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Date 1792
Remove constraint Date: 1792Work Type intaglio print
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1
- Night the First. On Life, Death, and Immortality; Title Page
- ca. 1797
2
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
3
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
4
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
5
- 'Swift on his downy pinion flies from woe' (Page 1)
- ca. 1797
6
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
7
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
8
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
9
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- ca. 1797
10
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
11
- Night the Third. Narcissa; Title Page
- ca. 1797
12
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
13
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
14
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- ca. 1797
15
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
16
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
17
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
18
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
19
- 'Till death, that mighty hunter, earths them all' (Page 70)
- ca. 1797
20
- 'And vapid; sense and reason shew the door' (Page 72)
- ca. 1797
21
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
22
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
23
- 'The goddess bursts in thunder and in flame' (Page 95)
- ca. 1797
24
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
25
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
26
- The Christian Triumph; Title Page
- ca. 1797
27
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- ca. 1797
28
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
29
- 'The thunder if in that the Almighty dwells' (Page 80)
- ca. 1797
30
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
31
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
32
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
33
- 'That touch, with charm celestial heals the soul' (Page 90)
- ca. 1797
34
- 'When faith is virtue, reason makes it so' (Page 92)
- ca. 1797
35
- 'We censure nature for a span too short' (Page 23)
- ca. 1797
36
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
37
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
38
- The Complaint, and the Consolation; or, Night Thoughts
- ca. 1797
39
- 'The longest night though longer far, would fail' (Page 15)
- ca. 1797
40
- Reverend John Moore, Lord Archbishop of Canterbury
- 1792
41
- Chinese Pavilion in European Landscape
- 1792
42
- Jonathan Shipley, Bishop of St. Asaph
- 1792
43
- To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
- 1792
44
- Colonel Mordaunt's Cock Match
- 1792
45
- The Farmer's Stable
- 1792
46
- Miss Farren
- 1792
47
- Miss Farren
- 1792
48
- Miss Farren
- 1792
49
- Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
- 1792
50
- Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
- 1792
51
- "The Indian Emperor" or "The Conquest of Mexico"
- 1792
52
- Marchioness of Townshend and Child
- 1792
53
- Mrs. Fitzherbert
- 1792
54
- Colonel Mordaunt's Cock Match
- 1792
55
- Thais
- 1792
56
- Mrs. Montagu
- 1792
57
- 'The Gamester,' Act V, Scene IV
- 1792
58
- French Privateers, Cruising in the English Channel
- 1792
59
- Thomas Graves
- c.1792
60
- Funeral Card of Sir Joshua Reynolds
- 1792
61
- Falstaff Reproved by King Henry
- 1792
62
- Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
- 1792
63
- Mrs. Robinson
- 1792
64
- "King Lear", Act V, Scene III
- 1792
65
- Philip Affleck, Esq
- 1792
66
- Morning
- ca. 1797
67
- Moon-Light
- ca. 1797
68
- Evening
- ca. 1797
69
- Moon-Light
- ca. 1797
70
- Windsor Bridge
- 1792
71
- The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
- 1792
72
- The Dagger Scene: - or - The Plot Discover'd
- 1792
73
- Taking Physick; - or - The News of Shooting the King of Sweden!
- 1792
74
- Setting out for the Fair
- 1792
75
- Niobe
- 1792
76
- Mrs. Lenox
- 1792
77
- Miss Price
- 1792
78
- The New Meeting
- 1792
79
- Baskerville House, the Residence of John Ryland, Esq
- 1792
80
- His Royal Highness George, Prince of Wales
- 1792
81
- Eloisa
- 1792
82
- The Freeing of Amoret
- 1792
83
- Lodona
- 1792
84
- After Sun-Set
- ca. 1797
85
- Melania
- 1792
86
- Mrs. Fitzherbert
- 1792
87
- The Murder of James I, King of Scotland
- 1792
88
- French Liberty - British Slavery
- 1792
89
- John Bull Bother'd; - or - The Geese Alarming the Capitol
- 1792
90
- The Bottomless-Pitt
- 1792
91
- The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
- 1792
92
- A Sphere, Projecting against a Plane ---
- 1792
93
- Wha Wants Me?
- 1792
94
- A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
- 1792
95
- Vices overlook'd in the New Proclamation
- 1792
96
- Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
- 1792
97
- The National Assembly Petrified / The National Assembly Revivified
- 1792
98
- Sir John More
- 1792
99
- Sir John More
- 1792
100
- Katherine, Duchess of Suffolk
- 1792