Date: 1792 / Image Available: Available - YCBA Collections Search Search Results

1. A Limekiln, Possibly at Briton Ferry in South Wales

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1795-96
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/8 x 15 7/8 inches (28.9 x 40.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Grinding Corn

Creator:: Arthur William Devis, 1762–1822
Date:: between 1792 and 1795
Materials & Techniques:: Oil on canvas
Dimensions:: 17 3/4 x 23 1/2 inches (45.1 x 59.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. The Great Fire of London

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: ca. 1797
Materials & Techniques:: Oil on canvas
Dimensions:: 23 5/8 × 32 inches (60 × 81.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. A Horse Frightened by a Snake

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1792
Materials & Techniques:: Oil on canvas
Dimensions:: 11 3/8 × 14 1/8 inches (28.9 × 35.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Foxhunting in Hilly Country

Creator:: George Morland, 1763–1804
Date:: 1792
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/4 x 15 1/4 inches (31.1 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave

Creator:: Francis Wheatley, 1747–1801
Date:: 1792
Materials & Techniques:: Oil on canvas
Dimensions:: 65 1/2 x 52 1/2 inches (166.4 x 133.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. The Benevolent Heir or the Tenant Restored to his Family

Creator:: William Redmore Bigg, 1755–1828
Date:: ca. 1797
Materials & Techniques:: Oil on canvas
Dimensions:: 40 1/4 x 50 1/4 inches (102.2 x 127.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. The Angel Binding Satan

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: ca. 1797
Materials & Techniques:: Oil on canvas
Dimensions:: 17 3/4 x 14 3/4 inches (45.1 x 37.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Christ Disappearing at Emmaus

Creator:: Henry Fuseli, 1741–1825
Date:: 1792
Materials & Techniques:: Oil on canvas
Dimensions:: 56 1/2 x 46 1/2 inches (143.5 x 118.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. A Stage Coach on a Country Road

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: 1792
Materials & Techniques:: Oil on panel
Dimensions:: 10 1/4 x 13 inches (26 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Charles James Fox

Creator:: Joseph Nollekens, 1737–1823
Date:: 1792
Materials & Techniques:: Marble
Dimensions:: Overall: 27 1/4 x 18 1/2 x 10 inches (69.2 x 47 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. St. Augustine's Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1792 and 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 10 5/8in. (21 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. North East View of Grantham Church, Lincolnshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 inches (13 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Man with Horse and Cart Entering a Quarry

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 3/4 inches (20.7 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Witches' Cavern

Creator:: George Romney, 1734–1802
Date:: between 1792 and 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 9 3/16 inches (14.3 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

16. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. 'O treacherous conscience!' (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. 'And vapid; sense and reason shew the door' (Page 72)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. 'Where sense runs savage broke from reason's chain' (Page 46)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. 'The thunder if in that the Almighty dwells' (Page 80)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Night the First. On Life, Death and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Night the Second. On Time, Death and Friendship; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Complaint, and the Consolation; or, Night Thoughts

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Bound volume of engravings
Dimensions:: Spine: 16 3/4in. (42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. A Durbar Scene, Poona, October 3, 1792

Creator:: Robert Mabon, died 1798
Date:: 1792
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 1/16 inches (11.4 × 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. An Old Fisherman Repairing Nets with a Cottage in the Background

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite, with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 12 inches (30.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Colonel Mordaunt's Cock Match at Lucknow

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1792
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 27 1/2 inches (54 x 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Color-printed stipple engraving with aquatint and drypoint
Dimensions:: Sheet: 21 x 26 1/4in. (53.3 x 66.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Young Girl Sitting on a Bank outside a Church

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 13 3/4 inches (25.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Colonel Mordaunt's Cock Match at Lucknow

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1792
Materials & Techniques:: Mezzotint and etching with hand coloring in watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 x 28 7/8 inches (53.3 x 73.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Mrs. Fitzherbert

Creator:: Print made by John Condé, 1765–1794
Date:: 1792
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 × 17 1/8 inches (58.4 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. Thais

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Etching and stipple engraving (second state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 5/8 × 13 inches (52.4 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. The Farmer's Stable

Creator:: George Morland, 1763–1804
Date:: 1792
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 18 3/4 x 23 3/4in. (47.6 x 60.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Mrs. Martha Udney

Creator:: John Massey Wright, 1777–1866
Date:: undated
Materials & Techniques:: Watercolor with gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 5 1/2 inches (22.5 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. View in the Island of Pulo Condore

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Madiera, South East Extremity, 10 October

Creator:: Henry William Parish, active 1792
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Haymaking

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: 1792
Materials & Techniques:: Pen and gray ink, watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 3/8 inches (22.2 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Two Jeyties

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 8 15/16 inches (14.3 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. [Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ....

Creator:: George Townly Stubbs, 1748–1815
Date:: 1792
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 13 1/2 x 18 11/16in. (34.3 x 47.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Falstaff reproved by King Henry

Creator:: unknown artist
Date:: 1792
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

71. An Indian Shrub with White Blossoms and Pointed Leaves

Creator:: Janet Dick, active 1794–1806
Date:: between 1792 and 1807
Materials & Techniques:: Watercolor, pen and gray ink, gouache, gum arabic, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 21 1/8 inches (36.2 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Miss Farren

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Etching and stipple engraving (fourth state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 13 1/2 inches (54.6 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

73. Miss Farren

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Etching and stipple engraving (fifth state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 22 1/4 × 14 1/4 inches (56.5 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. Miss Farren

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Color-printed etching and stipple engraving with hand coloring in watercolor (possibly fifth state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 13 1/2 inches (54.6 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

75. Marchioness of Townshend and Child

Creator:: Print made by Thomas Cheesman, 1760–1834/35
Date:: 1792
Materials & Techniques:: Stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 × 16 3/4 inches (53.3 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. French Privateers, Cruising in the English Channel

Creator:: Print made by unknown artist
Date:: 1792
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/4 × 11 5/8 inches (41.3 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. Krishna and Radha

Creator:: James Wales, ca.1747–1795
Date:: 1792 to 1795
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 13 1/2 inches (37.5 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. A Pier at Amsterdam (Version A)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, wove paper
Dimensions:: Sheet: 8 7/16 x 11 1/8 inches (21.4 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire

Creator:: John Warwick Smith, 1749–1831
Date:: July 14, 1792
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/8 x 8 1/2 inches (13 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Reverend John Moore, Lord Archbishop of Canterbury

Creator:: John Jones, ca. 1745–1797
Date:: 1792
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/8 × 14 11/16 inches (49.2 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Mrs. Robinson

Creator:: Print made by William Birch, 1755–1834
Date:: 1792
Materials & Techniques:: Stipple engraving and acquatint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 × 5 7/16 inches (17.8 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Jonathan Shipley, Bishop of St. Asaph

Creator:: Thomas Trotter, ca. 1750–1803
Date:: 1792
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 6 3/8 inches (22.5 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Chinese Pavilion in European Landscape

Creator:: William Byrne, 1743–1805
Date:: 1792
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 5/16 × 21 3/4 inches (41.4 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV

Creator:: Print made by Thomas Cheesman, 1760–1834/35
Date:: 1792
Materials & Techniques:: Engraving and stipple engraving
Dimensions:: Sheet: 16 1/2 x 19in. (41.9 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

Creator:: John Chapman, active ca. 1792–1823
Date:: 1792
Materials & Techniques:: Engraving and stipple engraving
Dimensions:: Sheet: 17 x 20in. (43.2 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. "King Lear", Act V, Scene III

Creator:: Francis Legat, 1755–1809
Date:: 1792
Materials & Techniques:: Engraving on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 13/16 × 28 inches (55.4 × 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. Falstaff Reproved by King Henry

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Engraving and stipple engraving
Dimensions:: Sheet: 13 7/8 x 17 9/16in. (35.2 x 44.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

88. Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

Creator:: Peltro W. Tomkins, 1760–1840
Date:: 1792
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 19 1/4 inches (42.2 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite, squared for transfer on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 16 7/8 inches (26 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. A Sailing Canoe of Otaheite

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 1/2 inches (31.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. A Sailing Canoe of Otaheite

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. View in the Island of Pulo Condore

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite, squared for transfer on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 16 3/4 inches (28.6 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Dr. Samuel Johnson

Creator:: Thomas Trotter, ca. 1750–1803
Date:: 1792
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 7 3/8 x 5 3/8in. (18.7 x 13.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

96. Macbeth and the Murderers - "Macbeth," Act III, Scene I

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Engraving and stipple engraving
Dimensions:: Sheet: 16 1/4 x 18 3/4in. (41.3 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

Creator:: John Chapman, active ca. 1792–1823
Date:: 1792
Materials & Techniques:: Engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

98. Vue des Petites Cascatelles a Tivoli

Creator:: William Gmelin, 1745–1821
Date:: 1792
Materials & Techniques:: Engraving
Dimensions:: Image: 14 15/16 x 21 9/16in. (37.9 x 54.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The River at Dusk, Oxford

Creator:: Rev. William Henry Barnard, 1767–1818
Date:: 1792
Materials & Techniques:: Watercolor, black chalk and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 12 7/8 inches (20.3 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Coal Wharf, Oxford

Creator:: Rev. William Henry Barnard, 1767–1818
Date:: 1792
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 17 inches (27.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1792

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1. A Limekiln, Possibly at Briton Ferry in South Wales

2. Grinding Corn

3. The Great Fire of London

4. A Horse Frightened by a Snake

5. Foxhunting in Hilly Country

6. Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave

7. The Benevolent Heir or the Tenant Restored to his Family

8. The Angel Binding Satan

9. Christ Disappearing at Emmaus

10. A Stage Coach on a Country Road

11. Charles James Fox

12. St. Augustine's Gate, Canterbury

13. North East View of Grantham Church, Lincolnshire

14. Man with Horse and Cart Entering a Quarry

15. The Witches' Cavern

16. 'Its favours here are trials, not rewards' (Page 12)

17. 'Like that, the dial speaks; and points to thee' (Page 33)

18. 'O treacherous conscience!' (Page 27)

19. 'Teaching, we learn; and giving, we retain' (Page 35)

20. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

21. 'This King of Terrors is the Prince of Peace' (Page 63)

22. 'And vapid; sense and reason shew the door' (Page 72)

23. 'The present moment terminates our sight' (Page 13)

24. 'Love, and love only, is the loan for love' (Page 37)

25. 'Angels should paint it, angels ever there' (Page 40)

26. Night the Third. Narcissa; Title Page

27. 'Where sense runs savage broke from reason's chain' (Page 46)

28. 'As if the sun could envy, check'd his beam' (Page 49)

29. 'The vale of death! that hush'd cimmerian vale' (Page 54)

30. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

31. 'The Sun beheld it – No, the shocking scene' (Page 75)

32. 'The thunder if in that the Almighty dwells' (Page 80)

33. 'His hand the good man fastens on the skies' (Page 86)

34. 'That touch, with charm celestial heals the soul' (Page 90)

35. 'When faith is virtue, reason makes it so' (Page 92)

36. Night the First. On Life, Death and Immortality; Title Page

37. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

38. 'What, though my soul fantastick measures trod' (Page 4)

39. 'Disease invades the chastest temperence' (Page 10)

40. 'If angels tremble, 'tis at such a sight' (Page 93)

41. 'The goddess bursts in thunder and in flame' (Page 95)

42. Night the Second. On Time, Death and Friendship; Title Page

43. 'Emblem of that which shall awake the dead' (Page 19)

44. 'Tis greatly wise to talk with our past hours' (Page 31)

45. 'One radiant mark, – the death-bed of the just' (Page 41)

46. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

47. The Christian Triumph; Title Page

48. 'Till death, that mighty hunter, earths them all' (Page 70)

49. 'Is lost in love! thou great Philanthropist' (Page 87)

50. The Complaint, and the Consolation; or, Night Thoughts

51. 'Till at Death's toll, whose restless iron tongue' (Page 7)

52. 'The longest night though longer far, would fail' (Page 15)

53. 'We censure nature for a span too short' (Page 23)

54. 'Behold him, when past by; what then is seen' (Page 25)

55. A Durbar Scene, Poona, October 3, 1792

56. An Old Fisherman Repairing Nets with a Cottage in the Background

57. Colonel Mordaunt's Cock Match at Lucknow

58. To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

59. Young Girl Sitting on a Bank outside a Church

60. Colonel Mordaunt's Cock Match at Lucknow

61. Mrs. Fitzherbert

62. Thais

63. The Farmer's Stable

64. Mrs. Martha Udney

65. View in the Island of Pulo Condore

66. Madiera, South East Extremity, 10 October

67. Haymaking

68. Two Jeyties

69. [Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ....

70. Falstaff reproved by King Henry

71. An Indian Shrub with White Blossoms and Pointed Leaves

72. Miss Farren

73. Miss Farren

74. Miss Farren