Night the First. On Life, Death and Immortality; Title Page
ca. 1797
2
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
3
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
4
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
5
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
6
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
7
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
8
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
9
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
10
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
11
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
12
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
13
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
14
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
15
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
16
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
17
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
18
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
19
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
20
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
21
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
22
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
23
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
24
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
25
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
26
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
27
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
28
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
29
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
30
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
31
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
32
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
33
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
34
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
35
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
36
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
37
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
38
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
39
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
40
Robert Dodd, 1748–1816
"The Indian Emperor" or "The Conquest of Mexico"
1792
41
Isaac Cruikshank, 1764–1811
A Necessary War or Quixotism Revived, or The Knight of the Little House
1792
42
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
43
Print made by Charles Williams, active 1796–1830
Anticipation - Ways & Means - or - Buonaparte Really Taken!!
1792
44
unknown artist
The Lake House belonging to Sir James Tilney Long on the Ilford Road, Essex, Outer Suburb - East
1792
45
unknown artist
Grosvenor House at Walthamstow, Essex, Outer Suburb - East
1792
46
William Walker, 1791–1867
Greenwich Hospital
1792
47
unknown artist
Monument in St. Botolph's Bishopsgate
1792
48
unknown artist
The Parish Church of St. Botolph without Aldgate
1792
49
Thomas Morris, born 1771
Partial View of the West Front of St. Pauls
1792
50
unknown artist
The Elegant Villa of the late Gregory Bateman, Esquire at Kentish Town, Middlesex
1792
51
unknown artist
Thomas Graves
c.1792
52
William Gmelin, 1745–1821
Vue des Petites Cascatelles a Tivoli
1792
53
William Byrne, 1743–1805
Chinese Pavilion in European Landscape
1792
54
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
55
Thomas Trotter, ca. 1750–1803
Jonathan Shipley, Bishop of St. Asaph
1792
56
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
57
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Montagu
1792
58
unknown artist
Falstaff Reproved by King Henry
1792
59
John Raphael Smith, 1752–1812
His Royal Highness George, Prince of Wales
1792
60
Francesco Bartolozzi, 1728–1815
Lodona
1792
61
Francesco Bartolozzi, 1728–1815
The Freeing of Amoret
1792
62
John Raphael Smith, 1752–1812
Eloisa
1792
63
Francesco Bartolozzi, 1728–1815
Thais
1792
64
unknown artist
New Palace Yard
1792
65
Francesco Bartolozzi, 1728–1815
Britannia Rewarding Music and Literature
1792
66
Francesco Bartolozzi, 1728–1815
Andrew Kippis
1792
67
Robert Dodd, 1748–1816
Action off Cape St. Vicent, 14 February 1797
ca. 1797
68
J. Thornthwaite, 1740–active 1776
William Hodges, Esq. R. A., Landscape Painter to the Prince of Wales
1792
69
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
70
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
71
Isaac Cruikshank, 1764–1811
A Right Honorable (sic) Alias a sans Culotte
1792
72
Isaac Cruikshank, 1764–1811
A Ward of Chancery
1792
73
Isaac Cruikshank, 1764–1811
A Hint for an Escape at the Next Spring Meeting
1792
74
Print made by Isaac Cruikshank, 1764–1811
The Gradual Abolition off (sic) the Slave Trade, or Leaving of Sugar by Degrees
1792
75
Isaac Cruikshank, 1764–1811
The Antiquities of Malmsbury
1792
76
Thomas Rowlandson, 1756–1827
A Lying-In Visit, or a Short-Sighted Mistake
1792
77
Thomas Rowlandson, 1756–1827
An Essay on the Sublime and Beautiful, The Maiden Speech
1792
78
Richard Newton, 1777–1798
A Shot at a Cock; or, An Alarm of Assassination
1792
79
Richard Newton, 1777–1798
Scene in the Road to Ruin
1792
80
James Sayer, 1748–1823
Monsieur Francois introduces Master Pr----------tly to the National Assembly
1792
81
James Sayer, 1748–1823
Loyalty - Against - Levelling - "Nought can Make us Rue if England to itself do Rest but True" (from: Caricature, vol. 5)
1792
82
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
83
Print made by John Condé, 1765–1794
Melania
1792
84
Richard Newton, 1777–1798
Michael driving Satan out of Paradise
1792
85
Richard Newton, 1777–1798
Ca Ira - or John Bull studying the Graces!!---
1792
86
George Townly Stubbs, 1748–1815
[Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ...
1792
87
unknown artist
Falstaff reproved by King Henry
1792
88
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
89
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
90
George Morland, 1763–1804
The Farmer's Stable
1792
91
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
92
Joseph Constantine Stadler, active 1780–1812
The Farm House
1792
93
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
94
Christian von Mechel, 1737–1817
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
95
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
96
William Ellis, 1747–1810
Islington Church
1792
97
unknown artist
View in Margaret Street
1792
98
unknown artist
The Earl of Mansfield's at Caen Wood near Hampstead
1792
99
unknown artist
Lord Southampton's Lodge at Highgate, Middlesex
1792
100
unknown artist
Sir Charles Asgill's Villa, with a View of the Bridge at Richmond, Surrey