Date: 1792 / Classification: Prints - YCBA Collections Search Search Results

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Date 1792

Classification Prints

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

ca. 1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

ca. 1797

William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake Night the Second. On Time, Death and Friendship; Title Page

Print made by William Blake, 1757–1827

Night the Second. On Time, Death and Friendship; Title Page

ca. 1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

ca. 1797

William Blake 'The thunder if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake The Complaint, and the Consolation; or, Night Thoughts

Print made by William Blake, 1757–1827

The Complaint, and the Consolation; or, Night Thoughts

ca. 1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Christian von Mechel, 1737–1817

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Robert Dodd "The Indian Emperor" or "The Conquest of Mexico"

Robert Dodd, 1748–1816

"The Indian Emperor" or "The Conquest of Mexico"

1792

George Townly Stubbs [Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ....

George Townly Stubbs, 1748–1815

[Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ...

1792

unknown artist French Privateers, Cruising in the English Channel

Print made by unknown artist

French Privateers, Cruising in the English Channel

1792

Francesco Bartolozzi Mrs. Montagu

Print made by Francesco Bartolozzi, 1728–1815

Mrs. Montagu

1792

John Young Philip Affleck, Esq.

John Young, 1755–1825

Philip Affleck, Esq

1792

Christian von Mechel Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Christian von Mechel, 1737–1817

Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Christian von Mechel, 1737–1817

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Joseph Constantine Stadler The Farm House

Joseph Constantine Stadler, active 1780–1812

The Farm House

1792

unknown artist Falstaff reproved by King Henry

unknown artist

Falstaff reproved by King Henry

1792

James Fittler 'The Gamester,' Act V, Scene IV

James Fittler, 1758–1835

'The Gamester,' Act V, Scene IV

1792

unknown artist Thomas Graves

unknown artist

Thomas Graves

c.1792

John Jones Reverend John Moore, Lord Archbishop of Canterbury

John Jones, ca. 1745–1797

Reverend John Moore, Lord Archbishop of Canterbury

1792

William Gmelin Vue des Petites Cascatelles a Tivoli

William Gmelin, 1745–1821

Vue des Petites Cascatelles a Tivoli

1792

William Birch Mrs. Robinson

Print made by William Birch, 1755–1834

Mrs. Robinson

1792

Francesco Bartolozzi To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

Print made by Francesco Bartolozzi, 1728–1815

To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

1792

Thomas Trotter Dr. Samuel Johnson

Thomas Trotter, ca. 1750–1803

Dr. Samuel Johnson

1792

Francesco Bartolozzi Funeral Card of Sir Joshua Reynolds

Print made by Francesco Bartolozzi, 1728–1815

Funeral Card of Sir Joshua Reynolds

1792

John Chapman Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

John Chapman, active ca. 1792–1823

Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

1792

John Chapman Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

John Chapman, active ca. 1792–1823

Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

1792

Thomas Cheesman The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV

Print made by Thomas Cheesman, 1760–1834/35

The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV

1792

unknown artist Macbeth and the Murderers - "Macbeth," Act III, Scene I

unknown artist

Macbeth and the Murderers - "Macbeth," Act III, Scene I

1792

Francis Legat "King Lear", Act V, Scene III

Francis Legat, 1755–1809

"King Lear", Act V, Scene III

1792

Francesco Bartolozzi Miss Farren

Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1792

John Condé Mrs. Fitzherbert

Print made by John Condé, 1765–1794

Mrs. Fitzherbert

1792

Thomas Cheesman Marchioness of Townshend and Child

Print made by Thomas Cheesman, 1760–1834/35

Marchioness of Townshend and Child

1792

Richard Earlom Colonel Mordaunt's Cock Match at Lucknow

Print made by Richard Earlom, 1743–1822

Colonel Mordaunt's Cock Match at Lucknow

1792

Richard Earlom Colonel Mordaunt's Cock Match at Lucknow

Print made by Richard Earlom, 1743–1822

Colonel Mordaunt's Cock Match at Lucknow

1792

George Morland The Farmer's Stable

George Morland, 1763–1804

The Farmer's Stable

1792

George Saunders Monument for Sir Joshua Reynolds

George Saunders, c.1762–1839

Monument for Sir Joshua Reynolds

1792

John Chapman Rosalind, Celia and Touchstone - "As You Like It," Act II, Scene III

John Chapman, active ca. 1792–1823

Rosalind, Celia and Touchstone - "As You Like It," Act II, Scene III

1792

John Chapman Helena in the Dress of a Pilgrim - "All's Well That Eends Well," Act III, Scene V

John Chapman, active ca. 1792–1823

Helena in the Dress of a Pilgrim - "All's Well That Eends Well," Act III, Scene V

1792

Peltro W. Tomkins Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

Peltro W. Tomkins, 1760–1840

Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

1792

unknown artist Falstaff Reproved by King Henry

unknown artist

Falstaff Reproved by King Henry

1792

Francesco Bartolozzi Thais

Print made by Francesco Bartolozzi, 1728–1815

Thais

1792

Francesco Bartolozzi Miss Farren

Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1792

Francesco Bartolozzi Miss Farren

Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1792

Thomas Trotter Jonathan Shipley, Bishop of St. Asaph

Thomas Trotter, ca. 1750–1803

Jonathan Shipley, Bishop of St. Asaph

1792

William Byrne Chinese Pavilion in European Landscape

William Byrne, 1743–1805

Chinese Pavilion in European Landscape

1792

unknown artist A Gentleman's Seat on Stockwell Common, Surrey

unknown artist

A Gentleman's Seat on Stockwell Common, Surrey

1792

unknown artist The Elegant Villa of the late Gregory Bateman, Esquire at Kentish Town, Middlesex

unknown artist

The Elegant Villa of the late Gregory Bateman, Esquire at Kentish Town, Middlesex

1792

unknown artist Grosvenor House at Walthamstow, Essex, Outer Suburb - East

unknown artist

Grosvenor House at Walthamstow, Essex, Outer Suburb - East

1792

William Ellis Islington Church

William Ellis, 1747–1810

Islington Church

1792

William Ellis Islington

William Ellis, 1747–1810

Islington

1792

unknown artist Highbury Assembly House near Islington

unknown artist

Highbury Assembly House near Islington

1792

unknown artist View in Margaret Street

unknown artist

View in Margaret Street

1792

James Gillray Wha Wants Me?

James Gillray, 1756–1815

Wha Wants Me?

1792

Isaac Cruikshank Resignation the Greatest of all Virtues

Isaac Cruikshank, 1764–1811

Resignation the Greatest of all Virtues

1792

Isaac Cruikshank The Maid of Bath or Mac in her Teens

Isaac Cruikshank, 1764–1811

The Maid of Bath or Mac in her Teens

1792

Isaac Cruikshank Resignation the Greatest of all Virtues

Isaac Cruikshank, 1764–1811

Resignation the Greatest of all Virtues

1792

James Gillray Tom Paine's Nightly Pest

James Gillray, 1756–1815

Tom Paine's Nightly Pest

1792

James Gillray The Physick; - or - The News of Shooting the King of Sweden

James Gillray, 1756–1815

The Physick; - or - The News of Shooting the King of Sweden

1792

James Gillray Wha Wants Me?

James Gillray, 1756–1815

Wha Wants Me?

1792

James Gillray Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot

James Gillray, 1756–1815

Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot

1792

Francesco Bartolozzi Britannia Rewarding Music and Literature

Francesco Bartolozzi, 1728–1815

Britannia Rewarding Music and Literature

1792

Francesco Bartolozzi Thais

Francesco Bartolozzi, 1728–1815

Thais

1792

Francesco Bartolozzi Lodona

Francesco Bartolozzi, 1728–1815

Lodona

1792

Francesco Bartolozzi The Freeing of Amoret

Francesco Bartolozzi, 1728–1815

The Freeing of Amoret

1792

John Browne Moon-Light

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Robert Dodd Action off Cape St. Vicent, 14 February 1797

Robert Dodd, 1748–1816

Action off Cape St. Vicent, 14 February 1797

ca. 1797

Francis Jukes View of the Forth, Including the Queen's Ferry

Francis Jukes, 1747–1812

View of the Forth, Including the Queen's Ferry

1792