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Collection
Prints and Drawings
133
Creator
Blake, William, 1757–1827
38
Edwards, Richard, active 1796–1797
38
Young, Edward, 1683–1765
38
Bartolozzi, Francesco, 1727–1815
31
Holbein, Hans the Younger, ca. 1497–1543
9
Reynolds, Joshua, Sir, 1723–1792
9
Unknown artist
9
Chamberlaine, John, 1745–1812
8
Boydell, John, 1720–1804
7
Ellis, William, 1747–1810
7
Boydell, Josiah, 1752–1817
6
Browne, John, 1741–1801
6
Johnson, Joseph, 1738–1809
5
Wheatley, Francis, 1747–1801
5
Witton, P. H. Jr., Active 1792
5
Burney, Edward Francis, 1760–1848
4
Cosway, Richard, 1742–1821
4
Jones, John, ca. 1745–1797
4
Opie, John, 1761–1807
4
Condé, John, 1765–1794
3
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Creator
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Date
1834
508
1835
278
1833
261
1546
247
1800
235
1827
231
1782
228
1830
212
1836
203
1630
181
1793
167
1808
147
1795
141
1802
140
1792
[remove]
133
1797
132
1837
132
1799
129
1794
125
1832
123
1789
116
1803
116
1828
114
1812
112
1780
111
1818
111
1859
109
1814
108
1811
107
1820
104
1807
103
1788
102
1816
99
1999
97
2000
93
1779
91
1850
91
1745
90
1776
90
1825
90
1831
90
1810
89
1796
87
1784
86
1785
86
1790
86
1674
85
1826
83
1700
82
1775
82
1823
82
1838
82
1791
81
1783
80
1809
80
1773
77
1778
76
1786
76
0
75
1787
74
1819
74
1772
72
1781
70
1813
70
1739
69
1824
69
1667
68
1801
68
1821
68
1762
67
1771
67
1755
66
1550
65
1770
65
1806
65
1896
65
1798
63
1750
62
1769
62
1822
62
1738
61
1777
61
1675
60
1839
57
1765
56
1925
54
1990
54
1804
53
1829
53
1916
53
1754
50
1897
48
1805
47
1680
46
1719
46
1774
46
1743
43
1735
42
1760
42
1767
42
On-site Access
Accessible by appointment in the Study Room
133
Image Use
Free to Use
133
Image Available
Available
124
Unavailable
9
Classification
Prints
133
Creator Gender
male
131
unknown
9
female
3
Collective Title
Young's Night Thoughts
38
Iconographie Anglaise par Reynolds et Autres
5
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
5
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
5
A Long String of Resolutions for the New Year
2
Antiquities of London and Environs
1
British Theatre
1
The Winter's Tale
1
Period
18th century
122
18th century-19th century
7
19th century
2
Materials & Techniques
etching (printing process)
74
wove paper
64
line engraving
58
watercolor
45
stipple engraving
43
laid paper
41
mezzotint
12
aquatint
10
hand coloring
8
colored ink
2
Engraving
1
color printing
1
drypoint
1
engraving (printing process)
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
75
Unknown
10
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
160
Unknown
10
Work Type
intaglio print
[remove]
133
watercolor
38
drawing
27
ticket
3
Genre
literary theme
48
portrait
38
genre subject
22
architectural subject
18
landscape
15
religious and mythological subject
8
historical subject
6
sporting art
3
marine art
2
military art
2
animal art
1
cityscape
1
Subject Terms
literary theme
42
text
37
men
36
women
29
trees
18
architectural subject
17
portrait
17
nudes
16
landscape
13
woman
13
children
12
clouds
12
costume
12
genre subject
12
man
10
angels
9
hats
9
river
8
ruins
8
wings
8
more
Subject Terms
»
Associated Places
England
9
United Kingdom
9
Birmingham
5
Asia
2
Greater London
2
India
2
Lucknow
2
Uttar Pradesh
2
Baskerville House
1
Beddington
1
Beddington Park
1
Berkshire
1
Boeotia
1
Bordesley
1
Bordesley Hall
1
Carew Manor
1
Centenary Square
1
Clapham
1
Clapham Common
1
Clumber House
1
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
6
Asaf-ud-Daulah (1748–1797), nawab wazir of Oudh
2
Colonel Mordaunt (fl. 1786)
2
Humphry, Ozias (1742–1810), miniature and portrait painter
2
Robinson, Mary (1756/1758?–1800), author and actress
2
Zoffany, Johan Joseph (1733–1810), portrait painter
2
Affleck, Philip (b. after 1725?, d. 1799), naval officer
1
Apollo
1
Carl Bernhard Wadström (1746–1799), abolitionist
1
Clinton, Henry Fiennes Pelham-, ninth earl of Lincoln and second duke of Newcastle under Lyme (1720–1794), politician
1
Diana
1
Elizabeth
1
Falstaff
1
Farren, Elizabeth (1759x62–1829), actress
1
Fitzherbert, [née Smythe; other married name Weld] Maria Anne (1756–1837), unlawful wife of George IV by a marriage invalid under the Royal Marriages Act of 1772
1
Henry VI (1421–1471), king of England and lord of Ireland, and duke of Aquitaine
1
Hercules
1
Jesus
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
John the Baptist (c. 6 BC–c. AD 36)
1
more
Associated People
»
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
40
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
3
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
2
Two Extraordinary Women : The Lives and Art of Maria Cosway (1760-1838) and Mary Darby Robinson (1757-1800) (The Fralin Museum of Art, University of Virginia, 2016-01-29 - 2016-05-01)
2
Company Culture (Yale Center for British Art, 2003-09-16 - 2004-01-05)
1
Crown Pictorial - Art and the British Monarchy (Yale Center for British Art, 1990-12-05 - 1991-02-17)
1
Figures of Empire: Slavery and Portraiture in Eighteenth-Century Atlantic Britain (Yale Center for British Art, 2014-10-02 - 2014-12-14)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
1
Richard Wilson and the Transformation of European Landscape Painting (Yale Center for British Art, 2014-03-06 - 2014-06-01)
1
The Black Figure in the European Imaginary (Cornell Fine Arts Museum, 2017-01-20 - 2017-05-15)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
103
Yale Center for British Art, Paul Mellon Fund
12
Yale Center for British Art; Yale University Art Gallery Collection
4
Yale Center for British Art, Bequest of William S. Konecky
3
Yale Center for British Art, Gift of Chauncey Brewster Tinker
2
Yale Center for British Art, Gift of Godfrey Pearlson
2
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
2
Yale Center for British Art, Gift of David Bindman in memory of Richard Godfrey
1
Yale Center for British Art, Gift of Frederick W. Hilles
1
Yale Center for British Art, Gift of Herman W. Liebert
1
Yale Center for British Art, Yale University Art Gallery Collection
1
Yale Center for British Art; Gift of David Bindman
1
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Date
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1
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
2
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
3
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
4
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
5
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
6
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
7
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
8
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
9
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
10
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
11
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
12
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
13
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
14
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
15
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
16
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
17
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
18
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
19
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
20
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
21
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
22
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
23
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
24
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
25
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
26
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
27
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
28
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
29
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
30
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
31
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
32
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
33
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
34
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
35
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
36
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
37
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
38
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
39
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
40
Christian von Mechel, 1737–1817
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
41
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
42
Robert Dodd, 1748–1816
"The Indian Emperor" or "The Conquest of Mexico"
1792
43
Thomas Trotter, ca. 1750–1803
Jonathan Shipley, Bishop of St. Asaph
1792
44
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
45
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
46
George Morland, 1763–1804
The Farmer's Stable
1792
47
Print made by John Browne, 1741–1801
Evening
ca. 1797
48
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
49
unknown artist
The Bank
1792
50
Thomas Ryder, 1746–1810
The Murder of James First, King of Scotland
1792
51
unknown artist
Arundel House in London 1646
1792
52
Francesco Bartolozzi, 1728–1815
Britannia Rewarding Music and Literature
1792
53
Francesco Bartolozzi, 1728–1815
Admiration
1792
54
Francesco Bartolozzi, 1728–1815
Thais
1792
55
John Raphael Smith, 1752–1812
His Royal Highness George, Prince of Wales
1792
56
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Lenox
1792
57
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
58
William Ellis, 1747–1810
Beddington
1792
59
Print made by Francesco Bartolozzi, 1728–1815
Katherine, Duchess of Suffolk
1792
60
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
61
John Eginton, active 1763–1800
The Fairings
1792
62
Print made by John Chapman, active ca. 1792–1823
Angelica Kauffmann
undated
63
Francis Legat, 1755–1809
"King Lear", Act V, Scene III
1792
64
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
65
unknown artist
Falstaff Reproved by King Henry
1792
66
William Ward, 1766–1826
The Sportsman's Return
1792 (re-issue of 1791)
67
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
68
Print made by John Browne, 1741–1801
After Sun-Set
ca. 1797
69
Print made by John Browne, 1741–1801
Morning
ca. 1797
70
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
71
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
72
Print made by John Browne, 1741–1801
Evening
ca. 1797
73
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
74
Print made by Thomas Cheesman, 1760–1834/35
Marchioness of Townshend and Child
1792
75
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
76
unknown artist
Thomas Graves
c.1792
77
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
78
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
79
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
80
Print made by unknown artist
French Privateers, Cruising in the English Channel
1792
81
Thomas Ryder, 1746–1810
The Murder of James I, King of Scotland
1792
82
Print made by John Condé, 1765–1794
Melania
1792
83
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
84
Francesco Bartolozzi, 1728–1815
Andrew Kippis
1792
85
Francesco Bartolozzi, 1728–1815
Georgius Johannes Commes, Spencer
1792
86
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
87
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
88
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Montagu
1792
89
Print made by Francesco Bartolozzi, 1728–1815
Thais
1792
90
Print made by Francesco Bartolozzi, 1728–1815
Funeral Card of Sir Joshua Reynolds
1792
91
Francesco Bartolozzi, 1728–1815
Meditation
1792
92
John Raphael Smith, 1752–1812
Eloisa
1792
93
John Young, 1755–1825
Philip Affleck, Esq
1792
94
John Jones, ca. 1745–1797
Reverend John Moore, Lord Archbishop of Canterbury
1792
95
William Byrne, 1743–1805
Chinese Pavilion in European Landscape
1792
96
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
97
John Eginton, active 1763–1800
The Affectionate Daughter
1792
98
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
99
Print made by Francesco Bartolozzi, 1728–1815
Katherine, Duchess of Suffolk
1792
100
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
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