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Collection
Prints and Drawings
108
Creator
Blake, William, 1757–1827
22
Girtin, Thomas, 1775–1802
13
Carter, John, 1748–1817
11
Moore, James, 1762–1799
11
Alexander, William, 1767–1816
7
Parish, Henry William, active 1792
7
Daniell, Thomas, 1749–1840
4
Romney, George, 1734–1802
4
Daniell, William, 1769–1837
3
Davis, Samuel, 1760–1819
3
Tambat, Gangaram Chintaman, active 1790s
3
Turner, J. M. W. (Joseph Mallord William), 1775–1851
3
Farington, Joseph, 1747–1821
2
Joseph, G. F. (George Francis), 1764–1846
2
Langdon, Thomas, active 1800
2
Morland, George, 1763–1804
2
Copley, John Singleton, 1738–1815
1
Cozens, John Robert, 1752–1797
1
Dance, George, 1741–1825
1
Edwards, Edward, 1738–1806
1
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Date
1745
461
1749
250
1791
206
1752
204
1792
195
1790
193
1767
180
1785
166
1768
140
1773
138
1700
135
1775
118
1793
[remove]
108
1780
107
1758
102
1789
93
1738
89
1797
89
1787
86
1717
85
1794
84
1763
83
1764
80
1770
64
1788
63
1705
61
1740
59
1777
54
1765
53
1783
53
1778
52
1730
51
1762
51
1760
50
1784
47
1755
46
1782
45
1715
44
1761
41
1795
41
1776
38
1771
36
1798
34
1786
31
1753
29
1772
29
1779
29
1746
28
1754
27
1712
25
1728
25
1736
25
1781
24
1750
23
1799
23
1769
22
1729
21
1742
20
1743
18
1725
17
1723
16
1709
15
1774
15
1701
14
1748
14
1757
14
1732
13
1759
13
1720
12
1796
12
1756
11
1690
10
1718
10
1735
10
1800
10
1734
9
0
8
1747
8
1737
7
1751
7
1722
6
1744
6
1766
6
1731
5
1739
5
1724
4
1733
4
1710
3
1711
3
1713
3
1741
3
1685
2
1699
2
1704
2
1714
2
1716
2
1721
2
1818
2
1830
2
1600
1
On-site Access
Accessible by appointment in the Study Room
108
Image Use
Free to Use
108
Image Available
Available
104
Unavailable
4
Classification
Drawings & Watercolors
82
Prints
22
Drawings & Watercolors-Miniatures
4
Creator Gender
male
107
unknown
1
Collective Title
America. A Prophecy, Copy M
18
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
11
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
7
Visions of the Daughters of Albion, Copy I
4
The Costume of China
1
Views in the Province of Kiang Nan, China
1
Period
18th century
[remove]
108
Materials & Techniques
wove paper
62
graphite
61
watercolor
58
black ink
49
laid paper
35
relief etching
22
color printing
10
gray wash
9
gouache
7
pens
7
brown ink
6
black chalk
5
pen
5
gray ink
4
ivory
4
gum arabic
3
white chalk
3
black wash
2
red chalk
2
rose gold
2
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
8
to
61
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
6
to
83
Work Type
drawing
[remove]
108
watercolor
63
relief print
22
frontispiece
2
miniature
2
Genre
architectural subject
39
landscape
28
religious and mythological subject
19
marine art
15
genre subject
14
figure study
10
portrait
7
literary theme
6
cityscape
5
animal art
1
botanical subject
1
historical subject
1
Subject Terms
architectural subject
30
men
27
landscape
26
text
21
trees
20
religious and mythological subject
19
nudes
17
genre subject
14
women
13
clouds
12
marine art
12
boats
8
figure study
7
portrait
7
river
7
snake
7
costume
6
figures
6
literary theme
6
buildings
5
more
Subject Terms
»
Associated Places
England
24
United Kingdom
24
City of Westminster
12
Europe
12
London
12
Palace of Westminster
12
Asia
7
China
6
India
4
Ellora
3
Kent
3
Alamgir Mosque
1
Barnes
1
Berkshire
1
Bromley
1
Cam
1
Cambridge
1
Canterbury
1
Cape of Good Hope
1
Chennai
1
more
Associated Places
»
Associated People
Henry VIII (1491–1547), king of England and Ireland
1
Percy, Anne (nee Goodriche), wife of Bishop Thomas Percy of Dromore
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
19
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
18
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
13
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
9
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
9
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
7
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
4
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
2
Country Houses in Great Britain - Yale Center for British Art (Yale Center for British Art, 1979-10-10 - 1980-01-29)
2
Masters of the Sea - British Marine Watercolors (National Maritime Museum, 2005-08-25 - 2005-10-25)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
96
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
4
Yale Center for British Art, Paul Mellon Fund
3
Yale Center for British Art, Gift of Paul F. Walter
2
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
2
Yale Center for British Art, Gift of Robert B. Simon
1
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Date
1793
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1
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
2
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
3
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
4
George Romney, 1734–1802
Figure Composition Study 4
1793
5
George Romney, 1734–1802
Figure Composition Study 48
1793
6
George Romney, 1734–1802
Devils for the Temptation of Christ
1793
7
George Romney, 1734–1802
Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
1793
8
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
9
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
10
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
11
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
12
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
13
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
14
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
15
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
16
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
17
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
18
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
19
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
20
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
21
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
22
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
23
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
24
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
25
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
26
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
27
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
28
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
29
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
30
William Alexander, 1767–1816
Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
1793
31
Lt. John Ritso, 1772–1866
Gateway of an Old Fort, Benares
1793 or 179(8)
32
Gangaram Chintaman Tambat, active 1790s
Inside View of Indur Subba
between 1793 and 1795
33
William Alexander, 1767–1816
The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin
1793
34
William Alexander, 1767–1816
Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
1793
35
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
36
George Morland, 1763–1804
Two Men on a Country Road
1793
37
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
38
John Singleton Copley, 1738–1815
Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
ca. 1798
39
Charles Gore, 1729–1807
Ruins du Château du Heidelberg
1793
40
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
41
George Dance, 1741–1825
Portrait of a Boy
August 3, 1793
42
Gangaram Chintaman Tambat, active 1790s
View of a Rock-Carved Temple, Ellora
1793 or 1795
43
Gangaram Chintaman Tambat, active 1790s
Outside View of Biskurma ka Joompree (Vishvakarma)
1793
44
William Henry Pyne, 1769–1843
A Boy Playing a Drum in the Garden of a Country House
1793
45
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
46
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
47
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
48
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
49
Thomas Daniell, 1749–1840
South East View of Fort George, Madras
January 1793
50
John Opie, 1761–1807
Reclining Female Nude
1793
51
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
52
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
53
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
54
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
55
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
56
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
57
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
58
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
59
Thomas Girtin, 1775–1802
Figure Costume Study: French Lady of Quality in 1501
between 1793 and 1795
60
Thomas Girtin, 1775–1802
Figure Costume Study: Persian Lady in 1568
between 1793 and 1795
61
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798
62
Henry William Parish, active 1792
Straits of Sunda
1793
63
Henry William Parish, active 1792
Island of St. Pauls
1793
64
Henry William Parish, active 1792
Tristan d' Acunha, January
1793
65
Thomas Girtin, 1775–1802
Flint Castle
ca. 1798
66
Thomas Girtin, 1775–1802
Harewood House, Yorkshire
ca. 1798
67
Thomas Girtin, 1775–1802
Trees and Pond near Bromley, Kent
ca. 1798
68
James Ward, 1769–1859
A Young Boy with Dogs
ca. 1798
69
Thomas Daniell, 1749–1840
Bay with Sailing Ships
1793
70
James Moore, 1762–1799
Brighton, England
1793
71
James Moore, 1762–1799
Medmenham, England
1793
72
James Moore, 1762–1799
Church of St. Mary the Virgin, Hurley, Berkshire, England
1793
73
James Moore, 1762–1799
Church of St. Nicholas, Thames Ditton, Surrey, England
1793
74
James Moore, 1762–1799
Holy Trinity Parish Church, Cookham, England
1793
75
James Moore, 1762–1799
Unidentified Church
1793
76
James Moore, 1762–1799
Duff House, Scotland
1793
77
James Moore, 1762–1799
Duff House, Scotland
1793
78
James Moore, 1762–1799
Tonbridge Castle, Kent, England
1793
79
James Moore, 1762–1799
Uckfield Holy Cross Church, East Sussex, England
1793
80
James Moore, 1762–1799
Brighthelmstone, England
1793
81
Samuel Davis, 1760–1819
The Mangosteen Fruit, Malacca
1793
82
Joseph Farington, 1747–1821
View of the Convent of the Clarisses at Valenciennes after the Seige
1793
83
Henry Fuseli, 1741–1825
The Peasant's Dream, Paradise Lost, Book 1, 781-8
1793 to 1800
84
Thomas Langdon, active 1800
Anne Goodriche, Wife of Thomas Percy, Bishop of Dromore
1793
85
Henry William Parish, active 1792
Island of St. Pauls
1793
86
Thomas Girtin, 1775–1802
Figure Costume Study: Noble Virgin of Bologna
between 1793 and 1795
87
Thomas Girtin, 1775–1802
Figure Costume Study: English Nobleman
between 1793 and 1795
88
Thomas Girtin, 1775–1802
Figure Costume Study of Henry VIII
between 1793 and 1795
89
Thomas Girtin, 1775–1802
Figure Costume Study of Edward VI in 1550
between 1793 and 1795
90
Thomas Girtin, 1775–1802
A Temple in Harewood Park
ca. 1798
91
Thomas Girtin, 1775–1802
Warkworth Castle, Northumberland
ca. 1798
92
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
93
Thomas Langdon, active 1800
Bishop Thomas Percy, Bishop of Dromore
1793
94
William Alexander, 1767–1816
Fort Opposite the Factory, Canton
1793
95
William Alexander, 1767–1816
Fisherpeople on a Junk
1793
96
William Alexander, 1767–1816
View in the Province of Kiang-nan, China, Taken from Nature
1793
97
Thomas Daniell, 1749–1840
View of Some-Cheon on French Island
between 1793 and 1794
98
William Alexander, 1767–1816
The Dent de Lion, Margate, Kent
ca. 1798
99
Edward Edwards, 1738–1806
Barn Elmes
1793
100
Thomas Daniell, 1749–1840
East View of the Forts Jellali and Merani, Muskat
1793
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