambat, active 1790s
Outside View of Biskurma ka Joompree (Vishvakarma)
1793
97
William Henry Pyne, 1769–1843
A Boy Playing a Drum in the Garden of a Country House
1793
98
Print made by Frantz Gabriel Fiesinger, German, 1723–1807
The Right Honorable Samuel Lord Hood
1793
99
Robert Dighton, 1752–1814
A Jack in Office
1793
100
Schenecker, active 1791
Edward Progers
1793
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