Skip to splash images
Yale Center for British Art Home Page
<< YCBA Home
Yale Center for British Art
Yale Center for British Art
<< YCBA Home
Welcome to YCBA Collections Online
Free and open to all.
    Search Options:
Search in
Simple Search
All Fields
Title
Creator
Subject Terms
Call Number
Search Provenance
Fielded
search for
Search
YCBA Collections Search
Toggle facets
Refine your search
Collection
Prints and Drawings
40
Creator
Blake, William, 1757–1827
39
Edwards, Richard, active 1796–1797
39
Young, Edward, 1683–1765
39
Ellis, William, 1747–1810
1
Johnson, Joseph, 1738–1809
1
Witton, P. H. Jr., Active 1792
1
Date
1968
113
1804
100
1989
99
1794
88
1850
83
1797
81
1789
51
1792
[remove]
40
1855
37
1821
28
1964
28
1735
25
1793
24
1996
23
1734
20
1727
19
1730
19
1921
18
1966
16
1920
13
1997
13
1783
11
1823
11
1909
10
1998
10
1736
8
1897
8
1826
7
1925
7
1990
7
1732
6
1852
6
1880
6
1974
6
1800
5
1842
5
1865
5
1873
5
1971
5
1995
5
1740
4
1918
4
1935
4
2010
4
1768
3
1815
3
1816
3
1848
3
1851
3
1859
3
1893
3
1916
3
1944
3
1980
3
1993
3
1994
3
1999
3
2015
3
2016
3
1781
2
1790
2
1795
2
1824
2
1825
2
1828
2
1829
2
1830
2
1835
2
1836
2
1840
2
1849
2
1854
2
1856
2
1860
2
1871
2
1881
2
1882
2
1904
2
1923
2
1926
2
1931
2
1934
2
1939
2
1941
2
1949
2
1979
2
1982
2
2004
2
2005
2
2014
2
0
1
1634
1
1700
1
1741
1
1742
1
1743
1
1778
1
1788
1
1799
1
1808
1
On-site Access
Accessible in the Study Room
40
Image Use
Free to Use
40
Image Available
Available
40
Classification
Prints
40
Creator Gender
male
40
Collective Title
Young's Night Thoughts
39
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
1
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
1
Period
18th century
40
Materials & Techniques
line engraving
39
wove paper
39
etching (printing process)
38
watercolor
38
hand coloring
1
letterpress printing
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
43
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
24
to
33
Work Type
relief print
[remove]
40
intaglio print
39
watercolor
39
Genre
literary theme
39
architectural subject
1
genre subject
1
landscape
1
Subject Terms
literary theme
38
text
37
men
28
women
19
nudes
16
angels
8
children
7
clouds
7
grass
7
wings
7
crowns
5
pointing
5
vines
5
angel
4
gowns
4
trees
4
beard
3
beds
3
cups
3
dead
3
more
Subject Terms
»
Associated Places
Birmingham
1
England
1
Showell Green
1
United Kingdom
1
Associated People
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
38
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
4
Credit Line
Yale Center for British Art, Paul Mellon Collection
40
Search Constraints
Start Over
You searched for:
Date
1792
Remove constraint Date: 1792
Work Type
relief print
Remove constraint Work Type: relief print
1
-
40
of
40
Sort by collection
collection
relevance
artist (A-Z)
date
title (A-Z)
Number of results to display per page
100 per page
100
per page
50
per page
15
per page
View results as:
List
Masonry
Search Results
1
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
ca. 1797
2
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
3
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
4
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
5
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
ca. 1797
6
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
7
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
8
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
9
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
10
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
11
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
12
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
13
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
14
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
15
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
16
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
17
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
18
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
19
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
20
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
21
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
22
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
23
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
24
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
25
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
26
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
27
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
28
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
29
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
ca. 1797
30
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
31
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
32
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
33
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
34
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
35
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
36
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
37
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
38
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
39
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
40
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green: English and French Text
1792