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Collection
Prints and Drawings
31
Creator
Blake, William, 1757–1827
27
Edwards, Richard, active 1796–1797
27
Young, Edward, 1683–1765
27
Wright, John Massey, 1777–1866
2
Flaxman, John, 1755–1826
1
Romney, George, 1734–1802
1
Date
1804
102
1797
58
1792
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31
1749
28
1789
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1788
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23
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1
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1
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1
1881
1
1935
1
1947
1
On-site Access
Accessible by appointment in the Study Room
31
Image Use
Free to Use
31
Image Available
Available
31
Classification
Prints
27
Drawings & Watercolors
4
Creator Gender
male
31
Collective Title
Young's Night Thoughts
27
A Midsummer Night's Dream
1
The Merry Wives of Windsor
1
The Tragedy of Macbeth
1
The Winter's Tale
1
Period
18th century
29
18th century-19th century
2
Materials & Techniques
wove paper
30
watercolor
28
etching (printing process)
27
line engraving
27
graphite
3
brown ink
2
black ink
1
brown wash
1
laid paper
1
Height [cm]
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43
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33
Work Type
drawing
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31
watercolor
29
intaglio print
27
Genre
literary theme
31
figure study
3
Subject Terms
literary theme
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31
text
26
men
22
women
20
nudes
12
angels
7
wings
7
children
6
grass
6
clouds
5
crowns
4
gowns
4
vines
4
angel
3
beds
3
cups
3
dead
3
death
3
floating
3
food
3
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Associated People
Shakespeare, William (1564–1616), playwright and poet
3
Anne Page (character in The Merry Wives of Windsor)
1
Fenton (character in The Merry Wives of Windsor)
1
Herne the Hunter
1
Macbeth (character in The Tragedy of Macbeth)
1
Messr. Ford (character in The Merry Wives of Windsor)
1
Messr. Page (character in The Merry Wives of Windsor)
1
Mistress Ford (character in The Merry Wives of Windsor)
1
Mistress Page (character in The Merry Wives of Windsor)
1
Mistress Quickly (character in The Merry Wives of Windsor)
1
Pistol (character in The Merry Wives of Windsor)
1
Sir Hugh Evans (character in The Merry Wives of Windsor)
1
Sir John Falstaff
1
Slender (character in The Merry Wives of Windsor)
1
The Three Witches (characters in Macbeth)
1
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
27
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
3
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
Credit Line
Yale Center for British Art, Paul Mellon Collection
28
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
1
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Date
1792
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literary theme
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1
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
2
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
3
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
4
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
5
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
6
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
7
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
8
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
9
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
10
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
11
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
12
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
13
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
14
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
15
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
16
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
17
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
18
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
19
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
20
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
21
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
22
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
23
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
24
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
25
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
26
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
27
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
28
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
29
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
30
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"
undated
31
John Flaxman, 1755–1826
Illustration to Pilgrim's Progress
1792