Date: 1792 / Classification: Prints - YCBA Collections Search Search Results

1. 'And vapid; sense and reason shew the door' (Page 72)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. 'Where sense runs savage broke from reason's chain' (Page 46)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. 'O treacherous conscience!' (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Night the First. On Life, Death and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Night the Second. On Time, Death and Friendship; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. 'The thunder if in that the Almighty dwells' (Page 80)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Complaint, and the Consolation; or, Night Thoughts

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Bound volume of engravings
Dimensions:: Spine: 16 3/4in. (42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Engraving on smooth, thick, cream wove paper
Dimensions:: Sheet: 19 × 25 3/8 inches (48.3 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Engraving on slightly textured, thick, cream wove paper
Dimensions:: Sheet: 18 3/4 × 25 1/2 inches (47.6 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Farm House

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1792
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 3/16 x 16 3/4in. (28.4 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Colored engraving on textured, moderately thick, cream laid paper
Dimensions:: Sheet: 19 3/8 × 25 3/4 inches (49.2 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. "The Indian Emperor" or "The Conquest of Mexico"

Creator:: Robert Dodd, 1748–1816
Date:: 1792
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 17 11/16 x 21 1/2in. (44.9 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of David Bindman

45. Falstaff reproved by King Henry

Creator:: unknown artist
Date:: 1792
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

46. Jonathan Shipley, Bishop of St. Asaph

Creator:: Thomas Trotter, ca. 1750–1803
Date:: 1792
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 6 3/8 inches (22.5 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Mrs. Robinson

Creator:: Print made by William Birch, 1755–1834
Date:: 1792
Materials & Techniques:: Stipple engraving and acquatint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 × 5 7/16 inches (17.8 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Colonel Mordaunt's Cock Match at Lucknow

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1792
Materials & Techniques:: Mezzotint and etching with hand coloring in watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 x 28 7/8 inches (53.3 x 73.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Farmer's Stable

Creator:: George Morland, 1763–1804
Date:: 1792
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 18 3/4 x 23 3/4in. (47.6 x 60.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Westminster Bridge

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 11/16 x 15 1/4in. (29.7 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Cheapside Cross

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 7/8 x 6 7/8in. (22.5 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Clapham

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 6 5/8 x 8 1/2in. (16.8 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. View on Westminster Bridge

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 7/8 x 15 1/4in. (30.2 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Partial View of the West Front of St. Pauls

Creator:: Thomas Morris, born 1771
Date:: 1792
Materials & Techniques:: Engraving
Dimensions:: Sheet: 22 1/4 x 17in. (56.5 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Clapham

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 6 3/4 x 8 5/8in. (17.1 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Interview and Consultation for Discharge of Debts, or, C-RL-T-N House in Want of Necessary Furniture

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

57. Royal Masquerade, or, the European Plotters discovered and defeated and the Ex-Princes Crost in their Masked design against Liberty

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Line engraving with watercolor on laid paper
Dimensions:: Sheet: 9 1/4 x 15 11/16in. (23.5 x 39.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

58. A National Beggar On Horseback, Or, An Illustrious Overshot At Newmarket...

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Line engraving with water color on laid paper
Dimensions:: Sheet: 8 3/8 x 11 5/8in. (21.3 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

59. Call of The [House], or, Slave Trade in a Land of Liberty

Creator:: William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 9 13/16 x 13 9/16in. (24.9 x 34.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

60. A Jord-n for the Duke's Chamber

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 6 7/8 x 10 3/4in. (17.5 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

61. The Terrifying Comet Or Modern Planetary System

Creator:: William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Aquatint with colored impression
Dimensions:: Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

62. A Proclamation in Lilliput

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 x 17 3/8in. (30.5 x 44.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

63. The Thieves detected at Last, or - a Wonderful Discovery at Windsor Farm

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 12 7/8in. (22.2 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

64. Contributing to the Sinking Fund

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 7/8 x 16 3/4in. (30.2 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

65. Prussian Bobadils, Returning to Berlin!!!!!!!

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 5/8 x 16 7/8in. (27 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

66. Political Boxing; or an Attack, at the Woolsack

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 3/8 x 15 1/2in. (26.4 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

67. Resignation the Greatest of all Virtues

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 15/16 x 13 1/8in. (22.7 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

68. The Rape of Helen

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 14 1/8in. (24.4 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

69. The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/8 x 14 7/16in. (25.1 x 36.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

70. Oysters. Oysters. I Us'd for to Cry, When the Wind Blew so Hard that my Boat could not Ply

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 13in. (22.5 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Road to Riches and delightfull Parts, Or, The Recruiting Officers [?] Matrimonial Trip to the Continent.

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Line engraving with watercolor on laid paper
Dimensions:: Sheet: 10 x 13 7/8in. (25.4 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

72. The Grand Review on Sydenham Common

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 3/8 x 17 3/4in. (28.9 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

73. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 11/16 x 16 5/8 inches (32.3 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. View of the Forth, Including the Queen's Ferry

Creator:: Francis Jukes, 1747–1812
Date:: 1792
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 21 1/2 x 29 3/4in. (54.6 x 75.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A South View of Scarborough

Creator:: unknown artist
Date:: ca. 1797
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 14 1/4 x 20in. (36.2 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Windsor Bridge

Creator:: Print made by Joseph Farington, 1747–1821
Date:: 1792
Materials & Techniques:: Etching, hand-colored on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 15/16 × 15 3/8 inches (30.4 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Sun Setting

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 7 3/8 x 10 5/8in. (18.7 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Henry the Eighth

Creator:: Charles Gauthier Playter, died 1809
Date:: 1792
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 15 5/8in. (33 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Bank

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Hand colored engraving on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Murder of James First, King of Scotland

Creator:: Thomas Ryder, 1746–1810
Date:: 1792
Materials & Techniques:: Etching and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 20 7/8 × 25 inches (53 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Arundel House in London 1646

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Etching and engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 9 15/16 × 10 1/16 inches (25.2 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Shooting [a pair]: 1. Morning

Creator:: Print made by George Morland, 1763–1804
Date:: 1792
Materials & Techniques:: Aquatint, hand-colored, title in wash border
Dimensions:: Sheet: 17 7/8 x 22 3/8in. (45.4 x 56.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. John Bull Bother'd; - or - The Geese Alarming the Capitol

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching and aquatint, hand-colored
Dimensions:: Sheet: 11 5/8 x 14 3/4in. (29.5 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Britannia Rewarding Music and Literature

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Sun Rising

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 7 1/2 x 10 5/8in. (19.1 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Admiration

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Thais

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. His Royal Highness George, Prince of Wales

Creator:: John Raphael Smith, 1752–1812
Date:: 1792
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 26 1/16 × 18 7/16 inches (66.2 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Mrs. Lenox

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 5 7/16 inches (19 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The House of William Russell, Esq., Showell Green

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper, pasted on left edge to B1977.14.14752b
Dimensions:: Sheet: 8 9/16 x 11 13/16 inches (21.8 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The House of William Russell, Esq., Showell Green: English and French Text

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Letterpress on medium, slightly textured, cream wove paper (page in book), pasted on left edge to B1977.14.14752a
Dimensions:: Sheet: 8 1/8 x 11 15/16 inches (20.6 x 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Beddington

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 8 7/16 inches (16.9 × 21.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Katherine, Duchess of Suffolk

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 13 3/8 x 10 1/2in. (33.9 x 26.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Sir John More

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Color-printed stipple engraving
Dimensions:: Sheet: 16 5/8 x 13 5/8in. (42.3 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Fairings

Creator:: John Eginton, active 1763–1800
Date:: 1792
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 13 1/2in. (24.8 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Sin, Death, and the Devil

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 5/8 x 15 1/4in. (29.5 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. French Liberty - British Slavery

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Design for the New Gallery of Busts and Pictures

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 12 5/16in. (24.4 x 31.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Bottomless-Pitt

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 8 3/4in. (24.8 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1792

Classification Prints

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1. 'And vapid; sense and reason shew the door' (Page 72)

2. 'Is lost in love! thou great Philanthropist' (Page 87)

3. 'When faith is virtue, reason makes it so' (Page 92)

4. 'This King of Terrors is the Prince of Peace' (Page 63)

5. The Christian Triumph; Title Page

6. 'If angels tremble, 'tis at such a sight' (Page 93)

7. 'The goddess bursts in thunder and in flame' (Page 95)

8. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

9. 'Angels should paint it, angels ever there' (Page 40)

10. Night the Third. Narcissa; Title Page

11. 'As if the sun could envy, check'd his beam' (Page 49)

12. 'The vale of death! that hush'd cimmerian vale' (Page 54)

13. 'Tis greatly wise to talk with our past hours' (Page 31)

14. 'Like that, the dial speaks; and points to thee' (Page 33)

15. 'Teaching, we learn; and giving, we retain' (Page 35)

16. 'One radiant mark, – the death-bed of the just' (Page 41)

17. 'Where sense runs savage broke from reason's chain' (Page 46)

18. 'O treacherous conscience!' (Page 27)

19. 'Love, and love only, is the loan for love' (Page 37)

20. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

21. 'The Sun beheld it – No, the shocking scene' (Page 75)

22. 'His hand the good man fastens on the skies' (Page 86)

23. 'That touch, with charm celestial heals the soul' (Page 90)

24. Night the First. On Life, Death and Immortality; Title Page

25. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

26. 'What, though my soul fantastick measures trod' (Page 4)

27. 'Disease invades the chastest temperence' (Page 10)

28. 'The present moment terminates our sight' (Page 13)

29. Night the Second. On Time, Death and Friendship; Title Page

30. 'Its favours here are trials, not rewards' (Page 12)

31. 'Emblem of that which shall awake the dead' (Page 19)

32. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

33. 'Till death, that mighty hunter, earths them all' (Page 70)

34. 'The thunder if in that the Almighty dwells' (Page 80)

35. The Complaint, and the Consolation; or, Night Thoughts

36. 'We censure nature for a span too short' (Page 23)

37. 'Till at Death's toll, whose restless iron tongue' (Page 7)

38. 'The longest night though longer far, would fail' (Page 15)

39. 'Behold him, when past by; what then is seen' (Page 25)

40. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

41. Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

42. The Farm House

43. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

44. "The Indian Emperor" or "The Conquest of Mexico"

45. Falstaff reproved by King Henry

46. Jonathan Shipley, Bishop of St. Asaph

47. Mrs. Robinson

48. Colonel Mordaunt's Cock Match at Lucknow

49. The Farmer's Stable

50. Westminster Bridge

51. Cheapside Cross

52. Clapham

53. View on Westminster Bridge

54. Partial View of the West Front of St. Pauls

55. Clapham

56. Interview and Consultation for Discharge of Debts, or, C-RL-T-N House in Want of Necessary Furniture

57. Royal Masquerade, or, the European Plotters discovered and defeated and the Ex-Princes Crost in their Masked design against Liberty

58. A National Beggar On Horseback, Or, An Illustrious Overshot At Newmarket...

59. Call of The [House], or, Slave Trade in a Land of Liberty

60. A Jord-n for the Duke's Chamber

61. The Terrifying Comet Or Modern Planetary System

62. A Proclamation in Lilliput

63. The Thieves detected at Last, or - a Wonderful Discovery at Windsor Farm

64. Contributing to the Sinking Fund

65. Prussian Bobadils, Returning to Berlin!!!!!!!

66. Political Boxing; or an Attack, at the Woolsack

67. Resignation the Greatest of all Virtues

68. The Rape of Helen

69. The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated

70. Oysters. Oysters. I Us'd for to Cry, When the Wind Blew so Hard that my Boat could not Ply

71. Road to Riches and delightfull Parts, Or, The Recruiting Officers [?] Matrimonial Trip to the Continent.

72. The Grand Review on Sydenham Common

73. Evening

74. View of the Forth, Including the Queen's Ferry