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Date 1792

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Joseph Mallord William Turner A Limekiln, Possibly at Briton Ferry in South Wales
Joseph Mallord William Turner, 1775–1851
A Limekiln, Possibly at Briton Ferry in South Wales
ca. 1795-96
Not on view
Philippe-Jacques de Loutherbourg The Great Fire of London
Philippe-Jacques de Loutherbourg, 1740–1812
The Great Fire of London
ca. 1797
Not on view
Arthur William Devis Grinding Corn
Arthur William Devis, 1762–1822
Grinding Corn
between 1792 and 1795
On view
Sawrey Gilpin A Horse Frightened by a Snake
Sawrey Gilpin, 1733–1807
A Horse Frightened by a Snake
1792
Not on view
William Redmore Bigg The Benevolent Heir or the Tenant Restored to his Family
William Redmore Bigg, 1755–1828
The Benevolent Heir or the Tenant Restored to his Family
ca. 1797
Not on view
George Morland Foxhunting in Hilly Country
George Morland, 1763–1804
Foxhunting in Hilly Country
1792
Not on view
Philippe-Jacques de Loutherbourg The Angel Binding Satan
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
On view
Henry Fuseli Christ Disappearing at Emmaus
Henry Fuseli, 1741–1825
Christ Disappearing at Emmaus
1792
Not on view
Francis Wheatley Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
Francis Wheatley, 1747–1801
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
1792
Not on view
Julius Caesar Ibbetson A Stage Coach on a Country Road
Julius Caesar Ibbetson, 1759–1817
A Stage Coach on a Country Road
1792
Not on view
Joseph Nollekens Charles James Fox
Joseph Nollekens, 1737–1823
Charles James Fox
1792
On view
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
George Romney The Witches' Cavern
George Romney, 1734–1802
The Witches' Cavern
1792-1793
Christian von Mechel Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
John Thirtle Near the Ferry going to Gott's, Leeds
attributed to John Thirtle, 1777–1839
Near the Ferry going to Gott's, Leeds
undated
Sir Robert Ker Porter Near Mallwyd on the Dovey
Sir Robert Ker Porter, 1777–1842
Near Mallwyd on the Dovey
undated
John Thirtle Fye Bridge, Norwich
John Thirtle, 1777–1839
Fye Bridge, Norwich
undated
J. S. Barth River Scene with Waterfall and High Trees
J. S. Barth, active 1797–1809
River Scene with Waterfall and High Trees
1792
Joseph Constantine Stadler The Farm House
Joseph Constantine Stadler, active 1780–1812
The Farm House
1792
John Thirtle A View of Waltham Abbey, Herts, Essex
John Thirtle, 1777–1839
A View of Waltham Abbey, Herts, Essex
undated
Rev. William Henry Barnard The River at Dusk, Oxford
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
Rev. William Henry Barnard The Coal Wharf, Oxford
Rev. William Henry Barnard, 1767–1818
The Coal Wharf, Oxford
1792
Gangaram Chintaman Navgire Tambat Two Jeyties
Gangaram Chintaman Navgire Tambat, active 1790s
Two Jeyties
1792
Robert Mabon Sketch of Nana Fadnavis
Robert Mabon, died 1798
Sketch of Nana Fadnavis
between 1792 and 1798
Thomas Cheesman Marchioness of Townshend and Child
Print made by Thomas Cheesman, 1760–1834/35
Marchioness of Townshend and Child
1792
George Walker Uncle George in the Dress of a Highland Herdsman
George Walker, active 1792–died 1795
Uncle George in the Dress of a Highland Herdsman
undated
George Walker Scotsman with Sword; Modern Dress of a Highland Chieftan
George Walker, active 1792–died 1795
Scotsman with Sword; Modern Dress of a Highland Chieftan
undated
George Walker Industrious Jenny
George Walker, active 1792–died 1795
Industrious Jenny
undated
George Walker Man Haranguing a Gatepost
George Walker, active 1792–died 1795
Man Haranguing a Gatepost
undated
George Walker Rural Scene
George Walker, active 1792–died 1795
Rural Scene
undated
George Walker Figure Sketches
George Walker, active 1792–died 1795
Figure Sketches
undated
John Thirtle Bridgnorth
John Thirtle, 1777–1839
Bridgnorth
undated
John Massey Wright Pirates
John Massey Wright, 1777–1866
Pirates
undated
John Webber The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
John Webber, 1752–1793
The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
1792
John Webber A Sailing Canoe of Otaheite
John Webber, 1752–1793
A Sailing Canoe of Otaheite
1792
John Webber The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
John Webber, 1752–1793
The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
1792
John Webber A Sailing Canoe of Otaheite
John Webber, 1752–1793
A Sailing Canoe of Otaheite
1792
John Webber The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka
John Webber, 1752–1793
The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka
1792
John Warwick Smith The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
unknown artist French Privateers, Cruising in the English Channel
Print made by unknown artist
French Privateers, Cruising in the English Channel
1792
Francesco Bartolozzi Mrs. Montagu
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Montagu
1792
James Fittler 'The Gamester,' Act V, Scene IV
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
unknown artist Thomas Graves
unknown artist
Thomas Graves
c.1792
George Saunders Monument for Sir Joshua Reynolds
George Saunders, c.1762–1839
Monument for Sir Joshua Reynolds
1792
John Chapman Helena in the Dress of a Pilgrim - "All's Well That Eends Well," Act III, Scene V
John Chapman, active ca. 1792–1823
Helena in the Dress of a Pilgrim - "All's Well That Eends Well," Act III, Scene V
1792
John Chapman Rosalind, Celia and Touchstone - "As You Like It," Act II, Scene III
John Chapman, active ca. 1792–1823
Rosalind, Celia and Touchstone - "As You Like It," Act II, Scene III
1792
John Chapman Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
John Chapman, active ca. 1792–1823
Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
1792
John Chapman Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
John Chapman, active ca. 1792–1823
Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
1792
Francis Legat "King Lear", Act V, Scene III
Francis Legat, 1755–1809
"King Lear", Act V, Scene III
1792
Peltro W. Tomkins Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
unknown artist Falstaff Reproved by King Henry
unknown artist
Falstaff Reproved by King Henry
1792
John Jones Reverend John Moore, Lord Archbishop of Canterbury
John Jones, ca. 1745–1797
Reverend John Moore, Lord Archbishop of Canterbury
1792
William Russel Birch Mrs. Robinson
Print made by William Russel Birch, 1755–1834
Mrs. Robinson
1792
Thomas Trotter Jonathan Shipley, Bishop of St. Asaph
Thomas Trotter, ca. 1750–1803
Jonathan Shipley, Bishop of St. Asaph
1792
John Nash Corsham Court, Wiltshire: Elevation of the North Front
John Nash, 1752–1835
Corsham Court, Wiltshire: Elevation of the North Front
ca. 1797
George Morland A Man Lifting a Trunk, Two studies on one sheet
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
Lieutenant James Hunter Tipu Sultan's Summer Palace
Lieutenant James Hunter, died 1792
Tipu Sultan's Summer Palace
1792